I said I did not.
He said, “A poet needs an adventurous, sensuous infancy to enlarge his appetites. But large appetites must be given a single direction or they will produce a mere healthy human being. So the rich infancy must be followed by a childhood of instruction which starves the senses, especially of love. The child is thus forced to struggle for love in the only place he can experience it, which is memory, and the only place he can practise it, which is imagination. This education, which I devised, destroys the minds it does not enlarge. You are my first success. Stand up.”
I did, and he stooped, with difficulty, and tied the dark green ribbons round my knees. I said, “Am I a poet now?” He said, “Yes. You are now the emperor’s honoured guest and tragic poet, the only modern author whose work will be added to the classics of world literature.” I asked when I could start writing. He said, “Not for a long time. Only the emperor can supply a theme equal to your talent and he is not ready to do so. But the waiting will be made easy. The days of the coarse robe, dull teachers and dark room are over. You will live in the palace.”
I asked him if I could see my parents first. He said, “No. Honoured guests only speak to inferior classes when asking for useful knowledge and your parents are no use to you now. They have changed. Perhaps your small pretty mother has become a brazen harlot like her sister, your strong silent father an arthritic old bore like the emperor Hyun. After meeting them you would feel sad and wise and want to write ordinary poems about the passage of time and fallen petals drifting down the stream. Your talent must be preserved for a greater theme than that.”
I asked if I would have friends at the palace. He said, “You will have two. My system has produced one other poet, not very good, who may perhaps be capable of some second-rate doggerel when the order-to-write comes. He will share your apartment. But your best friend knows you already. Here is his face.”
He gave me a button as broad as my thumb with a small round hairless head enamelled on it. The eyes were black slits between complicated wrinkles; the sunk mouth seemed to have no teeth but was curved in a surprisingly sweet sly smile. I knew this must be the immortal emperor. I asked if he was blind.
“Necessarily so. This is the hundred-and-second year of his reign and all sights are useless knowledge to him now. But his hearing is remarkably acute.”
So I and Tohu moved to the palace of the old capital and a highly trained entourage distracted my enlarged mind from the work it was waiting to do. We were happy but cramped. The palace staff kept increasing until many honoured guests had to be housed in the city outside, which took away homes from the citizens. No new houses could be built because all the skill and materials in the empire were employed on the new palace upriver, so all gardens and graveyards and even several streets were covered with tents, barrels and packing-cases where thousands of families were living. I never used the streets myself because honoured guests there were often looked at very rudely, with glances of concealed dislike. The emperor arranged for the soles of our ceremonial clogs to be thickened until even the lowest of his honoured guests could pass through a crowd of common citizens without meeting them face-to-face. But after that some from the palace were jostled by criminals too far beneath them to identify, so it was ordered that honoured guests should be led everywhere by a janitor and surrounded by their entourage. This made us perfectly safe, but movement through the densely packed streets became very difficult. At last the emperor barred common citizens from the streets during the main business hours and things improved.
Yet these same citizens who glared and jostled and grumbled at us were terrified of us going away! Their trades and professions depended on the court; without it most of them would become unnecessary people. The emperor received anonymous letters saying that if he tried to leave, his wharves and barges would catch fire and the sewage ditches would be diverted into the palace reservoir. You may wonder how your son, a secluded poet, came to know these things. Well, the headmaster of civil peace sometimes asked me to improve the wording of rumours authorized by the emperor, while Tohu improved the unauthorized ones that were broadcast by the beggars’ association. We both put out a story that citizens who worked hard and did not grumble would be employed as servants in the new palace. This was true, but not as true as people hoped. The anonymous letters stopped and instead the emperor received signed petitions from the workingmen’s clubs explaining how long and well they had served him and asking to go on doing it. Each signatory was sent a written reply with the emperor’s seal saying that his request had been heard and respected. In the end the court departed upriver quietly, in small groups, accompanied by the workingmen’s leaders. But the mass of new palace servants come from more docile cities than the old capital. It is nice to be in a safe home with nobody to frighten us.
I am stupid to mention these things. You know the old capital better than I do. Has it recovered the bright uncrowded streets and gardens I remember when we lived there together so many years ago?
This afternoon is very sunny and hot, so I am dictating my letter on the observatory tower. There is a fresh breeze at this height. When I climbed up here two hours ago I found a map of the palace on the table beside my map of the stars. It seems my requests are heard with unusual respect. Not much of the palace is marked on the map but enough to identify the tops of some big pavilions to the north. A shining black pagoda rises from the garden of irrevocable justice where disobedient people have things removed which cannot be returned, like eardrums, eyes, limbs and heads. Half-a-mile away a similar but milkwhite pagoda marks the garden of revocable justice where good people receive gifts which can afterwards be taken back, like homes, wives, salaries and pensions. Between these pagodas but further off, is the court of summons, a vast round tower with a forest of bannerpoles on the roof. On the highest pole the emperor’s scarlet flag floats above the rainbow flag of the headmasters, so he is in there today conferring with the whole college.
Shortly before lunch Tohu came in with a wood-cut scroll which he said was being pinned up and sold all over the market, perhaps all over the empire. At the top is the peculiar withered-apple-face of the immortal emperor which fascinates me more each time I see it. I feel his blind eyes could eat me up and a few days later the sweet sly mouth would spit me out in a new, perhaps improved fom. Below the portrait are these words:
Forgive me for ruling you but someone must. I am a small weak old man but have the strength of all my good people put together. I am blind, but your ears are my ears so I hear everything. As I grow older I try to be kinder. My guests in the new palace help me. Their names and pictures are underneath.
Then come the two tallest men in the empire. One of them is:
Fieldmarshal Ko who commands all imperial armies and police and defeats all imperial enemies. He has degrees in strategy from twenty-eight academies but leaves thinking to the emperor. He hates unnecessary people but says “Most of them are outside the great wall.”
The other is:
Bohu, the great poet. His mind is the largest in the land. He knows the feelings of everyone from the poor peasant in the ditch to the old emperor on the throne. Soon his great poem will be painted above the door of every townhouse, school, barracks, post-office, law-court, theatre and prison in the land. Will it be about war? Peace? Love? Justice? Agriculture? Architecture? Time? Fallen apple-blossom in the stream? Bet about this with your friends.