Not before forgiving the stricken brother, however, and extracting his vow to end the feud for all time.
Not the worst of plays, by any means, and with enough action to please the male members of the audience.
:I see at least a dozen people I know down in the audience,: Myste remarked. :The most interesting thing is, though, that—Look, see that bald-headed fellow down there, stage left? The one who seems to be in charge of the scene changing? I know him very well. The last time I saw him, he was the butler for an officious little mercer I did regular work for. I wonder how he got this job?:
:Really?: Well, that could be interesting, if he happened to recognize Myste.
And even as that thought passed through Alberich’s mind, the man looked up at their gallery, blinked, and peered upward at them, through the torch smoke and lantern light.
He gave a tentative wave. Myste nodded, and waved back. He grabbed a passing boy, said something to him, pointed at Myste, and shoved him in the direction of the stairs. A few moments later, the boy clambered toward them.
“’Scuze me, mum, but Laric wants t’know, if you’re Myste, Myste Willenger, the clerk?” the boy asked.
“That I am,” Myste replied, without a moment of hesitation.
The boy grinned. “Well, mum, then Laric ’ud like ter talk with you arter the play, if you’ve time, an could use some work,” the boy continued. “’Cause he’s got a job that needs doin’.”
Myste grinned. “Tell him, thanks. Who can’t use extra work?”
The boy grinned back. “I’ll tell ’im, mum.”
With that, he scrambled back down the stairs, presumably to find the now-vanished Laric. Myste settled down for the second act, with a smile like a cat in cream.
:Well. How about that for an opportunity dropping into our laps?: she asked.
Alberich could only shake his head in amazement.
9
Alberich and Myste lingered after the end of the last act, assuming that Laric would seek them out as soon as the audience cleared out. It was a reasonable assumption; both of them assumed he would not have interrupted his urgent work to send up a boy if he hadn’t intended to get to Myste as soon as he could. It wasn’t comfortable, sitting out there in the cold, on the hard benches, but both Alberich and Myste had the feeling that it just might be worth the wait.
And they were right. As soon as the actors took their final bows, the audience began to shove its way out. Once the actors were gone, the audience lost interest in what, to Alberich, was actually more interesting than the play itself. In the torchlight, there had been a certain—something—that had given an illusion of reality to the play. Now the illusion was coming apart, bit by bit, and it was fascinating to Alberich to see how it had been put together in the first place.
First, the lamps at the edge of the stage were blown out and gathered up, and the stagehands began clearing away the properties on the stage, carrying them back behind what had looked like a false front of several buildings made rather solidly of wood. But it was now apparent that it wasn’t wood at all, nor solid, but another canvas backdrop of the same sort that the troupe had used during the Festival. With no one being careful about how they moved around it, the thing rippled and waved as people went behind it. Two other bits of business that stood on either side of the canvas, hiding the edges, looked a bit more solid. They were only a single story tall, though they had a pair of doors in them that the actors had used to come and go. As two stagehands hauled off the “horses” that the hero and heroine were to have escaped on, Laric dashed out of one of the doors in the scenery onto the edge of the stage, and peered up at the balcony. “Heyla!” he shouted, and waved at her. She waved back. “Myste! Stay right there for a bit while I tie things up!”
Myste nodded vigorously; evidently that was enough for Laric, who dashed back through the false door again. “Tie things up, hmm?” she said cheerfully to Alberich. “I hope that isn’t literal.”
“That, I could not tell you. I know nothing of—all this,” Alberich admitted, waving vaguely at the stage. And at precisely that moment, the painted cloth at the back of the stage, depicting the outer walls of several buildings, dropped down to the stage with a bang, along with the pole it was fastened to along the top. Behind it was another, with a forest or garden scene; it came down next. And finally, a third, showing stalls of a market and sky—that was the setting for the Ice Festival. Down it came, revealing the bare front of the stables, which was three stories tall, like the rest of the inn, though Alberich could not for a moment imagine what they would need three stories for.
Well, this was a busy place, with a lot of animals coming and going. Maybe they needed all that space for hay and straw storage.
A cheerful-looking little boy had been up at the top, where there was a crane and a pulley with a rope still hanging from it. Apparently that was what the backdrops had been fastened to. Now he slid down from the upper loft of the stables on the rope there, and he and another stagehand began rolling up the three backdrops on their poles. With another bang, one of the two pieces of scenery that screened each side of the backcloth fell over, and two more men came up to haul it away. The second one followed in short order. In a remarkably short period of time, not only had the sets and properties vanished into the stable, so had the stage itself, which apparently came apart, although it seemed solid enough even with all of those actors leaping about on it. That explained how the troupe had been able to get a stage into their tent that could take the amount of abuse they had been delivering with every performance. Alberich watched in fascination until there was nothing to be seen but a perfectly ordinary-looking inn courtyard with the stables at the rear.
And that was when Laric emerged from the stable door again and wearily climbed the nearest staircase, heading in their direction. He mopped his red face with a handkerchief the size of a small sail as he came. He was a very big man, with an imposing belly, red-faced, with hair going thin at his temples and surprisingly honest eyes. Not that Alberich was going to trust how someone looked to tell him anything about that person’s real nature.
His clothing was ordinary enough: a sheepskin vest over a heavy knitted tunic and moleskin breeches. He wore shoes, rather than boots, but most city dwellers did. If you had to go out in fresh snow that hadn’t been shoveled or packed down yet, and you didn’t have boots, you just wrapped your feet, shoes and all, in canvas, and tied it around your calves with twine.
“Damme, but if makin’ an honest livin’ ain’t the hardest work going!” he exclaimed as they both stood up. “Myste, where you been? I got hauled in to stage manage for this idiot lot, and just when I had some work for ye, ye ups and vanishes!”