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Selected Bibliography

PRIMARY SOURCES

A. Books

ARNHEIM, RUDOLPH. Art and Visual Perception. Berkeley and Los Angeles, Calif.: University of California Press, 1954.

BAZIN, ANDRÉ. What Is Cinema? Translated by HUGH GRAY. Berkeley and Los Angeles, Calif.: University of California Press, 1967.

BLEIBTREU, JOHN N. The Parable of the Beast. New York: Collier Books, 1969.

BRONOWSKI, J. Science and Human Values. New York: Harper & Brothers, 1965.

CAGE, JOHN. A Year from Monday. Middletown, Conn.: Wesleyan University Press, 1968.

CASTANEDA, CARLOS. The Teachings of Don Juan: A Yaqui Way of Knowledge.

Berkeley and Los Angeles, Calif.: University of California Press, 1968.

CHINN, HOWARD A. Television Broadcasting. New York: McGraw-Hill, Inc., 1953.

COLLINGWOOD, R. B. Principles of Art. Oxford, England: Clarendon Press, 1938.

CONZE, EDWARD. Buddhist Wisdom Books: The Diamond Sutra, The Heart Sutra.

London: George Allen & Unwin, Ltd., 1958.

DEWEY, JOHN. Art as Experience. New York: Capricorn Books, 1958.

EHRENZWEIG, ANTON. The Hidden Order of Art. Berkeley and Los Angeles, Calif.: University of California Press, 1967.

EVANS-WENTZ, W. Y. The Tibetan Book of the Dead. New York: Galaxy Books, Oxford University Press, 1960.

FIEDLER, CONRAD. On Judging Works of Visual Art. Translated by HENRY

SHAEFER-SIMMERN and FULMER MOOD. Berkeley and Los Angeles, Calif.: University of California Press, 1949.

FULLER, R. BUCKMINSTER. Education Automation. Carbondale, Ill.: Southern Illinois University Press, 1962.

— — — — . Ideas and Integrities. New York: Collier Books, 1969.

— — — — . Operating Manual for Spaceship Earth. Carbondale, Ill.: Southern Illinois University Press, 1969.

GOMBRICH, E. H. Art and Illusion. (The Bollingen Series XXXV.) New York: Pantheon Books, Inc., 1960.

HESSE, HERMANN. Demian. New York: Bantam Books, Inc., 1968.

— — — — . The Glass Bead Game. New York: Holt, Rinehart, and Winston Inc., 1969.

HUTCTHINS, ROBERT M. The Learning Society. New York: Frederick A.

Praeger, Inc., 1968.

KAHN, HERMAN, and WIENER, ANTHONY J. The Year 2000. New York: Macmillan, 1967.

KELMAN, KEN. "Anticipations of the Light," from The New American Cinema, ed.

GREGORY BATTCOCK. New York: Dutton Paperbacks, 1967.

KLEE, PAUL. The Thinking Eye. London: Lund Humphries, Inc., 1961

KRISHNAMURTI, J. The First and Last Freedom. Wheaton, III.: Quest Books , Inc., 1968.

LEE, DAVID. "A Systematic Revery from Abstraction to Now," from Minimal Art, ed. GREGORY BATTCOCK. New York: Dutton Paperbacks, 1968.

LILLY, JOHN C. The Human Bio-Computer. Miami, Fla.: Commumications Research Institute, 1967.

MC HALE, JOHN. The Future of the Future. New York: George Braziller, Inc., 1969.

MC LUHAN, MARSHALL. Understanding Media: The Extensions of Man. New York: McGraw-Hill, Inc., 1965.

— — — — and FIORE, QUENTIN War and Peace in the Global Village. New York: Bantam Books, Inc., 1968.

MILLERSON, GERALD. The Techniques of Television Production. New York: Hastings House, 1961.

MONDRIAN, PIET. Plastic Art and Pure Plastic Art. New York: Wittenborn Schultz, Inc., 1945.

PAUWELS, LOUIS, and BERGIER, JACQUES. The Morning of the Magicians.

New York: Avon Books, 1968.

PIERCE, J. R. Symbols, Signals, and Noise. New York: Harper & Brothers, 1961.

PLATO. The Republic. Translated by A. D. LINDSAY. New York: Dutton Paperbacks, 1957.

READ, HERBERT. Icon and Idea. New York: Schocken Books, 1965.

REISZ, KAREL. The Techniques of Film Editing. New York: Hastings House, 1968.

RENAN, SHELDON. An Introduction to the American Underground Film. New York: Dutton Paperbacks, 1967.

SCHON, DONALD. Technology and Change. New York: Delacorte Press, 1967.

SEGAL, MARSHALL H., CAMPBELL, DONALD T. and HERSKOVITS, MELVILLE J.

The Influence of Culture on Visual Perception. Indianapolis, Ind.: Bobbs-Merrill, Inc., 1966.

SONTAG, SUSAN. Against Interpretation. New York: Delta Books, 1967.

TEILHARD DE CHARDIN, PIERRE. The Phenomenon of Man. New York: Harper & Row, Inc., 1959.

TRUFFAUT, FRANÇOIS. Hitchcock. New York: Simon & Schuster, Inc., 1968.

VORKAPICH, SLAVKO. "Toward True Cinema," from Film: A Montage of Theories, ed. RICHARD DYER MAC CANN. New York: Dutton Paperbacks, 1966.

WHORF, BENJAMIN. Language, Thought, and Reality. Cambridge, Mass.: M.I.T. Press, 1966.

WIENER, NORBERT. The Human Use of Human Beings. New York: Avon Books, 1967.

WITTGENSTEIN, LUDWIG. Philosophical Investigations. Oxford, England: Blackwell Press , 1968.

ZIMMER, HEINRICH. Myths and Symbols in Indian Art and Civilization. New York: Harper & Brothers, 1946.

Selected Bibilography 423

B. Articles and Periodicals

BELL, DANIEL. Charles Fourier: Prophet of Eupsychia, The American Scholar (Winter, 1968-69), p. 50.

— — — — (ed.). "Toward the Year 2000: Work in Progress," Daedalus (Summer 1967).

BLUE, JAMES. "Jean Rouch in Conversation with James Blue," Film Comment (Fall-Winter, 1967), pp. 84, 85.

BRAKHAGE, STAN. “Metaphors on Vision,” ed. P. Adams Sitney. Film Culture (Fall, 1963) BROWN, NORMAN O. “Apocalypse: The Place of Mystery in the Life of the Mind,"

Harper's (May, 1961).

BURNHAM, JACK. Systems Esthetics, Artforum (September, 1968), pp. 30 - 35.

CALDER, RITCHIE. “The Speed of Change,” Bulletin of the Atomic Scientists (December, 1965).

CLARKE, ARTHUR C. “The Mind of the Machine,” Playboy (December, 1968 ), p. 116.

— — — — . "Next— The Planets," Playboy (March, 1969), p. 100.

COPLANS, JOHN. "Serial Imagery," Artforum (October, 1968), pp. 34-43.

"Filming 2001: A Space Odyssey," The American Cinematographer (June, 1968).

FULLER, R. BUCKMINSTER. "Planetary Planning," text of the Jawaharlal Nehru Memorial Lecture. New Delhi, India (November 13, 1969).

— — — — . “The Prospect for Humanity,” Good News, eds. EDWIN SCHLOSSBERG and LAWRENCE SUSSKIND. New York: Columbia University, 1968.