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"There," Druze said, and with a heavy pivoting motion of his shoulders he managed to flip the body onto its side, the legs rolling out of the muck below. Mud caked the nose and mouth, but one eye socket was clear. As the rain washed away the last of the soil, they could see the dead white orb of an eye looking up at them.

"Jesus," Druze said, stepping back.

"I told you!" Bekker screamed. His hand groped in his pocket and came out with a screwdriver. "I told you, I told you, I told you…"

He held the corpse's head by the hair and drove the screwdriver first into one eye socket, then the other, over and over, ten times, twenty, thirty, with furious power, screaming, "I told you," until Druze grabbed him by the collar and jerked him out of the hole, hollering, "Enough, enough, enough…"

They stood looking at each other for a moment, the rain still driving down, Bekker gasping for breath, staggering, Druze afraid he was having a heart attack, and then Bekker said, "Yeah… that should be enough."

He took the flashlight from Druze, squatted next to the hole and with an almost gentle hand turned George's head. The eyes were deep bloodless holes, quickly filling with mud.

Bekker looked up, and a long flash of lightning from the distant storm lit him up as clearly as a fly on a television screen. His face was beautiful again, clear, the face of an angel, his white teeth flashing in a brilliant smile.

"That should do it," he said. He let George's head go, and the body flipped facedown into the watery hole with a wet, sucking splash.

Bekker stood up, turning into the rain, letting it wash him. He was bouncing, Druze thought: Jesus, it's a dance. And as Bekker danced, the rain slowed, then stopped. Druze was backing away, frightened, fascinated.

"Well," Bekker said a moment later, his labored breath squeezing through the hysterical smile, "I suppose we should fill the hole, should we not?"

The grave filled quickly. The last they saw of Philip George was his right foot, the sock pulled down around the hairless, paper-white ankle, the shoe already rotting with water. Druze beat the surface down with the shovel, then kicked some leaves and brambles over the freshly turned soil. "Let's get the fuck out of here," he said.

They hurried back to the car, and Druze had to jockey it back and forth to turn in the narrow track in front of the cabin. Bekker, his voice clear and easy now, said, "Check the answering machine. Three, four times a day. Call from public phones. When George turns up missing, the cops are probably going to sit on me. If I've got to talk to you… the tapes are the only way. And listen, don't forget to press number three, and reset the tape."

"I meant to ask you about that," Druze said, as he wrestled the Dodge onto the blacktopped road. "If you reset the tape, isn't the message still there…?"

Across the lake, the yellow rectangle burned in the cabin window. A woman in a pink robe, her hair in curlers, sat under the light reading an old issue of Country Living. She was facing an old-fashioned picture window, positioned to look over the lake, when Druze and Bekker got back to the car.

"Richard," she called to her husband, and stood and looked out the window. "There are those headlights again… I'm going to call Ann. I really don't think they were planning to come up tonight."

CHAPTER 17

Lucas punched the Porsche down the country highway, hissing along the wet blacktop, past woodlots of unleafed trees and the sodden, dark fall-tilled fields. The day was overcast, the clouds the color of slag iron. A deer, hit by a car, probably the night before, lay folded like an awkward, bone-filled backpack in a roadside ditch. A few hundred yards farther along, a dead badger had been flung like a rag over the yellow line.

He'd been to two hundred murder scenes, all of them dismal. Were murders ever done in cheerful surroundings, just by accident? He'd once gone to a murder scene at an amusement park. The park hadn't yet opened for the season, and although it made a specialty of fun, the silent Ferris wheels, the immobile roller coasters, the awkward Tilt-A-Whirls, the Empty House of Mirrors were as sinister as any rotting British country house on a moor…

He crested a low hill, saw the cop cars parked along the road, with an ambulance facing into a side road. A fat deputy sheriff, one thumb hooked under a gunbelt, gestured for him to keep moving. Lucas swung onto the shoulder, killed the engine and climbed out.

"Hey, you." The fat deputy was bearing down on him. "You think I was doin' aerobics?"

Lucas took his ID out of his coat pocket and said, "Minneapolis police. Is this…?"

"Yeah, down there," the deputy said, gesturing at the side road, backing off a step. He tried a few new expressions on his face and finally settled for suspicion. "They told me to keep people moving."

"Good idea," Lucas said mildly. "If the word gets out, you're gonna get about a million TV cameras before too long… How come everybody's parked out here?"

Lucas' collegial attitude loosened the deputy up. "The guy who answered the call thought there might be tracks down there in the mud," the fat man said. "He thought we ought to get some lab people out here."

"Good call," Lucas said, nodding.

"I don't think we'll see any television," the fat man said. Lucas couldn't tell if that made him happy or unhappy. "Old D.T. put a lid on everything. D.T.'s the guy running the show down there."

"Hope we can keep it on," Lucas said, heading toward the side road. "But if they do turn up, don't take any shit from them at all."

"Right on." The deputy grabbed his gunbelt in both hands and gave it a hitch.

The side track was two hundred yards long. At the end of it, Lucas found a nervous gray-haired woman and a pipe-smoking man sitting on the narrow porch of a cabin, both in cable-knit sweaters and slickers. Beyond the cabin, in a tangle of brush and brambles, Swanson was standing in a pod of people, some in uniform, others in civilian clothes.

Lucas walked past the cabin and gingerly into the scrub, staying away from a long strip of yellow police tape that outlined the original track into the raspberry bushes. Halfway back, a uniformed deputy, working on his hands and knees, was pouring casting compound into a footprint. He looked up briefly as Lucas went by, then turned back to his work. He'd already poured some casts farther along the trail.

"Davenport," Swanson said, when Lucas pushed through to the end of the track. Two funeral home attendants in cheap dark suits were waiting to one side, a carry litter with pristine sheets for the uncaring body set carefully by their feet. Two more men, deputies, were working in a muddy foxhole, excavating the body with plastic hand trowels, like archaeologists on a dig. The body was half uncovered, but the face was still down. Swanson stepped away from the group, his face gloomy.

"It's for sure? George?" Lucas asked.

"Yeah. When they went into the hole, they got his foot, and the deputy stopped the digging and called for help. When they started again, they got to his hip, took his billfold out of his pocket. The same guy who found him recognized the name and called for help again. The clothes are right. It's him."

Lucas stepped off to the side to get a better look at the hole. A foot stuck up awkwardly, like a grotesque tree shoot struggling for the sun. A sheriff's deputy in a ball cap and a raincoat came over and said, "You're Davenport?"

"Yeah."

"D.T. Helstrom," the deputy said, sticking out a bony hand. He was a thin man, with a dark, weathered face. Smile lines creased his cheeks at the corners of his mouth. "I've seen you on TV…"

They shook hands and Lucas said, "You were the first guy out here?"

"Yes. The couple back there on the porch…?"

"I saw them," Lucas said. He moved away from the hole with Swanson and Helstrom as they talked.

"They saw some lights over here last night. We have a lot of break-ins in these lake cabins, so I came by and checked it out. There was nothing at the cabin, but I could see somebody had been through the bushes. I went along… and there was the grave."