He crossed the Fifth Street exit, past Highway 61, and exited at White Bear Avenue. Drove into a Standard station, called the number Bekker had given him, got the answering machine and spoke a single syllable: "Yes."
Back on I-94, fifty-five miles per hour all the way, ignoring the signs for sixty-five, through the double bridge across the St. Croix River at Hudson, out of Minnesota and up the Wisconsin side. The interstate mileage signs started on the western ends of each state, so he could count the ascending numbers as he moved deeper into Wisconsin, ten miles, twelve. He took the exit specified by Bekker, heading north.
Four-point-two miles, three red reflectors on a sign at the turnoff. He found it, right where Bekker had said, took the turnoff and bumped down a dirt track. Two-tenths of a mile. The track ended at a simple post-and-beam log cabin, a door in the center, a square window on either side of the door. The cabin was dark. In the headlights, he could see a brass padlock hanging from a hasp on the door.
Beyond the cabin, Druze could see moonlight on the lake. Not much of a lake; almost like a large pond, rimmed with cattails. He turned off the car lights, got out and walked down to the water, his feet groping for the path between the cabin and the water. There was a dark form off to his left, and he stepped next to it, trying to figure out what it was. Boards, on a steel frame, tires… a rollout dock. Okay.
On the opposite side of the lake, he could see a single lighted window but not the house around it. There was no sound but the wind in the trees. He stood for a moment, listening, watching, then hurried back up to the car.
George was easier to handle this time, because Druze didn't have to move so quickly or quietly. He got a flashlight from the glove compartment, then grabbed George by the necktie and the crotch, and hauled him out of the wagon. He threw the body over his shoulder like a sack of oatmeal and carried it down past the end of the track, as Bekker had said, past the tire swing hanging from the cottonwood. He flicked the light off and on, as he needed to spot footing; he was walking diagonally away from the cabin across the lake, so the light wouldn't be visible at the other house.
Blackberry brambles, dead but still armed, plucked at his clothing. Through the brambles, Bekker had said. Just go straight on back, nobody goes out there. Bekker and Stephanie had explored the place three years earlier, when she had been looking for a lake cabin. They'd seen the "For Sale" sign on the way back from another lake, stopped to look, found the cabin vacant, stayed for ten minutes, then moved on. The cabin was primitive: an outhouse, no running water, no insulation. Summer only. Stephanie hadn't been interested, and nobody in the world knew they had been there.
Druze pushed through the brambles until the ground went soft, then dumped the body. He flicked the light on, looked around. He was on the edge of a bleak, rough-looking tamarack swamp. Bekker was right. It could be years before anyone came back here. Or never…
Druze walked back to the car, got the spade and went to work. He labored steadily for an hour, feeling his muscles overheat. Nothing fancy, he thought; just a hole. He dug straight down, a pit three feet in diameter, the soil getting heavier and wetter as he dug deeper. He hit a few roots, flailed at them with the spade, cut through, went deeper, covering himself with muck. At the end he had a waist-deep hole, flooded ankle-deep with muddy water. He climbed out of it, beaten, grabbed the body by the necktie and pantleg, and dumped it headfirst into the hole. There was a splash, and he flicked the light on. George's head was underwater, his feet sticking up. His socks had fallen down around very white ankles, Druze noticed, and one shoe had a hole in the sole…
He stood for a moment, resting, the clouds whipping overhead like black ships, the moon sliding behind one, then peeking out, then going down again. Cold, he thought. Like Halloween. He shivered, and started to fill the hole.
No one saw, no one heard.
He backed the car out, not turning on the headlights until he was down the track. He was in St. Paul before he realized he'd forgotten to cut George's eyes.
Fuck his eyes. And fuck Bekker.
Druze was free of the tarbaby.
Two campus cops cruised past George's Jeep and flashed the meter. More than an hour on the clock.
"Yes."
The single syllable was in his ear, like stone, so hard. George was dead.
Bekker, standing in the hallway outside the restaurant entrance, dropped the phone in its cradle and danced his little jig, bobbing up and down, hopping from foot to foot, chortling. Caught himself. Looked around, guilty. Nobody. And they were clean. There were details to be tidied away, but they were details. After he got rid of the Jeep, there'd be no way to connect him to anything. Welclass="underline" there'd be one way. But that was a detail.
He glanced at his watch: not quite midnight. Druze should be in Wisconsin by now. Bekker walked out to his car, drove to the hospital, parked. Took the cigarette case from his pocket, opened it in the gloom, popped one of the special Contac capsules, inhaled. The coke hit him immediately, and he rode with it, head back, eyes closed…
Time to go. Nobody was following, but if someone was, he could handle it. He and his friends. He walked through the hospital lobby and took the stairs. Down, this time. Used his key to get into the tunnel and walked through the maintenance tunnel to the next building. Everybody did it, especially in the winter. But the cops wouldn't know.
Careful, he told himself, paranoia… there were no cops. The dope was in his blood… but what was it, exactly? He couldn't quite remember. There had been some amphetamines, he always did those, and a lick of the PCP; he'd had some aspirin, a lot of aspirin, actually, for an incipient headache, and his regular doses of anabolic steroids for his body and the synthetic growth hormone as part of his antiaging trip. All balanced, he thought: and for creativity, a taste of acid? He couldn't remember.
He walked out of the next building, pulling his collar up, the brim of his hat down. Peik Hall was three minutes away. He got close, walked behind a building onto Pillsbury, down the street, pulling on his driving gloves. The Jeep was there, right where it should be. He stooped, found the keys, unlocked the door and got inside. This was the risky part. Fifteen minutes' worth. But if he got the car to the airport, the cops might be bluffed into thinking that George had taken off on his own…
The campus cops came back ten minutes later. The Jeep was gone. One of the cops saw something round and flat winking up at her in the headlights, and she said, "Something over there?"
"Where?"
"Right there. Looks like money."
She got out, stooped and picked it up. Lug nut. She tossed it in the back of the squad car.
"Nothing," she said.
Bekker took the Jeep out the same way Druze had driven, down to I-94, but westbound, to I-35W, south on I-35W and then on the Crosstown Expressway to the airport. He dropped the Cherokee in the long-term parking garage and left the ticket under the visor. Back on the street, he flagged a cab, keeping his hat down against the wind and against identification.
"Where to?" the cabbie grunted. He wasn't interested in talking.
"The Lost River Theater, on Cedar Avenue…"
From the Lost River, it was a twenty-minute walk to the hospital. He went in the way he'd come out, walked up to his office and sat for ten minutes. He remembered to call the answering machine and, using the touch-tone buttons, ordered it to reset. He waited a few more minutes, impatient, then turned off the lights in his office and went back down to his car.
At home, Bekker stripped off his clothes as he walked up the stairs, dropping them wherever they came off. Stephanie would have been outraged; he smiled as he thought about it. He crawled into his closet and took two tabs of phenobarbital, two more of methaqualone, two of methadone, a heavy hit of acid, five hundred mikes. The warmth was incredible. The drugs unwound as they always did-color sequences, clips from life, fantasies, the face of God-then shaded unexpectedly from yellows and reds through pinks into purples; and finally, the fear growing in his throat, Bekker watched the snake uncurl.