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Shank frowned, then said, "You mean Piper?"

"Yes." That was the name.

"Sure she's in. She and Rico're planning the run right now. You want in?"

"Likely," Bandit said. "Good money?"

Shank told him about the money. It was good. Bandit didn't really care. Money was useful for buying food and renting hiding places, but that was all. He only asked about money because it was expected. People who didn't want money were not trusted. "The run will take us where? Someplace interesting?"

Shank nodded, slowly. Seeming puzzled. "Yeah. Sure. I bet it'll be real interesting. Heavy security. Some corp facility."

"High-security facility?"

"Ain't that what I just said?"

Shank meant yes. This was very good, indeed. High-security facilities had high security in order to guard valuable things. Things that might be taken, things that might be hoarded. Or sold. Or traded. Or examined for what they might mean. It was difficult to know what might or might not have value with just a first look, so many things had to be taken to a safe place where they might be hidden and examined carefully. Often with magic. Long magic. What the uninitiated called "ritual magic," as if such magic could be done by rote, without thought or inspiration.

"You interested?" Shank asked.

Bandit nodded, just once. "When do we start?"

The night streamed with energy, throbbing, alive. Maurice slowly ascended, then descended, his astral form rising as high as the walls of the surrounding buildings, men settling down to several meters beneath the black concrete of the alley. All appeared in order. The energies of the astral plane flowed smoothly and harmoniously. No malign species of phantom or magically active being seemed to be in the vicinity.

There was of, course, one minor fluctuation, one small disturbance in the flux of astral space, originating from within the warehouse to his right, but this he had expected.

He had come prepared.

He returned to his physical body, his mundane form. This brought him a sense of dissatisfaction, no less than the necessity of leaving his studies tonight in order to "practice" his Art in the sordid world of the mundane. As he regained his sense-awareness of the physical plane, he sat once again in the rear of his Mercedes limousine. The limousine waited, lights out, in an alley off some street in Sector 2, near the airport, the ocean terminals and piers. "Biffs remain in the car," he said. The five women sharing the rear of the limo with him grumbled briefly in discord. Much as he might have expected. They were his wives. They attended to the innumerable inconsequential details of daily living, thereby freeing him to pursue his arcane inquiries. They had also produced a number of children, who, in time, would also serve him. They expected to accompany him everywhere, imagining that their service to him earned them various inalienable rights.

On a night like this, when certain undeniable facts of existence invaded the hallowed domain of his research, he would grant no latitude, tolerate no dissension. The biffs would do as he said or else face the consequences. Fortunately for all of them, Daniella, his first wife, had the capacity of understanding to order them all into silence.

Daniella would keep them in line.

With one meticulously manicured finger, Maurice pointed. The door to his right clicked and swung open. The faint shimmering in the air by the limo's ceiling drifted out through the open door. Maurice followed it outside.

The night was cool, the air rank with offensive odors. The ground vibrated faintly as with the distant rumble of machinery or passing subway trains. Maurice tucked his ivory-handled walking stick under his arm and tied the sash of his dark, caped coat A trivial exertion of will returned him to his astral perceptions. He found his ally, radiant with etheric energy, facing him from just an arm's length away.

The ally, recently summoned, was proving to possess a peculiar blend of naivete" and eccentricities. Though bound to Maurice's will, his service, the spirit showed signs of developing a uniquely willful personality. It preferred to be addressed as a female. With Maurice's permission, it had assumed an astral form like that of a curvaceous young white woman with long, gold-brown hair, and wearing a flowing halter-top dress that fell to mid-calf. It wished to be called "Vera Causa." Maurice found this troubling.

The spirit spoke to him mind-to-mind, asking, Your desire, master?

Guard, Maurice thought.

Yes, master, the spirit replied. I guard you always. Master is kind and spirits are grateful.

Indeed.

Returned to his mundane physical perceptions, Maurice extended his walking stick and moved up the alley. To his right the big black metal door of a warehouse stood partly open. He paused to examine both door and doorway, which appeared to be unguarded, astrally and otherwise. Master, be cautious, his ally warned. Danger here. Much violence.

That was certainly true.

The open doorway led directly to a landing at the top of a flight of stairs. A faint luminescence from the radiance of the surrounding city carried in through the doorway to dimly illuminate the landing. The stairs, however, descended into pitch blackness. Maurice called forth his magelight with a flick of one finger. The light swelled radiant and full, growing from a mere pinpoint to the size of a globe mounted atop the head of Maurice's stick.

Lifting the stick out before him, Maurice descended the stairs. Again, his ally warned of danger, of the violence that lingered here. Maurice knew the source of this violence. It was the man he had come to see.

The stairs led into a corridor unlit but by Maurice's magelight. Some distance ahead another door waited partly open. Maurice paused to examine it, then stepped through.

That put him in the main chamber, a room two or three times the size of the average simsense theater. At the distant end burned a single candle. Just beyond the candle's small flame stood a man stripped to the waist. He had a mass of wavy blonde hair and a well-muscled, athletically proportioned body. He stood with his feet together, arms at his sides, face turned toward the black of the ceiling hanging closely overhead.

Behind the man, Maurice perceived the huddled form of a woman, nude. Quite dead. "You come again."

The voice carried quietly throughout the space. It was that of the man. He went by many names, but, as Maurice knew, bis real name was Claude Jaeger. His aura was a seething torrent of dark-hued energies. Maurice had encountered homicidal maniacs with clearer auras, but Jaeger was far more dangerous than any lunatic killer. Death clung to him, not hie a leech, but as the source of bis power.

With a shout, Jaeger suddenly turned and lashed out, perhaps with a kick. The movement was so swift, Maurice could not be certain. A dark shape to Jaeger's right, about the sire and shape of a fire door, rang like a bell. Sonics slapped the walls of the surrounding chamber and reverberated. The door, or whatever it was, fell to the floor, clanging loudly, separating into two pieces.

"Does this form of exercise please you?"

Jaeger turned toward Maurice with a face as cold as the concrete underfoot. "It is not exercise," he said. "And, yes, it pleases me greatly." He paused for a moment, men said, "Would you care to try? I have another door."

Maurice considered briefly, then dismissed the thought Jaeger followed the path of a child, that of a physical adept His art, as he called it, was devoted to improving his physical power. His exercises included breaking inanimate objects and living bodies such as human beings. The practice of the art eluded explanation for the simple reason that the art itself was absurd. It was eminently practical, no doubt but had no value beyond the purely mundane. Jaeger himself was like a weapon, effective, but essentially devoid of the desire for truth or for anything more than mere physical stimulation.