"We're still waiting on one person," the attendant sang. "I wonder who it is." Luce's attention snapped back to the Hazard Box, which was now brimming with contraband she didn't even recognize. She could feel the dark-haired boy's green eyes staring at her. She looked up and noticed that everyone was staring. Her turn. She closed her eyes and slowly opened her fingers, letting her phone slip from her grasp and land with a sad thunk on top of the heap. The sound of being all alone.
Todd and the fembot Gabbe headed for the door without so much as a look in Luce's direction, but the third boy turned to the attendant.
"I can fill her in," he said, nodding at Luce.
"Not part of our deal," the attendant replied automatically, as if she'd been expecting this dialogue. "You're a new student again—that means new-student restrictions. Back to square one. You don't like it, you should have thought twice before breaking parole."
The boy stood motionless, expressionless, as the attendant tugged Luce—who'd stiffened at the word "parole" — toward the end of a yellowed hall.
"Moving on," she said, as if nothing had just happened. "Beds." She pointed out the west-facing window to a distant cinder-block building. Luce could see Gabbe and Todd shuffling slowly toward them, with the third boy walking slowly, as if catching up to them were the last thing on his list of things to do.
The dorm was formidable and square, a solid gray block of a building whose thick double doors gave away nothing about the possibility of life inside them. A large stone plaque stood planted in the middle of the dead lawn, and Luce remembered from the Web site the words PAULINE DORMITORY chiseled into it. It looked even uglier in the hazy morning sun than it had looked in the flat black-and-white photograph.
Even from this distance, Luce could see black mold covering the face of the dorm. All the windows were obstructed by rows of thick steel bars. She squinted. Was that barbed wire topping the fence around the building?
The attendant looked down at a chart, flipping through Luce's file. "Room sixty-three. Throw your bag in my office with the rest of them for now. You can unpack this afternoon."
Luce dragged her red duffel bag toward three other nondescript black trunks. Then she reached reflexively for her cell phone, where she usually keyed in things she needed to remember. But as her hand searched her empty pocket, she sighed and committed the room number to memory instead.
She still didn't see why she couldn't just stay with her parents; their house in Thunderbolt was less than a half hour from Sword & Cross. It had felt so good to be back home in Savannah, where, as her mom always said, even the wind blew lazily. Georgia's softer, slower pace suited Luce way more than New England ever had.
But Sword & Cross didn't feel like Savannah. It hardly felt like anywhere at all, except the lifeless, colorless place where the court had mandated she board. She'd overheard her dad on the phone with the headmaster the other day, nodding in his befuddled biology-professor way and saying, "Yes, yes, maybe it would be best for her to be supervised all the time. No, no, we wouldn't want to interfere with your system."
Clearly her father had not seen the conditions of his only daughter's supervision. This place looked like a maximum-security prison.
"And what about, what did you say—the reds?" Luce asked the attendant, ready to be released from the tour.
"Reds," the attendant said, pointing toward a small wired device hanging from the ceiling: a lens with a flashing red light. Luce hadn't seen it before, but as soon as the attendant pointed the first one out, she realized they were everywhere.
"Cameras?"
"Very good," the attendant said, voice dripping condescension. "We make them obvious in order to remind you. All the time, everywhere, we're watching you. So don't screw up—that is, if you can help yourself."
Every time someone talked to Luce like she was a total psychopath, she came that much closer to believing it was true.
All summer, the memories had haunted her, in her dreams and in the rare moments her parents left her alone. Something had happened in that cabin, and everyone (including Luce) was dying to know exactly what. The police, the judge, the social worker had all tried to pry the truth out of her, but she was as clueless about it all as they were. She and Trevor had been joking around the whole evening, chasing each other down to the row of cabins on the lake, away from the rest of the party. She'd tried to explain that it had been one of the best nights of her life, until it turned into the worst.
She'd spent so much time replaying that night in her head, hearing Trevor's laugh, feeling his hands close around her waist, and trying to reconcile her gut instinct that she really was innocent.
But now, every rule and regulation at Sword & Cross seemed to work against that notion, seemed to suggest that she was, in fact, dangerous and needed to be controlled.
Luce felt a firm hand on her shoulder.
"Look," the attendant said. "If it makes you feel any better, you're far from the worst case here."
It was the first humane gesture the attendant had made toward Luce, and she believed that it was intended to make her feel better. But. She'd been sent here because of the suspicious death of the guy she'd been crazy about, and still she was "far from the worst case here"? Luce wondered what else exactly they were dealing with at Sword & Cross.
"Okay, orientation's over," the attendant said. "You're on your own now. Here's a map if you need to find anything else." She gave Luce a photocopy of a crude hand-drawn map, then glanced at her watch. "You've got an hour before your first class, but my soaps come on in five, so" — she waved her hand at Luce—"make yourself scarce. And don't forget," she said, pointing up at the cameras one last time. "The reds are watching you."
Before Luce could reply, a skinny, dark-haired girl appeared in front of her, wagging her long fingers in Luce's face.
"Ooooooh," the girl taunted in a ghost-story-telling voice, dancing around Luce in a circle. "The reds are watching youuuu."
"Get out of here, Arriane, before I have you lobotomized," the attendant said, though it was clear from her first brief but genuine smile that she had some coarse affection for the crazy girl.
It was also clear that Arriane did not reciprocate the love. She mimed a jerking-off motion at the attendant, then stared at Luce, daring her to be offended.
"And just for that," the attendant said, jotting a furious note in her book, "you've earned yourself the task of showing Little Miss Sunshine around today."
She pointed at Luce, who looked anything but sunny in her black jeans, black boots, and black top. Under the "Dress Code" section, the Sword & Cross Web site had cheerily maintained that as long as the students were on good behavior, they were free to dress as they pleased, with just two small stipulations: style must be modest and color must be black. Some freedom.
The too-big mock turtleneck Luce's mom had forced on her this morning did nothing for her curves, and even her best feature was gone: Her thick black hair, which used to hang down to her waist, had been almost completely shorn off. The cabin fire had left her scalp singed and her hairline patchy, so after the long, silent ride home from Dover, Mom had planted Luce in the bathtub, brought out Dad's electric razor, and wordlessly shaved her head. Over the summer, her hair had grown out a little, just enough so that her once-enviable waves now hovered in awkward twists just below her ears.