He pulled his DARPA-enhanced iPhone from his pocket and scrolled through to his Images folder, typed in the password, and called up the blueprint of Pak's building. It was incomplete and partially speculative, cobbled together by Grimsdottir using a collage of sources: satellite imagery, tourist photos, electrical grid maps, similar buildings in other parts of the country . . . She'd used it all to give Fisher at least a sketch of what he'd be facing.
Looking at it now, his best guess put the elevator directly behind the wall at his back. He looked up. The wall, ten feet wide--typical of an elevator shaft--extended all the way to the roof. If there were cameras in the building, the first place he would likely find them would be on each floor, facing the elevators.
After waiting for his smoking soldier to pass by once again, Fisher rose into a crouch, then reached up, grabbed the railing, chinned himself up, scanned the hall for cameras and, seeing none, rolled over onto the floor, where he pressed himself flat against the elevator shaft's wall and sidestepped up to the corner.
He heard the whirring of the camera before he saw the camera itself. He stopped short, went still.
Long before his days with Third Echelon, Fisher had dealt with more than his fair share of surveillance cameras using only his ears and his good timing. Faint though they were, camera motors had a distinct aural signature, especially at their range stops, the point at which a rotating camera reaches its panning limit to the left or right. It is at this point, as the motor pauses then reverses the camera's direction, that a well-tuned ear can detect the barely perceptible strain on the motor. And it was this sound Fisher was listening for as he stood motionless, back pressed against the wall, eyes closed . . .
There . . . there . . . there . . . there. Twelve seconds from range stop to range stop. Which stop was which--facing left or facing right--didn't matter. With no other cameras in the hall, this one would be calibrated to full rotation so it could see down the length of each hall. It was at this point when the camera's blind spot was most accessible. Stand directly beneath the camera's mount, and you're as good as invisible.
Fisher waited, listening and counting, then stepped out from the wall and centered himself under the mount. Above him, the camera, which had been panning right, reversed course and started coming around. Fisher looked left and counted doors. Pak's apartment number was 9, the third door down. The trick would be reaching that door and getting inside in the time it took the camera to complete a full pan.
Suddenly, Fisher's decision was made for him.
Pak's door opened, and Pak himself stepped out.
38
PAK,juggling a bag of garbage in each hand, leaned back into his apartment, trying to get the door closed.
Fisher glanced up. The camera was pointed directly at Pak. It paused, then started panning in the other direction. Fisher counted One one thousand, two one thousand,then pushed off the wall and sprinted, hunched over, straight at Pak. He covered the distance in less than three seconds, but at the last moment, either sensing Fisher's presence or hearing his approach, Pak spun to face him.
Fisher's earlier hunch about the man's physical condition and training was dead-on. In the blink of an eye, Pak, still holding the garbage bags, lashed out with a front heel kick. It was perfectly aimed and delivered, a strike that could easily snap a neck or crush a skull. But Fisher, having registered Pak's slight shifting of weight to his back leg, was ready for the kick. Still moving at a sprint, he dropped his shoulder, somersaulted beneath the leg, caught the raised heel with his right hand, then rose up and caught Pak squarely in the chin with a short jab. Pak stumbled backward into the apartment, stunned. Fisher didn't give him a chance to react but kept driving forward, raising Pak's leg until he toppled over sideways, sliding back-first down the wall and landing with an "Umph"on the floor. Fisher twisted Pak's foot, flipping him onto his stomach, then dropped to one knee, grabbed a handful of his hair, and slammed his head against the floor once, twice, three times. Pak went limp.
Fisher grabbed him by the foot again and spun his limp body around and dragged him farther into the apartment, then shut the door. He pulled a pair of plastic flexicuffs from their hiding place in his jacket's lining and bound Pak's wrists and ankles, dragged him into the living room, laid him face-first on the floor, then picked up a nearby coffee table and placed it over his body. He found a narrow-based vase and placed it on top of the table. The rudimentary early warning system would give Fisher a few seconds' notice should Pak regain consciousness and get frisky. Knowing now how dangerous the North Korean was, Fisher wasn't going to give him even the slightest advantage.
He did a quick search of Pak's studio apartment and found no one else home. In the bedroom, however, he did find a portrait of Pak sitting with a woman and two young girls. Many North Korean political up-and-comers were given two residences: a working apartment in Pyongyang for use during the week and a private rural home for weekends. This, Fisher suspected, was where Pak's family was. Also in the bedroom he found a wireless-capable laptop and, in Pak's nightstand, a Type 69 7.62mm pistol in a leather holster along with two fully loaded magazines. He pocketed the pistol and the magazine and turned his attention to Pak's closet. He found what he was looking for almost immediately: the thigh-length black leather coat Pak had been wearing at the Site 17 platform. In the coat's left pocket he found Stewart's thumbnail beacon. He stared at it a moment. Thanks, Calvin. He stuck it in his pocket, grabbed the laptop, and returned to the living room.
He pulled the iPhone from his pocket, called up the iPod feature, scrolled to the Eagles' "Hotel California," and punched a code into the keypad. The screen changed to an amber-on-black compasslike display with the words ENGAGED > SEEKING SIGNAL flashing near the bottom edge of the screen. Fisher spent the next ten minutes sweeping the apartment for audio and video devices. He found none, so he went into the kitchen, found an English-version of Diet Coke, then returned to the living room and sat down in a wing-back club chair a few feet from Pak's head. He stuck a magazine into the pistol, chambered a round, and waited.
FISHERwas almost finished with his Diet Coke when Pak began stirring. He groaned, and his eyelids blinked open, then closed again as he tried to focus. He tried to raise his hands to his face; his knuckles rapped the underside of the coffee table with a dull thud, and the vase teetered, then went still.
"Just lie still," Fisher said. "It'll be easier for both of us."
Pak went still. He rotated his eyes and craned his neck until he could see Fisher. Instead of the typical "Who are you" and "What do you want," Pak said simply, "You're an American." His English was only slightly accented; Fisher noted his use of the contraction. Pak had had extensive language training, which was to be expected from an RDEI agent.
"I am," Fisher said.
"Don't you know where you are? You'll never get out of the city alive. You probably won't get off this block alive."