She sank down on the end of the bed, hurt enveloping her. "I see," she said quietly.
He stood and pulled out his wallet. "I don't have a lot of ready cash right now. I'll cover the rest of the motel bill with plastic and leave fifty dollars to hold you for a few days. If you get around to paying me back, send me a check in care of General Delivery, Wynette, Texas. If you don't get around to it, I'll know things didn't work out between you and Nicky, and hope greener pastures turn up soon."
With that speech, he tossed the motel key on the desk and walked out the door.
She was finally alone. She stared down at a dark stain that looked like an outline of Capri on the motel carpet. Now. Now she'd hit bottom.
Skeet leaned out the passenger window as Dallie approached the Riviera. "You want me to drive?" he asked. "You can crawl in the back and try for a few hours' sleep."
Dallie opened the driver's door. "You drive too damned slow, and I don't feel like sleeping."
"Suit yourself." Skeet settled in and handed Dallie a Styrofoam coffee cup with the lid still snapped on. Then he gave him a slip of pink paper. "The cashier's phone number."
Dallie crumpled the paper and pushed it into the ashtray, where it joined two others. He pulled on his
cap. "You ever heard of Pygmalion, Skeet?"
"Is he the guy who played right tackle for Wynette High?"
Dallie used his front teeth to pull the lid off his coffee cup while he turned the key in the ignition. "No, that was Pygella, Jimmy Pygella. He moved to Corpus Christi a few years back and opened up a Midas muffler shop. Pygmalion's this play by George Bernard Shaw about a Cockney flower girl who gets
made over into a real lady." He flipped on the windshield wipers.
"Don't sound too interesting, Dallie. The play I liked was that Oh! Calcutta! we saw in St. Louis. Now that was real good."
"I know you liked that play, Skeet. I liked it, too, but you see it's not generally regarded as a great piece of literature. It doesn't have a lot to say about the human condition, if you follow me. Pygmalion, on the other hand, says that people can change… that they can get better with a little direction." He threw the car into reverse and backed out of the parking place. "It also says that the person directing that change doesn't get anything for his trouble but a load of grief."
Francesca, her eyes wide and stricken, stood in the open door of the motel room clutching her case to her chest like a teddy bear and watched the Riviera pull out of the parking place. Dallie was really going to do it. He was going to drive away and leave her all by herself, even though he'd admitted he'd thought about going to bed with her. Until now, that had always been enough to hold any man to her side, but suddenly it wasn't. How could that be? What was happening to her world? Bewilderment underscored her fear. She felt like a child who'd learned her colors wrong and just found out that red was really yellow, blue was really green-only now that she knew what was wrong, she couldn't imagine what to do about it.
The Riviera swung around to the exit, waited for a break in the traffic, and then began to move out onto the wet road. The tips of her fingers had gone numb, and her legs felt weak, as if all the muscles had lost their strength. Drizzle dampened her T-shirt, a lock of hair fell forward over her cheek. "Dallie!" She started to run as fast as she could.
"The thing of it is," Dallie said, looking up into his rearview mirror, "she doesn't think about anybody but herself."
"Most self-centered woman I ever encountered in my life," Skeet agreed.
"And she doesn't know how to do a damn thing except maybe put on makeup."
"She sure as hell can't swim."
"She doesn't have even one lick of common sense."
"Not a lick."
Dallie uttered a particularly offensive oath and slammed on the brakes.
Francesca reached the car, gasping for breath in small sobs. "Don't! Don't leave me alone!"
The strength of Dallie's anger took her by surprise. He vaulted out of the door, tore the case from her hands, and then backed her up against the side of the car so that the door handle jabbed into her hip.
"Now you listen to me, and you listen good!" he shouted. "I'm taking you under duress, and you stop
that goddamn sniveling right now!"
She sobbed, blinking against the drizzle. "But I'm-"
"I said to stop it! I don't want to do this-I got a real bad feeling about it-so from this minute on, you'd better do exactly what I say. Everything I say. You don't ask me any questions; you don't make any comments. And if you give me one minute of that fancy horseshit of yours, you'll be out on your skinny ass."
"All right," she cried, her pride hanging in tatters, her voice strangling on her humiliation. "All right!"
He looked at her with a contempt he made no effort to disguise, then jerked open the back door. She turned to scramble inside, but just as she bent forward, he drew back his hand and cracked her hard across her bottom. "There's more where that came from," he said, "and my hand's just itching for the next shot."
Every mile of the ride to Lake Charles felt like a hundred. She turned her face to the window and tried to pretend she was invisible, but when occupants of other cars looked idly over at her as the Riviera sped past, she couldn't suppress the illogical feeling that they knew what had happened, that they could actually see how she had been reduced to begging for help, see that she had been struck for the first time in her life. I won't think about it, she told herself as they sped past flooded rice fields and swampland covered with slimy green algae. I'll think about it tomorrow, next week, any time but now when I might start crying again and he might stop the car and set me out on the highway. But she couldn't help thinking about it, and she bit a raw place on the inside of her already battered bottom lip to keep from making the smallest sound.
She saw a sign that said Lake Charles, and then they crossed a great curved bridge. In the front seat, Skeet and Dallie talked on and off, neither of them paying any attention to her.
"The motel's right up there," Skeet finally remarked to Dallie. "Remember when Holly Grace showed up here last year with that Chevy dealer from Tulsa?"
Dallie grunted something Francesca didn't quite catch as he pulled into the parking lot, which didn't look all that different from the one they'd left less than four hours earlier, and swung around toward the office. Francesca's stomach growled, and she realized she hadn't had anything to eat since the evening before when she'd grabbed a hamburger after pawning her suitcase. Nothing to eat… and no money to buy anything with. And then she wondered who Holly Grace might be, but she was too demoralized to feel more than a passing curiosity.
"Francie, I'd already pushed my credit card limit pretty close to the edge before I met you, and that little romp of yours just about finished the job. You're going to have to share a room with Skeet."
'Wo.'"
"No!"
Dallie sighed and flicked off the ignition. "All right, Skeet. You and I'll share a room until we get rid of Francie."
"Not hardly." Skeet threw open the door of the Riviera. "I haven't shared a room with you since you turned pro, and I'm not gonna start now. You stay up half the night and then make enough noise in the morning to wake the dead." He climbed out of the car and headed toward the office, calling back over his shoulder, "Since you're the one who's so all-fired anxious to bring Miss Fran-chess-ka along, you can damn weil sleep with her yourself."
Dallie swore the entire time he was unloading his suitcase and carrying it inside. Francesca sat on the edge of one of the room's two double beds, her back straight, her feet side by side, knees pressed together,
like a little girl on her best behavior at a grown-up party. From the next room she heard the sound of a television announcer reporting on an anti-nuclear group protesting at a missile site; then someone flipped the channel to a ball game and "The Star-Spangled Banner" rang out. Bitterness welled up inside her as the music brought back the memory of the round button she had spotted on the taxi driver's shirt: AMERICA, LAND OF OPPORTUNITY. What kind of opportunity? The opportunity to pay for food and shelter with her body in some sordid motel room? Nothing came entirely free, did it? And her body was all she had left. By coming into this room with Dallie, hadn't she implicitly promised to give him something in return?