"No!" she shrieked as Francesca dashed from her side and ran down the sidewalk after a pigeon. "Come back here! Don't run away like that!"
"But I like to run," Francesca protested. "The wind makes whistles in my ears."
Chloe knelt down and held out her arms. "Running musses your hair and makes your face all red. People won't love you if you're not pretty." She clasped Francesca tightly in her arms while she uttered this most terrible threat, using it the way other mothers might offer up the horrors of the boogey man.
Sometimes Francesca rebelled, practicing cartwheels in secret or swinging from a tree limb when her nanny's attention was distracted. But her activities were always discovered, and her pleasure-loving mother, who never denied her anything, who never reprimanded her for even the most outrageous misbehavior, became so distraught that she frightened Francesca.
"You could have been killed!" she would shriek, pointing to a grass stain on Francesca's yellow linen frock or a dirty smear on her cheek. "See how ugly you look! How awful! Nobody loves ugly little girls!" And then Chloe would begin to cry in such a heartbroken fashion that Francesca would grow frightened. After several of these disturbing episodes, she learned her lesson: anything in life was permissible… as long as she looked pretty doing it.
The two of them lived an elegant vagabond life on the proceeds of Chloe's legacy as well as the largess of the stream of men who passed through her life in much the same way their fathers had once passed through Nita's. Chloe's outrageous sense of style and spendthrift ways contributed to her reputation on the international social circuit as an amusing companion and highly entertaining houseguest, someone who could always be counted upon to enliven even the most tedious occasion. It was Chloe who dictated that the last two weeks of February must always be spent on the crescent-shaped beaches of Rio de Janeiro; Chloe who enlivened the leaden hours at Deauville, when everyone had grown bored with polo, by staging elaborate treasure hunts that sent all of them out racing through the French countryside in small sleek cars searching for bald-headed priests, uncut emeralds, or a perfectly chilled bottle of Cheval Blanc '19; Chloe who insisted one Christmas that they abandon Saint-Moritz for a Moorish villa in the Algarve where they were entertained by a group of amusingly dissolute rock stars and a bottomless supply of hashish.
More frequently than not, Chloe brought her daughter with her, along with a nanny and whatever tutor was currently in charge of Francesca's slipshod education. These caretakers generally kept Francesca separated from the adults during the daytime, but at night Chloe sometimes offered her up to the jaded jet-setters as if the child were a particularly clever card trick.
"Here she is, everyone!" Chloe announced on one particular occasion as she led Francesca onto the afterdeck of Aristotle Onassis's yacht Christina, which was anchored for the night off the coast of Trinidad. A green canopy covered the spacious lounge at the stern, and the guests reclined in comfortable chairs at the edge of a mosaic reproduction of the Cretan Bull of Minos set into the teak deck. The mosaic had served as a dance floor barely an hour before and later would be lowered nine feet and filled with water for those who wished to take a swim before retiring.
"Come here, my pretty princess," Onassis said, holding out his arms. "Come give Uncle Ari a kiss."
Francesca rubbed the sleep from her eyes and stepped forward, an exquisite baby doll of a little girl. Her perfect little mouth formed a gentle Cupid's bow, and her green eyes opened and closed as if the lids were delicately weighted. Froths of Belgian lace at the throat of her long white nightgown fluttered in the night breeze, and her bare feet peeked out from beneath the hem, revealing toenails polished the same delicate shade of pink as the inside of a rabbit's ear. Despite the fact that she was only nine years old and had been awakened at two o'clock in the morning, her senses gradually grew alert. All day she had been abandoned to the care of servants, and now she was eager for a chance to garner the attention of the grown-ups. Maybe if she was especially good tonight, they would let her sit on the afterdeck with them tomorrow.
Onassis, with his beaklike nose and narrow eyes, covered even at night with sinister wraparound sunglasses, frightened her, but she obediently stepped into his embrace. He had given her a pretty necklace shaped like a starfish the night before, and she didn't want to risk sacrificing any other presents that might come her way.
As he lifted her onto his lap, she glanced over at Chloe, who had cuddled next to her current lover, Giancarlo Morandi, the Italian Formula One driver. Francesca knew all about lovers because Chloe had explained them to her. Lovers were fascinating men who took care of women and made them feel beautiful. Francesca couldn't wait to be grown up enough to have a lover of her own. Not Giancarlo, though. Sometimes he went off with other women and made her mummy cry. Instead, Francesca wanted a lover who would read books to her and take her to the circus and smoke a pipe like some of the men she had seen walking with their little girls along the Serpentine.
"Attention everyone!" Chloe sat up and clapped her hands in the air above her head, like one of the flamenco dancers Francesca had seen perform the last time they were in Torremolinos. "My beautiful daughter will now illustrate what abysmally ignorant peasants all of you are." Derisive hoots greeted this announcement, and Francesca heard Onassis chuckle in her ear.
Chloe snuggled close to Giancarlo again, rubbing one leg of her white Courreges hip-huggers against his calf while she tilted her head in Francesca's direction. "Pay no attention to them, my sweet," she declared loftily. "They're riffraff of the very worst sort. I can't think why I bother with them." The couturier giggled. As Chloe pointed to a low mahogany table, the wedge-shaped front of her new Sassoon haircut swept forward over her cheek, forming a hard, straight edge. "Educate them, will you, Francesca? No one except your uncle Ari is the slightest bit discriminating."
Francesca slid off Onassis's knee and walked toward the table. She could feel everyone's eyes on her and she deliberately prolonged the moment, taking slow steps, keeping her shoulders back, pretending she was a tiny princess on the way to her throne. As she reached the table and saw the six small gold-rimmed porcelain bowls, she smiled and flipped her hair away from her face. Kneeling on the rug in front of the table, she regarded the bowls thoughtfully.
The contents shone against the white porcelain of the bowls, six mounds of glistening wet caviar in various shades of red, gray, and beige. Her hand touched the end bowl, which held a generous heap of pearly red eggs. "Salmon roe," she said, pushing it away. "Not worth considering. True caviar comes only from the sturgeon of the Caspian Sea."
Onassis laughed and one of the movie stars applauded. Francesca quickly disposed of two other bowls. "These are both lumpfish caviar, so we can't consider them either."
The decorator leaned toward Chloe. "Information gleaned at the breast," he inquired, "or through osmosis?"
Chloe gave him a wicked leer. "At the breast, of course."
"And what glorious ones they are, cara." Giancarlo ran his hand over the front of Chloe's bare-midriff top.