“Ain’t that a beauty?” All the masticating faces were included in his stained and rotting smile. “Know what I’m going to do with it? I’m going to take that baby home and put it in vinegar.” He covered it again with his jacket.
Out in the sun the scarred Negro at the row beside Tully’s worked on in a field now almost entirely deserted.
Through the afternoon heat the toppers crawled on, the rows of filled sacks extending farther and farther behind. The old grizzled man, half lying near Tully, his face an incredible red, was still filling buckets though he appeared near death. But Tully was standing. Revived by his lunch and several cupfuls of warm water from the milk can, he was scooping up onions from the straddled row, wrenching off tops, ignoring the bottom fibrils where sometimes clods hung as big as the onions themselves, until a sack was full. Then he thoroughly trimmed several onions and placed them on top. Occasionally there was a gust of wind and he was engulfed by sudden rustlings and flickering shadows as a high spiral of onion skins fluttered about him like a swarm of butterflies. Skins left behind among the discarded tops swirled up with delicate clatters and the high, wheeling column moved away across the field, eventually slowing, widening, dissipating, the skins hovering weightlessly before settling back to the plowed earth. Overhead great flocks of rising and falling blackbirds streamed past in a melodious din.
In the middle of the afternoon the checkers shouted that the day’s work was over.
Back in the bus, glib and animated among the workers he had surpassed, the Negro who had topped next to Tully shouted: “It easy to get sixty sacks.”
“So’s going to heaven.”
“If they onions out there I get me my sixty sacks. I’m an onion-topping fool. Now I mean onions. I don’t mean none of them little pea-dingers. Driver, let’s go get paid. I don’t want to look at, hear about, or smell no more onions till tomorrow morning, and if I ain’t there then hold the bus because I’m a sixty-sack man and I just won’t quit.”
“Wherever you go there’s always a nigger hollering his head off,” muttered the old man beside Tully.
“Just give me a row of good-size onions and call me happy.”
“You can have them,” said Tully.
“You want to know how to get you sixty sacks?”
“How’s that?”
“Don’t fool around.”
“You telling me I wasn’t working as hard as any man in that field?”
“I don’t know what you was doing out there, but them onions wasn’t putting up no fight against me. Driver, what you waiting on? I didn’t come out here to look at no scenery.”
They were driven to a labor camp enclosed by a high Cyclone fence topped with barbed wire, and as the crew rose to join the pay line outside, the driver blocked the way. “Now I want each and every one of those onion knives. I want you to file out one by one and I want every one of those knives.”
“You going look like a pincushion,” said the sixty-sack Negro.
The crew handed over the short, wooden-handled knives, and the driver frowned under the exertions of authority. “One by one, one by one,” he repeated, though the aisle was too narrow for departing otherwise.
Tully stepped down into the dust and felt the sun again on his burned neck. Standing in the pay line behind the old man, he looked down the rows of whitewashed barracks. A pair of stooped men in loose trousers, and shirts darkened down the backs with sweat, passed between buildings. In the brief swing of a screen door Tully saw rows of iron bunks. A Mexican with both eyes blackened crossed the yard carrying a towel. Tully moved ahead in the line. The paid were leaving the window of the shack and returning to the bus, some lining up again at a water faucet.
“Is that all you picked?” the paymaster demanded of the old man. “What’s the matter with you, Pop? If you can’t do better than that tomorrow I’m going to climb all over you.”
“Well, it takes a while to get the hang of it,” came the grieving reply.
Two dimes were laid on the counter under the open window. “Here’s your money.”
The old man waited. “Huh?”
“That’s it.”
The creased neck sagged further forward. Slowly the blackened fingers, the crustaceous nails, picked up the dimes. The slack body showed just the slightest inclination toward departing, though the split shoes, the sockless feet, did not move, and at that barely discernible impulse toward surrender, three one-dollar bills were dealt out. With a look of baffled resignation the man slouched away, giving place to Billy Tully, who stepped up to the grinning paymaster with his tally card.
As the bus passed out through the gate, Tully saw, nailed on a whitewashed wall, a yellow poster.
BOXING
ESCOBAR
VASQUEZ
The posters were up along Center Street when the bus unloaded in Stockton. There was one in the window of La Milpa, where Tully laid his five-dollar bill on the bar and drank two beers, eyeing the corpulent waitress under the turning fans, before taking the long walk to the lavatory. He washed his face, blew his dirt-filled nose in a paper towel, and combed his wet hair.
On El Dorado Street the posters were in windows of bars and barber shops and lobbies full of open-mouth dozers. Tully went to his room in the Roosevelt Hotel. Tired and stiff but clean after a bath in a tub of cool gray water, he returned to the street dressed in a red sport shirt and vivid blue slacks the color of burning gas. Against the shaded wall of Square Deal Liquors, he joined a rank of leaners drinking from cans and pint bottles discreetly covered by paper bags. Across the street in Washington Square rested scores of men, prone, supine, sitting, some wearing coats in the June heat, their wasted bodies motionless on the grass. The sun slanted lower and lower through the trees, illuminating a pair of inert legs, a scabbed face, an out-flung arm, while the shade of evening moved behind it, reclaiming the bodies until the farthest side of the park had fallen into shadow. Billy Tully crossed the sidewalk to the wire trash bin full of empty containers and dropped in his bottle. Over the town a dark haze of peat dust was blowing from the delta fields.
He ate fried hot dogs with rice in the Golden Gate Café, his shoes buried in discarded paper napkins, each stool down the long counter occupied, dishes clattering, waitresses shouting, the cadaverous Chinese cook, in hanging shirt and spotted khaki pants piled over unlaced tennis shoes, slicing pork knuckles, fat pork roast and tongue, making change with a greasy hand to the slap slap of the other cook’s flyswatter.
Belching under the streetlights in the cooling air, Tully lingered with the crowds leaning against cars and parking meters before he went on to the Harbor Inn. Behind the bar, propped among the mirrored faces in that endless twilight was another poster. If Escobar can still do it so can I, Tully thought, but he felt he could not even get to the gym without his wife. He felt the same yearning resentment as in his last months with her, the same mystified conviction of neglect.
At midnight he negotiated the stairs to his room, its walls covered with floral paper faded to the hues of old wedding bouquets. Undressing under the dim bulb, he stared at the four complimentary publications on the dresser: An Hour With Your Bible. El Centenela y Heraldo de la Salud. Signs of the Times — The World’s Prophetic Monthly. Smoke Signals — A Renowned Anthropologist Marshals the Facts on What Smoking Does to Life Before Birth. He wondered if anyone ever read them. Maybe old men did, and wetbacks staying in off the streets at night. And was this where he was going to grow old? Would it all end in a room like this? He sat down on the bed and before him on the wall was the picture of the wolf standing with vaporized breath on a snow-covered hill above a lighted farm. Then the abeyant melancholy of the evening came over him. He sat with his shoulders slumped under the oppression of the room, under the impasse that was himself, the utter, hopeless thwarting that was his blood and bones and flesh. Afraid of a crisis beyond his capacity, he held himself in, his body absolutely still in the passing and fading whine and rumble of a truck. The blue and gold frame, the long cord hanging from the molding, the discolored gold tassel at its apex, all added to the feeling that he had seen the picture in some room in childhood. Though it filled him with despondency he did not think of taking it down, or of throwing out the magazines and pamphlets and removing from the door the sign