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And Hurkos killed God.

XI

Breadloaf came through the door of the saloon, stopped a moment to search them out, then smiled as he sighted them. Only seven hours had passed since he had died, but he looked healthy and cheerful. More cheerful, in fact, than they had ever seen him look. He made his way through the crowd, nodding to friends, stopping now and again to shake hands with those who were oblivious to his recent adventure. Finally he reached their table, sat down. “I passed the church on the way. The Christians are moving out of their homes in the basements, bundles on their backs. In a way, it’s a shame. Their lives have amounted to nothing.”

“They can take the shots now,” Hurkos said. He was relaxed for the first time in a long, long while. He had gotten his revenge, more revenge than any man could hope for. Sam had wondered, at first, if Hurkos could be deranged, for he had, after all, killed. But he had not killed a man. Therein lay the key. What he had killed was a rung lower than Man, really, therefore an animal. “They can live eternally.”

“Some of them probably will. But they are old, remember. Fifty, some sixty, while the rest of us are thirty or under. It will not be completely pleasant to be eternally near-old in an age of eternal youth.”

“Tragic and ironic,” Gnossos said, sipping his drink. “How do you feel?”

“Better than ever,” Breadloaf answered punching the robotender for drinks and trying unsuccessfully to ward off Gnossos’ hand as it thrust coins into the machine.

“I guess so,” Hurkos said. Then: “Gnossos, I killed God tonight. How’s that for an epic poem?”

“I’ve been thinking,” the poet said. “But it would have been better if He had been a Goliath. There is nothing particularly heroic about smashing a helpless slug to pulp.”

Sam finished his drink, set the glass down. “I’m going for a walk,” he said, standing. “I’ll be back in a while.” Before anyone could speak, he turned for the door, struggling through the crowd, and stepped outside. Night was giving way to day; a touch of golden dawn tinted the horizon already.

“You all right?” Gnossos asked, stepping out beside him.

“I’m not sick, if that’s what you mean. Not exactly.”

“Yeah. Yeah, I know what you mean.”

“The purpose of life: to overcome your creator.”

“But what can a walk do? Me? I’m getting drunk.”

“Yeah,” Sam said slowly. “But you know that won’t work. Maybe I’ll get drunk too, later. But now I’ll walk.”

“Want me to come along?”

“No.”

Sam stepped off the curb and into the cobblestoned street. The ways here were twisted, for the aesthetic quality was supposed to be reminiscent of an old Earth city — though much cleaner and far more efficient. He found streets that tangled in on themselves, twisted through tree-dotted parks and between quaint old buildings. With him were memories of the chamber beyond Breadloaf’s office wall, pictures of cold emptiness. He could still feel the cool breeze rippling through his hair from the gaping, empty tank.

He walked past the park where the lake stretched away in the distance. There was a gentle slapping of its waves against the pilings of the free-form walkway that bridged its shallower portions. There was the sound of fish jumping now and again. Somewhere a dog barked. And in his mind, there were questions.

Who was he?

What had been his past?

And where — oh, where! — was he bound?

TWO: SOULDRIFT

And men shall be torn between the old way and the new…

(Compiled from several entries in the diary of Andrew Coro)

I

Long ago, shortly after my mother’s blood was sluiced from the streets of Changeover and her body burned upon a pyre outside of town, I suffered what the psychologists call a trauma. That seems like a very inadequate word to me.

To understand this “trauma,” one should know some of the events that preceded it. The townsfolk came in the middle of the night and took her, decapitated her, stuffed a cross cut from stale bread into her dead mouth, and charred her on fire fed by the boughs of a dogwood tree. I was five years old at the time.

Those were the days when men still killed, before Hope sprang up as the capital of our galaxy and pushed forth a society where no man killed another man, where sanity ruled. That was a thousand years ago, a century after Galactic War I, before Eternity Combine gave us immortality. And worst of all, that was Earth. The rest of the galaxy was staggering to its feet, aware that something had gone amiss in the great chauvinistic dreams that had dominated for so many hundreds of years. Hope was an idea born in the brighter minds, a last possibility for the survival of what Man should be, a dream of kinglessness, of Utopia unmarred, a last chance but the best chance ever for mankind. Yet Earthmen were still hunting witches.

To hide me from those who would destroy me because my mother was a mutant who could lift pencils (only pencils and scraps of paper!) with her mind, my grandparents locked me in a closet of their house. Smells: mothballs, old rubber rainshoes, yellowed magazine paper. Sights: dark ghosts of wools and cottons hanging about, imagined spiders scuttering viciously through the darkness.

And I wept. There was little else to do.

On the third day, the witch-hunters were certain that I had perished in the fire of the house, for they could not find me and trusted my grandparents because — as a cover against the day he knew was coming — my grandfather had belonged to the witch-hunting group. So it was that on the third day I was brought forth from the closet and into the parlor where my grandmother kissed me and dried my eyes on her gray, coarse apron. On that same day, Grandfather came to me where I sat with my grandmother, his huge and calloused hands folded over each other, concealing something. “I’ve a surprise for you, Andy.”

I smiled.

He took one hand from the other, revealing a lump of coal with eyes a shade darker than the rest of it. “Caesar!” I cried. Caesar was my myna bird, rescued in some unknown, unknowable, miraculous fashion from the holocaust of the exorcism.

I ran to Grandfather, and as I ran, the bird screeched in imitation: “Andyboy, Andyboy.” I stopped, my feet suddenly rocks too heavy to lift another inch, and I stared at it. It fluttered a wing. “Andyboy, Andyboy, An—”

And I started to scream. It was an involuntary scream, torn from my lungs, bursting through my lips, roaring madly into the room. The myna’s words were mockings of my mother’s words. The inflection, though certainly not the tone, was perfect. Memories of my mother flooded me: warm kitchens to burned corpse to storytelling sessions to a headless, bloodless body. Bad and good memories mixed, mingled, blew each other to larger than life reality in my memory. I turned and ran from the parlor. Wings beat against me. Caesar was a stuck recording.

Grandfather was running too, but he did not seem to be Grandfather any longer. Instead, he had become one of the witch-hunters shooting out the windows of our house, screaming for my mother’s death.