14
‘Morning, Mr Hilditch!’ a man with a bad leg calls out on the forecourt, one of the canteen cleaners. ‘Morning, Jimmy. Better spot of weather, eh?’ ‘Does your heart good, Mr Hilditch.’ The drizzly weather of the last day or two has passed on; it’s frosty now, with a clear sky. Rissoles in batter it is today, or pork roast or fish; prunes and custard or roly-poly: the Thursday menu. He’ll probably go for the rissoles, with french fries and mushy peas, unless the roast tastes special, which once in a while it does. ‘Morning, Mr Hilditch,’ someone else calls out from a distance, and he smiles and waves. It seems extraordinary that he is greeted as he usually is. It seems extraordinary that no one looks differently at him on the forecourt, or in the kitchens when he enters them ten minutes later, or through the glass of the offices adjacent to his own. Mr Hilditch finds it hard to believe that none of these people is aware that less than eight hours ago, at twenty past one in the morning, standing in his own hallway, he issued the invitation he did and as a consequence has an unknown Irish girl under his roof. All your adult life you live to a rule. Every waking minute you take full precautions on account of wagging tongues. Then, in a single instant, you let it all go. Not once did he experience an urge to take Beth or Elsie Covington, or any of the others, under his roof. Never before has he made reference to a wife, or spoken of a wedding with regimental traditions, and swords. There has never been a call for anything more than the meetings, the hours spent together, and people noticing where it was safe for people to notice. Last night in that Little Chef a woman collecting used dishes definitely muttered something to another woman, and both of them looked across to where the Irish girl was shaking her head after he’d drawn her attention to a young man who’d just entered the place. Clearly the two women had established that she was pregnant. It still hardly shows, but women can tell the way a man isn’t able to, as he knows from what is sometimes passed on to him in the canteen. He even put it to her; something about a woman’s perception, making conversation. Shivering through him, akin to the fever that accompanies a bout of flu, the excitement that began as a tick of pleasure in the Blue Light fish bar became intense when later he stood with the Irish girl in the hallway, her carrier bags waiting for her to pick up, the little metal cross just visible at her neck. He invited her under his roof because he was impelled to do so, just as he’d been impelled to take Gaye’s arm as they were leaving Pam’s Pantry at the Creech Wood Services – a premature action because it was the first time they’d gone out together. Yet he couldn’t have stopped himself if he’d tried, even though Creech Wood wasn’t far enough away, not by a good twenty miles. Two minutes later, in the car park, he noticed a man who looked like Bellis from the spraying sheds, and tightness knotted in his stomach, a warmth becoming icy. ‘Your daughter, Mr Hilditch?’ he imagined the man saying the next time they met in the canteen; and having to shake his head, saying he’d never been at Creech Wood Services in his life. But to his vast relief he was mistaken: the man was someone else. To be seen by the wrong pair of eyes when you’d linked arms with a friend seems a little thing now; tiny compared with it being known that you’ve taken a girl under your roof. For the first time in his adult life the sensation of risk feels attractive, and instinctively he is aware that this is because the risk he has taken is so great. It seems to Mr Hilditch, also, that he has been journeying for a long time to the destination he has reached, that all his previous actions have lacked the panache of the one that has brought him here. The Irish girl spent the night in his big front room, saying she’d be all right there, although he offered her a room with a bed in it upstairs. She lay down on the sofa, where he saw her when he tiptoed downstairs before he retired himself. As he recollects her shadowy, sleeping form now, Mr Hilditch knows that that sofa will never be the same for him again. Already this girl has used the forks and spoons he uses himself, and used the toilet and maybe has had a stríp wash. ‘Make yourself an egg or two,’ he said before he left, ‘if you’re peckish later on, Felicia.’ She is welcome to all he has. The morning passes slowly for Mr Hilditch, a difficult time to concentrate. He knows he can trust this girl. He knows she will stay in the house, not venturing to the shrubberies or the backyard because he has said it’s best she shouldn’t. She will be careful at the windows, keeping well back although they’re only partially visible from the road; in particular she will keep clear of the downstairs windows in case some deliverer of junk mail chances to glance in. Yet even so, naturally, he is nervous. It would be agreeable to draw things out, to drive off this evening in another direction, to sit down again with her in the kitchen for a late-night snack after they’ve visited a few more cafés. But he can tell she’s not in the mood any more for drawing things out; she has given up and she’s beginning to be edgy. Again Mr Hilditch sees himself in the waiting-room of the Gishford Clinic, murmuring to her that she mustn’t worry. There has never been anything like that either, nothing even approaching it. ‘Keeping fit, Mr Hilditch?’ is a query at lunchtime in the canteen. ‘Fine, thanks. Yourself?’ Some reply is made; Mr Hilditch hides his lack of interest beneath a smile. Surely the Asian woman dishing out mushy peas can tell he’s not as he was yesterday? How can there fail to be something in his expression reflecting the
frisson of unease that caused him to remain awake all night just because she was under his roof, only a flight of stairs separating them? ‘Oh, what a timid one you are!’ his mother used to say when he was six. He smiles again, pleased that the remark has come back to him. He thanks the Asian woman and picks up his tray, not feeling timid in the least. She’ll maybe be turning the pages of a Geographic now. She’s different from the others, nothing tough about her. Simple as a bird, which you’d expect her to be of course, coming from where she does. And yet, of course, they’re all the same. The truth stares out at them and they avert their eyes. Beth, with her extra glass or two, couldn’t tolerate it for an instant; Elsie had made herself immune to it by the time she hit the streets. The more lies they are told the more they tell them to themselves – Jakki about her so-called company director, Sharon up the garden path with the dry cleaner, father of five. The first time he met up with Bobbi she had a black eye: from walking into a door edge, she said. ‘What would I go for, Mr Hilditch?’ an employee whose name he can’t recollect wants to know, and he advises the pork because of the crackling. ‘Happen I will, Mr Hilditch. Looks champion, that pork, eh?’ She’s maybe having her boiled eggs now. She maybe put on ‘Lazy River’ in the big front room and the melody comes softly to the kitchen. Curiosity has drawn her upstairs, to the dresses hanging in the wardrobe, and the shoes on the linoleum beside it. ‘Third extractor’s clogged, Mr Hilditch,’ someone reports later that afternoon, and he can hardly tell if it’s a man or a woman, it doesn’t matter anyway, some shadow in an overall such as they all wear, some covering on the head by European law. ‘Dearie me,’ he responds, as he always does in a calamity. He watches while a crowd gathers round the faulty extractor, Len from the finishing shed who’s always called in for this kind of repair, and most of the kitchen staff. ‘I think you’ll find us competitive,’ the Crosse and Blackwell’s rep contends later still, in the office. ‘Grossed up, I’d say those terms are out of competition’s reach.’ It’s not of interest; it doesn’t matter. A clogged extractor or bargain prices, how can any of it compare with a runaway from the Irish boglands passing through the rooms of his house, a girl with a cross on a cheap metal chain? ‘Excuse me a minute,’ he apologizes to the Crosse and Blackwell’s man, and telephones the Gishford Clinic from the staff call-box outside the canteen. ‘Yes, we can arrange an immediate,’ a soothing voice assures him. Very civil, the place sounds, as Sharon said. ‘You give us a shout,’ the Crosse and Blackwell’s man invites when he returns to the office. ‘Any time you’ve thought it over.’ ‘Yes, I will.’ He shakes hands with the Crosse and Blackwell’s man, trying to remember his name. ‘Always good to see you, Mr Hilditch.’ ‘And yourself.’ Pregnant in his house, examining his mother’s likeness draped in mourning on the dining-room mantelpiece, going from room to room upstairs, eventually at her strip wash. Mr Hilditch drops the lids over his eyes in the hope that the images will intensify. He turns his head away, taking off his spectacles for a moment to disguise his concentration on a private matter, while the Crosse and Blackwell’s man fastens his briefcase. ‘I’ll leave another card,’ the man says, placing the card on the edge of Mr Hilditch’s desk. ‘Just a reminder.’ Her clothes draped over the chair and the towel-rail in the bathroom: not since his mother was alive has there been anything like that in Number Three.