Love in a Mist it was called; she’d put it on when she’d left the kitchen, on the street outside. ‘Cheers,’ he said.
She asked him whereabouts he was in England. She asked if it was London and he said no, north of Birmingham. He mentioned a town but the name was not familiar to her. He was a storeman in a factory, spare parts for lawn-mowers. He lit a cigarette. It kept the wolf from the door, he said; you could do worse.
‘You’re good the way you come back to see your mother.’
‘You only have the one mother.’
‘Yes.’
‘Oh, sorry.’
She said it was all right. Most people wouldn’t apologize; most people would forget, or remember too late and not know what to say.
‘Is the old lady OK, these days?’
She said she was. In her hundredth year, she said, and he wagged his head in wonderment. He smiled again and she watched him smoking. Marlboro, it said on the packet on the table. In the Coffee Dock and the Two-Screen Ritz Carmel smoked the odd Afton Major. So did Rose.
‘What’s England like?’ she asked.
‘All right. You get used to it. You can get used to anywhere when you’re there a while.’
‘There’s some gets lonely. Patty Maloney came back.’
‘The likes of Patty Maloney would.’
‘I don’t know will things improve here.’
He didn’t know either. She said there had been talk of Bord na Móna opening a factory, to do with compressing peat dust.
‘Stuff people buy for their gardens,’ she explained. ‘My father was on about it.’
‘But they drew their horns in, did they?’
‘They shelved it in the end.’
‘Have another drink?’
‘Ah, no, no.’
He laughed. ‘That orange has vitamins in it.’
‘Just the orange then.’
He laughed again, picking up her glass and his own. She watched him at the bar, easy in his manner with young Sheehy. Carmel and Rose might come in; she wished they would. She wished they’d come over to where she was sitting and she’d say no, the seat was taken.
‘Is the Dancetime still in business on a Friday?’ he asked when he returned with their drinks.
‘They have the Friday disco all right.’
She knew he was going to ask her, but he didn’t at first. He was looking at her lips and she wondered what kissing would be like. The time of Declan Fetrick she had imagined it. Carmel hadn’t liked it at first, when the fellow with the blackheads from the post office got going in the Two-Screen, when Carmel was thirteen.
‘Would you be on for the disco, d’you think? Friday, Felicia?’
‘I can’t afford a disco these days.’
‘You wouldn’t pay if you were with me.’
She felt confused, in spite of having guessed he was going to invite her. She felt her face reddening and sat back a bit, trying to get out of the light. It was two months since she’d been to the Dancetime Disco, the night the Heart Stoppers came, the night Small Crowley first showed an interest in Carmel, the same night Rose got involved with the failed curate from out in the country somewhere, a man who hadn’t appeared in the Dancetime before and whom Rose hadn’t seen since.
‘It was great running into you, Felicia.’ Under the table one of his knees brushed hers when he moved. ‘I’m glad you weren’t the bride, Felicia.’
Carmel said you never knew why a fellow fancied you, why a fellow picked you out. You could be driven to distraction by fat arms or a flat chest, and then you’d discover that it was that very thing that drew a fellow on. Connie Jo used to say the same. Rose said you could never understand the male mind.
‘It would be great if you came,’ Johnny Lysaght said. ‘Really great.’
He says it in a dream, when Felicia sleeps again. For four hours they danced at the Friday disco, neither of them dancing with anyone else, twice getting a pass and going to Sheehy’s. When he took her hand, walking together through the silent streets at two o’clock in the morning, she wanted to tell him she loved him. She wanted to tell him a boy never kissed her before. In her dream he helps her through the barbed wire and his arms are around her in the field next to the old gasworks, hugging her to him, loving her, he says. There’s the fragrance of his aftershave and he opens a button of his shirt, guiding her hand on to his warm flesh; everything about him is gentle. ‘You’re beautiful,’ he whispers. ‘You’re great, Felicia.’ His lips are moist when he kisses her again, and he closes his eyes when she does, in just the same moment, as if they are one person.
Then her dream is different. Her father says it’s the way the country’s going, brass plates unpolished, a holy show to the world. Her brothers eat without speaking. ‘What’s Lysaght like, though?’ Rose asks, and Carmel giggles.
It is almost seven when Felicia wakes; a faint blur of light filters through flimsy curtains, marking the room’s single window. She watches it intensify, shadows defining themselves as a chair, a table, a clothes cupboard, a wash-basin on a stand in a corner. The curtains are orange and green swirls; dun-coloured walls are scarred where Scotch tape has once adhered, pink paint is chipped. Her father would be on the way back from Heverin’s with the Irish Press, her brothers’ heavy morning footsteps just beginning. In the bedroom she left behind, the jigsaw pieces would be scattered on the bedclothes and on the floor, the few the old woman managed to interlock fallen apart, the jigsaw tray slipped down between the bed and the wall. In a moment there would be the bedpan, her father having to heave the old woman up on his own. The way she always does at this time, she’d feel under the rubber sheet for the clothes-peg bag she keeps her pension money in, and then she’d remember that some of it has been taken, that yesterday there was that unbelievable discovery. In the kitchen the panful of streaky bacon would be spitting on the stove, scattering little specks of fat on to the white enamel, on to the eggs still in their carton, waiting to be fried.
Felicia rises and washes in the corner of the room. She slips out of her nightdress and for a moment is naked, feeling shy to be so, as if she is in the room she shares at home. She dresses quickly, from habit also, then brushes her hair and smears on lipstick. She opens the door softly and finds the lavatory. As she crosses the landing, returning to her room, the sound of a radio comes faintly from downstairs. A few minutes later she descends to the dining-room, where a single place is laid, a plate of cornflakes already waiting.
When the woman with the hatchet face comes in she says something about sleep, and Felicia replies that she slept like a log. ‘Boiled all right for you?’ the woman offers, not waiting for a response. An overall, mainly blue, is wrapped tightly around her. She places a boiled egg in an eggcup beside the cornflakes and a plate of toast, and places a metal teapot on a coiled wire mat. She tells Felicia to help herself to milk and sugar. ‘Call out if you need anything,’ she adds before she leaves the room.
Felicia pours tea, finishes her cornflakes, and slowly spreads butter on a piece of toast. She cracks open the top of her egg. In the kitchen her father would be easing the bacon slices from the pan, slipping a knife under them where they have become stuck. ‘Like this, Felicia,’ he said years ago, showing her. He would cut bread for frying and slice black and white puddings. He likes his eggs turned, her brothers done on one side only.
The landlady appears again, to ask if everything is all right. She mentions the balance of the sum that was agreed, and Felicia pays what is owing.