I had plotted my début with great care. For much of that season I’d spent more time staring at the alarming lump of noisy humanity to my right than straight ahead at the pitch; I was trying to work out exactly where I would make for and what parts I should avoid. The Ipswich game looked like my ideal opportunity: Ipswich fans were hardly likely to attempt to “take” the North Bank, and the crowd wouldn’t be much more than thirty thousand, about half the capacity. I was ready to leave the Schoolboys behind.
It is difficult to recall now exactly what concerned me. After all, when I travelled up to Derby or Villa I usually stood in the away end, which was simply a displaced North Bank, so it couldn’t have been the prospect of trouble (always more likely at away games or at the other end of Arsenal’s ground), or fear of the type of people I would be standing with. I rather suspect that I was frightened of being revealed, as I had been at Reading earlier on that year. Supposing the people around me found out I wasn’t from Islington? Supposing I was exposed as a suburban interloper who went to a grammar school and was studying for Latin O-level? In the end I had to take the risk. If, as seemed probable, I provoked the entire terrace into a deafening chant of “HORNBY IS A WANKER” or “WE ALL HATE SWOTS, HATE SWOTS, HATE SWOTS” to the tune of the “Dambusters’ March”, then so be it; at least I would have tried.
I arrived on the terrace shortly after two o’clock. It seemed enormous, bigger even than it had looked from my usual position: a vast expanse of steep grey steps over which had been sprinkled a complex even pattern of metal crush barriers. The position I had decided on—dead centre, half-way down—indicated both a certain amount of gung-ho (the noise at most football grounds begins in the centre of the home terrace and radiates outwards; the sides and the seats only join in at moments of high excitement) and a degree of caution (centre back was not a place for the faint-hearted débutant).
Rites of passage are more commonly found in literary novels, or mainstream Hollywood films with pretensions, than they are in real life, particularly in real suburban life. All the things that were supposed to change me—first kiss, loss of virginity, first fight, first drink, first drugs—just seemed to happen; there was no will involved, and certainly no painful decision-making process (peer-group pressure, bad temper and the comparative sexual precocity of the female teenager made all the decisions for me), and perhaps as a consequence I emerged from all these formative experiences completely unformed. Walking through the North Bank turnstile was the only time I can remember consciously grasping a nettle until I was in my mid-twenties (really—this is not the place to go through all the nettles I should have grasped by then, but I know I didn’t bother): I wanted to do it, but at the same time I was, pathetically, a little afraid. My only rite of passage, then, involved standing on one piece of concrete as opposed to another; but the fact that I had made myself do something that I only half-wanted to do, and that it all turned out OK … this was important to me.
An hour before the kick-off the view from my spot was spectacular. No corner of the pitch was obscured, and even the far goal, which I had imagined would look tiny, was quite clear. By three o’clock, however, I could see a little strip of the pitch, a narrow grass tunnel running from the near penalty area to the touchline at the far end. The corner flags had disappeared entirely, and the goal beneath me was visible only if I jumped at the crucial moment. Whenever there was a near-miss at our end, the crowd tumbled forward; I was forced seven or eight steps down the terracing and, when I looked round, the carrier bag containing my programme and my Daily Express that I had placed at my feet seemed miles away, like a towel on the beach when you’re in a rough sea. I did see the one goal of the game, a George Graham volley from about twenty-five yards, but only because it was scored at the Clock End.
I loved it there, of course. I loved the different categories of noise: the formal, ritual noise when the players emerged (each player’s name called in turn, starting with the favourite, until he responded with a wave); the spontaneous shapeless roar when something exciting was happening on the pitch; the renewed vigour of the chanting after a goal or a sustained period of attacking. (And even here, among younger, less alienated men, that football grumble when things were going badly.) After my initial alarm I grew to love the movement, the way I was thrown towards the pitch and sucked back again. And I loved the anonymity: I was not, after all, going to be found out. I stayed for the next seventeen years.
There is no North Bank now. The Taylor Report recommended that, post-Hillsborough, football stadia should become all-seater, and the football clubs have all decided to act on that recommendation. In March 1973, I was among a crowd of sixty-three thousand at Highbury for an FA Cup replay against Chelsea; crowds of that size are no longer possible, at Highbury or in any other English stadium apart from Wembley. Even in 1988, the year before Hillsborough, Arsenal had two crowds of fifty-five thousand in the same week, and the second of them, the Littlewoods Cup semi-final against Everton, now looks like the last of the sort of game that comes to represent the football experience in the memory: floodlights, driving rain and an enormous, rolling roar throughout the match. So, yes, of course it is sad; football crowds may yet be able to create a new environment that electrifies, but they will never be able to recreate the old one which required vast numbers and a context in which those numbers could form themselves into one huge reactive body.
Even sadder, though, is the way that Arsenal have chosen to redevelop the stadium. It cost me 25p to watch the Ipswich match; the Arsenal Bond scheme means that from September 1993 entry to the North Bank will cost a minimum £1100 plus the price of a ticket, and, even allowing for inflation, that sounds a bit steep to me. A debenture plan makes sound financial sense for the club, but it is inconceivable that football at Highbury will ever be the same again.
The big clubs seem to have tired of their fan-base, and in a way who can blame them? Young working-class and lower-middle-class males bring with them a complicated and occasionally distressing set of problems; directors and chairmen might argue that they had their chance and blew it, and that middle-class families—the new target audience—will not only behave themselves, but pay much more to do so.
This argument ignores central questions about responsibility, fairness, and whether football clubs have a role to play in the local community. But even without these problems, it seems to me that there is a fatal flaw in the reasoning. Part of the pleasure to be had in large football stadia is a mixture of the vicarious and the parasitical, because unless one stands on the North Bank, or the Kop, or the Stretford End, then one is relying on others to provide the atmosphere; and atmosphere is one of the crucial ingredients of the football experience. These huge ends are as vital to the clubs as their players, not only because their inhabitants are vocal in their support, not just because they provide clubs with large sums of money (although these are not unimportant factors) but because without them nobody else would bother coming.
Arsenal and Manchester United and the rest are under the impression that people pay to watch Paul Merson and Ryan Giggs, and of course they do. But many of them—the people in the twenty pound seats, and the guys in the executive boxes—also pay to watch people watching Paul Merson (or to listen to people shouting at him). Who would buy an executive box if the stadium were filled with executives? The club sold the boxes on the understanding that the atmosphere came free, and so the North Bank generated as much income as any of the players ever did. Who’ll make the noise now? Will the suburban middle-class kids and their mums and dads still come if they have to generate it themselves? Or will they feel that they have been conned? Because in effect the clubs have sold them tickets to a show in which the principal attraction has been moved to make room for them.