If I went to prison, I wouldn't be just an unbalanced peon diddling in the soup. This would have heroic scale.
Robin Hood Waiter Champions Have-Nots.
This would be about a lot more than one hotel and one waiter.
The manager of the Pressman Hotel very gently took the receiver out of my hand. The manager said he didn't want me working here anymore, not the way I looked now.
I'm standing at the head of the manager's desk when I say, what?
You don't like the idea of third
And without flinching, still looking at the manager, I roundhouse the fist at the centrifugal force end of my arm and slam fresh blood out of the cracked scabs in my nose.
For no reason at all, I remember the night Tyler and I had our first fight. I want you to hit me as hard as you can.
This isn't such a hard punch. I punch myself, again. It just looks good, all the blood, but I throw myself back against the wall to make a terrible noise and break the painting that hangs there.
The broken glass and frame and the painting of flowers and blood go to the floor with me clowning around. I'm being such a doofus. Blood gets on the carpet and I reach up and grip monster handprints of blood on the edge of the hotel manager's desk and say, please, help me, but I start to giggle.
Help me, please.
Please don't hit me, again.
I slip back to the floor and crawl my blood across the carpet. The first word I'm going to say is please. So I keep my lips shut. The monster drags itself across the lovely bouquets and garlands of the Oriental carpet. The blood falls out of my nose and slides down the back of my throat and into my mouth, hot. The monster crawls across the carpet, hot and picking up the lint and dust sticking to the blood on its claws. And it crawls close enough to grab the manager of the Pressman Hotel around his pinstriped ankle and say it.
Please.
Say it.
Please comes out in a bubble of blood.
Say it.
Please.
And the bubble pops blood all over.
And this is how Tyler was free to start a fight club every night of the week. After this there were seven fight clubs, and after that there were fifteen fight clubs, and after that, there were twenty-three fight clubs, and Tyler wanted more. There was always money coming in.
Please, I ask the manager of the Pressman Hotel, give me the money. And I giggle, again.
And please don't hit me, again.
Please.
You have so much, and I have nothing. And I start to climb my blood up the pinstriped legs of the manager of the Pressman Hotel who is leaning back, hard, with his hands on the windowsill behind him and even his thin lips retreating from his teeth.
The monster hooks its bloody claw in the waistband of the manager's pants, and pulls itself up to clutch the white starched shirt, and
I wrap my bloody hands around the manager's smooth wrists.
Please. I smile big enough to split my lips.
There's a struggle as the manager screams and tries to get his hands away from me and my blood and my crushed nose, the filth sticking in the blood on both of us, and right then at our most excellent moment, the security guards decide to walk in.
16
IT'S IN THE newspaper today how somebody broke into offices between the tenth and fifteenth floors of the Hein Tower, and climbed out the office windows, and painted the south side of the building with a grinning five story mask, and set fires so the window at the center of each huge eye blazed huge and alive and inescapable over the city at dawn.
In the picture on the front page of the newspaper, the face is an angry pumpkin, Japanese demon, dragon of avarice hanging in the sky, and the smoke is a witch's eyebrows or devil's horns. And people cried with their heads thrown back.
What did it mean?
And who would do this? And even after the fires were out, the face was still there, and it was worse. The empty eyes seemed to watch everyone in the street but at the same time were dead.
This stuff is in the newspaper more and more.
Of course you read this, and you want to know right away if it was part of Project Mayhem.
The newspaper says the police have no real leads. Youth gangs or space aliens, whoever it was could've died while crawling down ledges and dangling from windowsills with cans of black spray paint.
Was it the Mischief Committee or the Arson Committee? The giant face was probably their homework assignment from last week.
Tyler would know, but the first rule about Project Mayhem is you don't ask questions about Project Mayhem.
In the Assault Committee of Project Mayhem, this week Tyler says he ran everyone through what it would take to shoot a gun. All a gun does is focus an explosion in one direction.
At the last meeting of the Assault Committee, Tyler brought a gun and the yellow pages of the phone book. They meet in the basement where fight club meets on Saturday night. Each committee meets on a different night:
Arson meets on Monday.
Assault on Tuesday.
Mischief meets on Wednesday.
And Misinformation meets on Thursday.
Organized Chaos. The Bureaucracy of Anarchy. You figure it out.
Support groups. Sort of.
So Tuesday night, the Assault Committee proposed events for the upcoming week, and Tyler read the proposals and gave the committee its homework.
By this time next week, each guy on the Assault Committee has to pick a fight where he won't come out a hero. And not in fight club. This is harder than it sounds. A man on the street will do anything not to fight.
The idea is to take some Joe on the street who's never been in a fight and recruit him. Let him experience winning for the first time in his life. Get him to explode. Give him permission to beat the crap out of you.
You can take it. If you win, you screwed up.
"What we have to do, people," Tyler told the committee, "is remind these guys what kind of power they still have."
This is Tyler's little pep talk. Then he opened each of the folded squares of paper in the cardboard box in front of him. This is how each committee proposes events for the upcoming week. Write the event on the committee tablet. Tear off the sheet, fold it, and put it in the box. Tyler checks out the proposals and throws out any bad ideas.
For each idea he throws out, Tyler puts a folded blank into the box.
Then everyone in the committee takes a paper out of the box. The way Tyler explained the process to me, if somebody draws a blank, he only has his homework to do that week.
If you draw a proposal, then you have to go to the import beer festival this weekend and push over a guy in a chemical toilet. You'll get extra favor if you get beat up for doing this. Or you have to attend the fashion show at the shopping center atrium and throw strawberry gelatin from the mezzanine.
If you get arrested, you're off the Assault Committee. If you laugh, you're off the committee.
Nobody knows who draws a proposal, and nobody except Tyler knows what all the proposals are and which are accepted and which proposals he throws in the trash. Later that week, you might read in the newspaper about an unidentified man, downtown, jumping the driver of a Jaguar convertible and steering the car into a fountain.
You have to wonder. Was this a committee proposal you could've drawn?
The next Tuesday night, you'll be looking around the Assault Committee meeting under the one light in the black fight club basement, and you're still wondering who forced the jag into the fountain.
Who went to the roof of the art museum and snipered paint balls into the sculpture court reception?
Who painted the blazing demon mask on the Hein Tower?
The night of the Hein Tower assignment, you can picture a team of law clerks and bookkeepers or messengers sneaking into offices where they sat, every day. Maybe they were a little drunk even if it's against the rules in Project Mayhem, and they used passkeys where they could and used spray canisters of Freon to shatter lock cylinders w > they could dangle, rappelling against the tower's brick facade, dropping, trusting each other to hold ropes, swinging, risking quick death in offices where every day they felt their lives end one hour at a time.
The next morning, these same, clerks and assistant account reps would be in the crowd with their neatly combed heads thrown back, rummy without sleep but sober and wearing ties and listening to the crowd around them wonder, who would do this, and the police shout I for everyone to please get back, now, as water ran down from the broken smoky center of each huge eye.
Tyler told me in secret that there's never more than four good proposals at a meeting so your chances of drawing a real proposal and [lot just a blank are about four in ten. There are twenty-five guys on t Ire Assault Committee including Tyler. Everybody gets their homework: lose a fight in public; and each member draws for a proposal.
This week, Tyler told them, "Go out and buy a gun."
Tyler gave one guy the telephone-book yellow pages and told him to tear out an advertisement. Then pass the book to the next guy. No two guys should go to the same place to buy or shoot.
"This," Tyler said, and he took a gun out of his coat pocket, "this is a gun, and in two weeks, you should each of you have a gun about t Isis size to bring to meeting.
"Better you should pay for it with cash," Tyler said. "Next meeting, you'll all trade guns and report the gun you bought as stolen."
Nobody asked anything. You don't ask questions is the first rule in Project Mayhem.
Tyler handed the gun around. It was so heavy for something se small, as if a giant thing like a mountain or a sun were collapsed and melted down to make this. The committee guys held it by two fingers. Everyone wanted to ask if it was loaded, but the second rule of Project Mayhem is you don't ask questions.
Maybe it was loaded, maybe not. Maybe we should always assume the worst.
"A gun," Tyler said, "is simple and perfect. You just draw the trigger back."
The third rule in Project Mayhem is no excuses.
"The trigger," Tyler said, "frees the hammer, and the hammer strikes the powder."
The fourth rule is no lies.
"The explosion blasts a metal slug off the open end of the shell, and the barrel of the gun focuses the exploding powder and the rocketing slug," Tyler said, "like a man out of a cannon, like a missile out of a silo, like your jism, in one direction."
When Tyler invented Project Mayhem, Tyler said the goal of Project Mayhem had nothing to do with other people. Tyler didn't care if other people got hurt or not. The goal was to teach each man in the project that he had the power to control history. We, each of us, can take control of the world.