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This was shorthand for a favorite Bannon riff: In the course of the campaign, Donald Trump had threatened virtually every institution in American political life. He was a clown-prince version of Jimmy Stewart in Mr. Smith Goes to Washington. Trump believed, offering catnip to deep American ire and resentment, that one man could be bigger than the system. This analysis presupposed that the institutions of political life were as responsive as those in the commercial life that Trump was from—and that they yearned to meet the market and find the Zeitgeist. But what if these institutions—the media, the judiciary, the intelligence community, the greater executive branch itself, and the “swamp” with its law firms, consultants, influence peddlers, and leakers—were in no way eager to adapt? If, by their nature, they were determined to endure, then this accidental president was up against it.

Kushner seemed unpersuaded. “I wouldn’t put it like that,” he said.

“I think that’s the lesson of the first hundred days that some people around here have learned,” said Bannon, ignoring Kushner. “It’s not going to get better. This is what it’s like.”

“I don’t know,” said Kushner.

“Know it,” said Bannon.

“I think Sessions is doing okay,” said Kushner. “Don’t you?”

19

MIKA WHO?

The media had unlocked the value of Donald Trump, but few in the media had unlocked it more directly and personally than Joe Scarborough and Mika Brzezinski. Their MSNBC breakfast show was an ongoing soap-opera-ish or possibly Oprahesque drama about their relationship with Trump—how he had disappointed them, how far they had come from their original regard for him, and how much and how pathetically he regularly embarrassed himself. The bond he once had with them, forged through mutual celebrity and a shared proprietary sense of politics (Scarborough, the former congressman, seemed to feel that he ought reasonably to be president as much as Donald Trump felt he should be), had distinguished the show during the campaign; now its public fraying became part of the daily news cycle. Scarborough and Brzezinski lectured him, channeled the concerns of his friends and family, upbraided him, and openly worried about him—that he was getting the wrong advice (Bannon) and, too, that his mental powers were slipping. They also staked a claim at representing the reasonable center-right alternative to the president, and indeed were quite a good barometer of both the center-right’s efforts to deal with him and its day-to-day difficulties of living with him.

Trump, believing he had been used and abused by Scarborough and Brzezinski, claimed he’d stopped watching the show. But Hope Hicks, every morning, quaking, had to recount it for him.

Morning Joe was a ground-zero study in the way the media had over-invested in Trump. He was the whale against which media emotions, self-regard, ego, joie de guerre, career advancement, and desire to be at the center of the story, too, all churned in nearly ecstatic obsession. In reverse regard, the media was the same whale, serving the same function, for Trump.

To this Trump added another tic, a lifelong sense that people were constantly taking unfair advantage of him. This perhaps came from his father’s cheapness and lack of generosity, or from his own overawareness of being a rich kid (and, no doubt, his insecurities about this), or from a negotiator’s profound understanding that it is never win-win, that where there is profit there is loss. Trump simply could not abide the knowledge that somebody was getting a leg up at his expense. His was a zero-sum ecosystem. In the world of Trump, anything that he deemed of value either accrued to him or had been robbed from him.

Scarborough and Brzezinski had taken their relationship with Trump and amply monetized it, while putting no percentage in his pocket—and in this instance, he judged his commission should be slavishly favorable treatment. To say this drove him mad would be an understatement. He dwelled and fixated on the perceived injustice. Don’t mention Joe or Mika to him was a standing proscription.

His wounded feelings and incomprehension at the failure of people whose embrace he sought to, in return, embrace him was “deep, crazy deep,” said his former aide Sam Nunberg, who had run afoul of his need for 100 percent approbation and his bitter suspicion of being profited from.

* * *

Out of this accumulated rage came his June 29 tweet about Mika Brzezinski.

It was classic Trump: there was no mediation between off-the-record language and the public statement. Referring to “low I.Q. Crazy Mika” in one tweet, he wrote in another that she was “bleeding badly from a facelift” when she and Scarborough visited Trump at Mar-a-Lago on the previous New Year’s Eve. Many of his tweets were not, as they might seem, spontaneous utterances, but constant ones. Trump’s rifts often began as insult comedy and solidified as bitter accusations and then, in an uncontainable moment, became an official proclamation.

The next step, in his tweet paradigm, was universal liberal opprobrium. Almost a week of social media fury, cable breast-beating, and front-page condemnation followed his tweet about Brzezinski. That was accompanied by the other part of the Trump tweet dynamic: by unifying liberal opinion against him, he unified its opposite for him.

In truth, he was often neither fully aware of the nature of what he had said nor fully cognizant of why there should be such a passionate reaction to it. As often as not, he surprised himself. “What did I say?” he would ask after getting severe blowback.

He wasn’t serving up these insults for effect—well, not entirely. And his behavior wasn’t carefully calculated; it was tit for tat, and he likely would have said what he’d said even if no one was left standing with him. (This very lack of calculation, this inability to be political, was part of his political charm.) It was just his good luck that the Trumpian 35 percent—that standing percentage of people who, according to most polls, seemed to support him no matter what (who would, in his estimation, let him get away with shooting someone on Fifth Avenue)—was largely unfazed and maybe even buoyed by every new expression of Trumpness.

Now, having expressed himself and gotten in the last word, Trump was cheery again.

“Mika and Joe totally love this. It’s big ratings for them,” said the president, with certain satisfaction and obvious truth.

* * *

Ten days later, a large table of Bannonites was having dinner at the Bombay Club, a high-end Indian restaurant two blocks from the White House. One of the group—Arthur Schwartz, a PR consultant—asked a question about the Mika and Joe affair.

Perhaps it was the noise, but it was also a fitting measure of the speed of events in the Trump era: Bannon lieutenant Alexandra Preate replied, with genuine fogginess, “Who?”

The operetta of the Mika tweets—the uncouthness and verbal abuse demonstrated by the president, his serious lack of control and judgment, and the worldwide censure heaped upon him for it—had already far receded, wholly overshadowed by more Trump eruptions and controversy.

But before moving on to the next episode of ohmygodness, it is worth considering the possibility that this constant, daily, often more than once-a-day, pileup of events—each one canceling out the one before—is the true aberration and novelty at the heart of the Trump presidency.

Perhaps never before in history—not through world wars, the overthrow of empires, periods of extraordinary social transformation, or episodes of government-shaking scandal—have real-life events unfolded with such emotional and plot-thickening impact. In the fashion of binge-watching a television show, one’s real life became quite secondary to the public drama. It was not unreasonable to say Whoa, wait just a minute: public life doesn’t happen like this. Public life in fact lacks coherence and drama. (History, by contrast, attains coherence and drama only in hindsight.)