Acknowledgments
My research into wildfire began when Frank Carroll—then with the Boise National Forest—ignored the fact that I had no press credentials whatsoever, and wrote me a journalist pass that allowed me access to the Flicker Creek fire. My first thanks must go to him. I then embarked on a career of foreign reporting that started with a completely ill-prepared trip to Sarajevo in 1993. I am deeply indebted to Harald Doornbos—a first-rate reporter and now a good friend—who gave me a place to stay, showed me the ropes, and generally kept me out of trouble while I was there. After that I had the luxury of going to foreign countries on assignment for magazines. I would like to thank John Atwood and John Rasmus, formerly at Men’s Journal; Hampton Sides at Outside; Ned Zeman, Doug Stumpf, and Graydon Carter at Vanity Fair; and Steve Byers at Adventure. I am particularly indebted to Steve Byers, who—while at Men’s Journal—bought my first national magazine piece, and years later sent me to Afghanistan to profile Ahmed Shah Massoud. I would also like to single out Graydon Carter, the editor in chief at Vanity Fair, for publishing what—to many of his readers—were extremely upsetting articles about war. I’m sure it was not an easy thing for an editor to do, and I deeply appreciate his confidence in my work. I would also like to thank Starling Lawrence and Drake Bennett at W. W. Norton, as well as the many people there and at HarperCollins, for their great work and longstanding support. Photographer Teun Voeten accompanied me on many of my magazine assignments, and I would like to thank him for his companionship and his great work. And the book wouldn’t exist at all without the great advice and friendship of my agent, Stuart Krichevsky, as well as Paula Balzer and Shana Cohen at his office.
Then there are my family and friends, without whom I would not be the person I am, and therefore not the journalist either. That said, I would like to thank Janine DiGiovanni, Scott Anderson, John Falk, Rob Leaver, Don Beal, Khristine Hopkins, John Vaillant, Emery Vaillant, John Evans, Victoria Bruce, Shane Dubow, Amy Kimball, Jackie Ginley, and Stephen Zanichkowsky for their interest and involvement in my work. My mother and father, Ellen and Miguel Junger, and my sister, Carlotta, have also been tremendously supportive. I am sorry for the times that I have worried them while I was on assignment. I have dedicated this book to Ellis Settle, the uncle of my oldest friend, a man of incredible wisdom whose unshakable respect for the working men and women of this world I have tried to emulate my entire life. Without the great privilege of knowing him and his wife, Joanna, I would very possibly not be a journalist at all.
Finally, I would like to point out that the profession of foreign reporting wouldn’t even exist without the help of local people whose names never appear in articles, whose faces never appear on television screens. I would like to reserve my final thanks and admiration for the translators, fixers, drivers, guides, and sources who have helped me in the various countries I have worked. As locals, they take risks that no one with a foreign passport even has to contemplate. These people are too many to designate by name, but the crucial role they play in journalism should always be remembered.
ALSO BY SEBASTIAN JUNGER
The Perfect Storm
Copyright
Copyright © 2001 by Sebastian Junger
All rights reserved
Grateful acknowledgment is made to the following publications, where many of the pieces in this book originally appeared, in slightly different form:
Harper’s: “Dispatches from a Dead War,” August 1999
Men’s Journaclass="underline" “Line of Fire,” October 1993; “Blow Up,” November 1994; “Escape from Kashmir,” April 1997
National Geographic Adventure: “Colter’s Way,” Spring 1999; “The Lion in Winter,” March/April 2001 Outside: “The Whale Hunters,” October 1995
Vanity Fair: “Kosovo’s Valley of Death,” July 1998; “The Forensics of War,” October 1999; “The Terror of Sierra Leone,” August 2000
The portions of “Dispatches from a Dead War” written by Scott Anderson are reprinted by permission of International Creative Management, Inc. Copyright © 1999 by Scott Anderson.
“Editor’s Note” to “Dispatches from a Dead War” Copyright © 1999 by Harper’s Magazine. All rights reserved. Reproduced from the August issue by special permission.
For information about permission to reproduce selections from this book, write to Permissions,
W. W. Norton & Company, Inc., 500 Fifth Avenue, New York, NY 10110
ISBN: 978-0-393-07705-6
W. W. Norton & Company Ltd., Castle House, 75/76 Wells Street, London W1T 3QT