At nearly four in the afternoon we reached Wilmington, a large city in the midst of revitalization, which was still filled with examples of old Southern architecture. McGinnes informed me in the same breath that Wilmington was once the premier city of the state, and that it was the birthplace of Sonny Jurgenson.
Wrightsville Beach was just across the bridge over Bank’s Channel. Driving onto its main strip, I saw the large hotels and general congestion of concrete that I associated with the Delmarva Peninsula and the Jersey Shore. We checked into a clean and expensive motel near the fishing pier.
McGinnes was sleeping when I came out of the shower. I dressed quietly, slipped out the door, and walked up to the pier. At its entrance was a snackbar that overlooked the beach. I sat on a red stool and ordered a tuna sandwich with fries and a coke.
The teenage girl behind the counter had black hair and thick eyebrows and wore a Byzantine cross. I asked if she was Greek and she said yes. Her parents owned the concession stand and the adjoining restaurant. I asked her if she knew a place called the Wall.
“It’s a surf-rat place,” she said. “In the summer they rage, but now in the off-season only the hardcores hang out there. If you’re not a local and you’re not in that crowd, it’s not too cool.” She told me where to find it, up near the Strand. I thanked her and left eight on four.
Traffic was light. I found the Wall on the soundside corner of the intersection the girl had mentioned.
The place appeared to be a converted service station. It stood alone on a shell and gravel lot. I was the only one parked in the lot. I sat in my car for half an hour and listened to top forty radio and beach commercials. Then a modified, black VW with two shortboards racked on the top pulled in. The doors opened and two guys got out.
They walked across the lot. The taller one of the two was in oversized baggy shorts and a tie-dyed T-shirt and wore a red duckbilled cap, out of which came white blond hair. He was tall and in swimmer’s shape. The smaller one was dressed similarly but had a weak frame and the overly cocky strut of the insecure.
I got out of my car quickly and ran to the door of the bar, just as baut othe tall one was turning the key. I startled him as he turned and for a moment he looked vulnerable, but only for a moment. He had thin eyes and a cruel, thin mouth.
“Hey,” I said, “how’s it going?” He didn’t answer but gave me the once-over. “Is Charlie Fiora around?”
“That’s me,” he said in a monotone. “What do you want?”
“I’m a friend of Kim Lazarus,” I said. His eyes flashed for a second, an emotion that he quickly shut down. “I heard she was in town. Heard you might know where she’s staying.”
“You heard wrong, ace. I don’t know any Kim Hazardous,” he said, and his little friend giggled. “Now I gotta get my place opened up. So later.”
The two of them walked in and shut the door behind them. I heard the lock turn. I stood staring at the door and the painted cinderblocks around it. Then I turned and walked back to my car. I sat there for a while. Nothing happened and I did nothing to make it happen. Finally I turned the ignition key and drove back to the motel.
MCGINNES WAS CLEANED UP and waiting when I returned to the room. We walked to the restaurant above the arcade and concession stand and had a seat at the bar, which afforded us a view of the pier below. The ocean shimmered orange and gray at dusk. I told McGinnes of my experience at the Wall. Afterwards, he put down his Pilsner glass and looked at me dourly.
“I didn’t want to bring this up,” he said, “but I’ve got to be at work tomorrow morning. If I don’t post, I lose my job.”
“I know.”
I settled the bill after finishing only half my meal. We walked down the stairs and out onto the pier. I turned my collar up against the wind as we neared the end, where some kids were spinning a cast-iron telescope on its base.
“What are you going to do?” McGi nnes asked. His hair was blowing back to expose his scalp.
“They’re here in Wrightsville,” I said with certainty. “I didn’t go through everything and come all the way down here to drive back to D.C. now with my fucking tail between my legs.”
“You want company?”
“No, not this time. But get everything together at the room. I’ll be back in an hour to pick you up.”
He nodded sadly and looked away. I left him there at the end of the pier and walked back, passing a small group gathered around a sand shark that was floundering and dying on the wooden planks.
I found my car in the motel lot, pulled out onto the highway, and headed for the Wall.
TWENTY-TWO
When I pushed open the hea bautth="0emvy door to the Wall, they were blasting Led Zeppelin IV through the speaker system.
The place was one big unfinished room, with a couple of pool tables, pinball and video machines, scattered chairs, and a bar. Some of the people that night looked to be underage. It was difficult to pick out the patrons from the employees.
Charlie Fiora was standing outside the service bar area and recognized me as I entered. He said something to his sidekick, who then looked at me and grinned. I walked across the concrete floor to the bar, where I took a seat with my back to the wall on a stool in the corner.
When the bartender was finished ignoring me, he dragged himself down to my end. He was tall with long brown hair and wire-rimmed glasses, which gave the probably false impression of intelligence. I ordered a bottle of Bud and gave him three on two. He didn’t thank me but accepted the tip.
I drank the beer and looked around. There were no windows. The area that had once housed the service station’s bay doors had been bricked up. The decorations were sparse but effective. Tiny white Christmas lights laced the walls and bar mirrors. Posters, replicating album covers of groups like Siouxsie amp; the Banshees and the Meat Puppets, hung on the cinderblocks. Styrofoam Flintstone Building Blocks were spraypainted and glued to the ceiling to better the acoustics and insulate the noise. Tie-dyed bedsheets hung like inverted parachutes, and held in their pockets still more Christmas lights. Fiora was nothing if not resourceful.
The crowd here was the dark side of the myth of healthy, bronzed surfers out for clean fun and the perfect wave. The young people who lived in beachtowns like this, long after their peers had returned to school for the fall semester, were strangely joyless hedonists, bitter poseurs who were capable of unrepentant violence.
Fiora was staring at me and I could feel it. I got up and walked across the room, past the pool tables and pinball machines, and into the men’s room.
There was one sink, two urinals, and a stall. I stood at one of the urinals and peed. Above me on the wall were two lines of graffiti: “Michael Stipe sucks my pipe” and “Any friend of Ted Bundy’s is a friend of mine.”
I washed up and returned to my barstool. There was a pretty young blonde in a powder blue sundress standing next to Fiora now. Fiora whispered something in her ear. She looked at me and smiled, then kept her eyes on me as she kissed him on the cheek. They both laughed.
I ordered another beer. They were now well into the second side of the Zeppelin tape. A loaded kid sitting next to me said to his friend on the right, “I’m tellin’ you, dude, the way to get a babe to like you is to make her drink.”
I began to read the cassette titles that were racked behind the bar. There were hundreds of them, arranged alphabetically. When I was finished doing that, I looked at my watch.