“The Great Library looks smaller from the outside,” observed Thursday5, staring out the window at the rain-streaked exterior.
She was right. The corridors in the library below could be as long as two hundred miles in each direction, expandable upon requirements, but from the outside the library looked more akin to the Chrysler Building, liberally decorated with stainless-steel statuary and measuring less than two hundred yards along each face. And even though we were only on the twenty-sixth floor, it looked a great deal higher. I had once been to the top of the 120-story Goliath Tower at Goliathopolis, and this seemed easily as high as that.
“The other towers?” she asked, still staring out the window. Far below us were the treetops of a deep forest flecked with mist, and scattered around at varying distances were other towers just like ours.
“The nearest one is German,” I said, “and behind those are French and Spanish. Arabic is just beyond them-and that one over there is Welsh.”
“Oh,” said Thursday5, staring at the green foliage far below.
“The Council of Genres looks after the Fictional Legislature,” I said, walking down the corridor to the main assembly chamber. It had become busier since we’d arrived, with various clerks moving around holding file folders, reports and so forth. I had thought red tape was bad in the real world, but in the paper world it was everything. I’d come to realize over the years that anything created by mankind had error, mischief and bureaucratic officialdom hardwired at inception, and the fictional world was no different.
“The council governs dramatic conventions, strictly controls the use of irony, legislates on word use and, through the Book Inspectorate, decides which novels are to be published and which ones scrapped.”
We had arrived at a viewing gallery overlooking the main debating chamber, which was a spacious hall of white marble with an arched roof suspended by riveted iron girders. There was a raised dais at the back surmounted by a central and ornately carved chair flanked on each side by four smaller ones. A lectern for the speaker was in front of that, and facing both the lectern and the dais was a horse shoe pattern of desks for the representatives of the various genres. The back wall of the chamber was decorated with a vast mosaic representing the theoretical positions of the genres as they hung in the Nothing. The only other item of note in the debating chamber was the Read-O-Meter, which gave us a continually updated figure of just how many books had been read over the previous twenty-four hours. This instrument was a constant reminder of the falling ReadRates that had troubled the BookWorld over the past five years, and every time the numbers flopped over-and they did every five seconds-the number went down. Sometimes in depressingly large amounts. There was someone speaking volubly at the lectern, and the debating chamber was less than a third full.
“The main genres are seated at the front,” I explained, “and the subgenres radiate out behind them, in order of importance and size. Although the CofG oversees broad legislative issues, each individual genre can make its own decision on a local level. They all field a senator to appear before the council and look after their own interests-sometimes the debating chamber resembles something less like a seat of democracy and more like plain old horse trading.”
“Who’s talking now?” she asked as a new member took the podium. He looked as though he hadn’t brushed his hair that morning, was handsome if a bit dim-looking, had no shoes and was wearing a shirt split open to the waist.
“That’ll be Speedy Muffler, the senator from the Racy Novel genre, although I suspect that might not be his real name.”
“They have a senator?”
“Of course. Every genre has at least one, and depending on the popularity of subgenres, they might have several. Thriller which is subgenred into political, Spy and Adventure, has three. Comedy at the last count had six; Crime has twelve.”
“I see. So what’s Racy Novel’s problem?”
“It’s a border dispute. Although each book exists on its own and is adrift in the intragenre space known as the Nothing, the books belonging to the various genres clump together for mutual protection, free trade of ideas and easy movement of characters.”
“I get it. Books of a feather flock together, yes?”
“Pretty much. Sensibly, Thriller was placed next door to Crime, which itself is bordered by Human Drama-a fine demonstration of inspired genreography for the very best mutual improvement of both.”
“And Racy Novel?”
“Some idiot placed it somewhat recklessly between Ecclesiastical and Feminist, with the tiny principality of Erotica to the far north and a buffer zone with Comedy to the south comprising the subcrossover genre of Bedroom Farce/Bawdy Romp. Racy Novel gets along with Comedy and Erotica fine, but Ecclesiastical and Feminist really don’t think Racy Novel is worthy of a genre at all and often fire salvos of long-winded intellectual dissent across the border, which might do more damage if anyone in Racy Novel could understand them. For its part, Racy Novel sends panty-raiding parties into its neighbors, which wasn’t welcome in Feminist and even less in Ecclesiastical-or was it the other way around? Anyway, the whole deal might have escalated into an all-out genre war without the Council of Genres stepping in and brokering a peace deal. The CofG would guarantee Racy Novel’s independence as long as it agreed to certain…sanctions.”
“Which were?”
“An import ban on metaphor, characterization and competent description. Speedy Muffler is a bit of a megalomaniac, and both Feminist and Ecclesiastical thought containment was better than out-and-out conflict. The problem is, Racy Novel claims that this is worse than a slow attritional war, as these sanctions deny it the potential of literary advancement beyond the limited scope of its work.”
“I can’t say I’m very sympathetic to that cause.”
“It’s not important that you are-your role in Jurisfiction is only to defend the status-”
I stopped talking, as something seemed to be going on down in the debating chamber. In a well-orchestrated lapse of protocol, delegates were throwing their ballot papers around, and among the jeering and catcalls Muffler was struggling to make himself heard. I shook my head sadly.
“What is it?”
“Something that Racy Novel has been threatening for some time-they’ve claimed to have developed and tested a…dirty bomb.”
“A what?”
“It’s a tightly packed mass of inappropriate plot devices, explicit suggestions and sexual scenes of an expressly gratuitous nature. The ‘dirty’ elements of the bomb fly apart at a preset time and attach themselves to any unshielded prose. Given the target, it has the potential for untold damage. A well-placed dirty bomb could scatter poorly described fornication all across drab theological debate or drop a wholly unwarranted scene of a sexually exploitative nature right into the middle of Mrs. Dalloway.”
Even Thursday5 could see this was not a good thing. “Would he do that?”
“He just might. Senator Muffler is as mad as a barrel of skunks, and the inclusion of Racy Novel in the Council of Genres’ definition of the ‘Axis of Unreadable’ along with Misery Memoirs and Pseudointellectual Drivel didn’t help matters a bit. It’ll be all over the BookWorld by nightfall, mark my words-the papers love this kind of combative, saber-rattling crap.”
“Ms. Next!” came an annoying, high-pitched voice.
I turned to find a small weasel of a man with pinched features, dressed in robes and with a goodly retinue of self-important assistants stacked up behind him.
“Good morning, Senator,” I said, bowing as protocol demanded. “May I introduce my apprentice, Thursday5? Thursday5, this is Senator Jobsworth, director-general of the CofG and head of the Pan-Genre Treaty Organization.”