Выбрать главу

They still have not realised what has happened. I strike one down from behind, applying a careful measure of force so that the skull does not break. I snap another’s neck. I punch blade fists into the stomach of one who turns, and pull out the ropes of entrails. They squirm like sticky purple serpents. I see the pulsing of the thing’s heart within its chest cavity and I resist the urge to pull it out. That would be too quick. I loop a rope of intestines around the throat of another and pull tight. It is not intended to kill, merely to mock. I vault over the shoulder of the squirming soldier. My kick snaps the neck of another.

I handspring as they try to track me, panicked, squeezing the triggers of their weapons. Their clumsy crossfire burns each other. I send a razor edge flashing into the throat of one, shoot another. I kill them before they can accidentally slay those I have chosen to let live. I do not wish them to spoil the symmetry of my creation.

I shoot and strike and lunge, killing one, sparing another, maiming a third. They are too slow to stop me. One of them at last realises it and draws a grenade. I see the delicious fear in its eyes and I know what it intends to do. It is so frightened that it thinks it is going to drop the grenade where it stands and die taking me with it.

The grenade begins its slow, slow fall to the ground. I snatch it from the air, grab the human by the head and force the bomb into the creature’s mouth, then down its throat. I backflip away, suspensor-assisted, soaring into the air as its head and chest explode in a fountain of blood.

In the confusion, the humans have lost track of me again. I pick three at random and execute them with head-shots. They mill around, leaderless now, knowing something is killing them but unable to strike back. They are a rabble, not even worthy of contempt.

Sudden boredom strikes me. I am tempted to end the game and simply kill them all, but that would be undisciplined. One must finish what one starts. One must keep to one’s purposes. The true artist never loses sight of his goals, even though the agony is its own reward, as is the terror.

I catch the pheromonal trace of something new, a human scent that, surprisingly, does not speak of fear or horror, that carries an icy tang of calmness and control. I swivel my head, seeking its source.

A human in a long black coat advances on the rabble as they turn to flee. It looks cleaner, more austere and disciplined than the rest, which is like saying one mon-keigh looks less idiotic than another as it flings its excrement at the bars of its cage. It shouts instructions but is ignored by the panicked mob. It draws a pistol and executes one of the fleeing humans. I feel a faint flicker of annoyance. The newcomer threatens to disarrange the symmetry of my work. There is only one way to prevent that, which is to make it take the place of the man it has killed.

I drop to the ground in front of black-coat.

‘Xenos scum,’ it snarls, marginally quicker on the uptake than the others. ‘Die!’

The translation engines give its voice a flat, metallic ring. It raises its pistol to shoot me as it did its fleeing species-mate. I enjoy the way it froths at the mouth as it tries to bring its weapon to bear as I move. I am glad I decided to spare this one for later, because breaking its will and teaching it to worship me will be more amusing than simply killing it out of hand.

I reach out and snap its wrist before it can pull the trigger. I strike a nerve cluster that I long ago learned will immobilise a human, and then slap it unconscious with the sort of contempt I am sure it will understand when it comes to contemplate it. All around, the rest of its pack continues to flee. I pick them off, one by one as suits my purposes, taking a few extra moments to ensure that the corpses fall in a pattern that is pleasing to the eye, that the blood spatters are random but beautiful, and that there is more than a suggestion of intelligence at work amid the havoc.

I pause in contemplation at the centre of the artwork I have created. It has been a pleasant few minutes of relaxation, but now there is work to be done. I allow the communications channels to open again and listen to my followers as they go about their business.

It seems that they have encountered no more resistance than I have among the so-called defenders of this once sacred site. In a way, it saddens me. There are so few challenges left in the universe, so little of interest. I hear reports of captives being taken and that cheers me. Soon there will be feasting and gladiatorial contests and sport to be had with our new slaves. It is good.

This petty world is ours now. We have a secure base. Soon I will open the Gate of the Ancients and claim their lost treasures. I have taken the first step on my long road back to Commorragh and eventual triumph over my enemies.

* * *

Reports are coming in from all over this pathetic planet. The defences are every bit as poor as our scouts suggested they would be. Cities have fallen. Citadel towers are under our control. The population of most of this continent is subdued. We are masters of this valley now and will soon have access to its ancient secrets. The humans cannot stop us.

Of course, these valleys have some significance in their primitive faith. It is only natural. They are looking upon the work of their racial superiors, and no matter how weak our ancestors were those eldar were still as far above humans in the great scheme of existence as a human is above a puke-lizard.

I push such thoughts to one side, unsure as to why I am even bothering to contemplate them. I confess there is something mildly disturbing about this place. The temples of our ancestors rise above us like the tombs of forgotten gods, which is, I suppose, what they are. I stride up the hill, acknowledging the respectful salutes of my warriors. Discipline is lax, a few have already begun to feast, flaying alive their still-living prey to consume the delicious agony. I make a note of the miscreants’ names. I will see that some suitably subtle penalty is enforced later. They will get the message.

I stand in the shadow of the Temple of the Night-Dark One. I have come a long way to find sanctuary here, in a place where none of my enemies would think to look. My rivals are still back in Commorragh, enmeshed in their endless schemes. Can it be that I am really the only one who has read the ancient books of lore? It seems unlikely. I have learned to mistrust good fortune. Too often it is a smiling mask that covers the schemes of one’s enemies. It is always wise to look closely when the universe offers you a gift. It proffers many a poisoned chalice in a form that looks like a victor’s cup, as I have learned to my cost. The price of failure in the intrigues of Commorragh is very high.

I inspect the great entrance to the place. Above me stands an enigmatic stone giant. Its face is somewhat like mine, long and lean and beautiful, with pointed ears. Its shape is tall and slender compared to that of the disconsolate human corpses it looks down on.

I pass through the entrance and into the cool interior. This cave was once a spot sacred to my soft ancestors, back when they believed in their milksop gods. There are niches and alcoves with many small shrines where once offerings were left, flowers and incenses and such. I remove my helmet and make an offering of spittle on the face of a deservedly forgotten deity. A human, robed as one of their priestly caste, makes a shocked sound. My lieutenant, Sileria, digs her finger-blade into a nerve cluster and it screams.

‘The forgotten ones have found new worshippers,’ she says. She sounds amused.

‘Deserving ones,’ I say, and she laughs. There has always been an understanding of sorts between her and me. ‘Mon-keigh who have no understanding of what they abase themselves before, who do not even know that the things they worship are themselves long dead, devoured by She Who Thirsts.’