From his window he could see the Pudong skyline, the skyscrapers of Lujiazui ranged like razor-sharp Alpine peaks against the night sky. In the daytime, even the most famous buildings seemed irrelevant, obscured by the perpetual haze of pollution; but at night, when the yellow-gray fog thinned, Justin would sit at his window watching them display boastfully, each one trying to outdo the next: taller, louder, brighter. A crystal outcrop suspended high in the sky, shrouded by mist on rainy days; a giant goldfish wriggling across the face of a building; interlocking geometric shapes shattering into a million fragments before regrouping. He knew every one by heart.
Buildings were in his DNA, he sometimes thought. They had given him everything he ever owned — his houses, his cars, his friends — and even now, they shaped the way he thought and felt. The years were rushing past, whatever he had left of his youth surrendering to middle age, yet bricks and mortar—real estate—remained a constant presence. When he revisited his earliest memories, trying to summon scenes of family life — his mother’s protective embrace, perhaps, or praise from his father — the results were always blank. They were present in his memories, of course, his parents and grandmother, hovering spectrally. But, just like in real life, they were never animated. All he could see and smell were the buildings around them, the structures they inhabited: cold stone floors, mossy walls, flaking plaster, silence. It was a world from which there had been no escape. A path had been laid down for him, straight and unbending. He had long since given up hope of departing from this track, indeed could not even remember any other option — until he came to Shanghai.
The summer of ’08 had been notable for its stillness, the unyielding humidity that lay trapped between the avenues of concrete and glass. He had arrived in Shanghai expecting a temperate climate, but summer had stretched far into September, and the pavements were sticky with heat, the roads becoming rivers of exhaust and steam. Even in his gated compound in Pudong, with its American-tropic-style lawns and palm-filled gardens, the air felt lifeless.
He had known little about Shanghai and assumed that it would consist solely of shopping malls and plastic reproductions of its history, its traditional life preserved in aspic, as it was in Singapore, where he went to school, or else inherently Third World, like in Malaysia, where he grew up. It might be like Hong Kong, where he had begun his career and cemented his reputation as an unspectacular yet canny businessman who would hold the reins steady as head of the family’s property interests. Whatever the case, he had assumed he would find it familiar — he had spent his life in overcrowded, overbuilt Asian cities, and they were all the same to him: Whenever he looked at a tower block, he saw only a set of figures that represented income and expenditure. Ever since he was a teenager, his brain had been trained to work in this way, calculating numbers swiftly, threading together disparate considerations such as location, purpose, and yield. Maybe there was, in spite of everything, a beauty in the incisiveness of his thinking back then.
But, in fact, during those initial few weeks it was not easy for him to get any sense of Shanghai at all. His driver picked him up at his house and drove him to a series of meetings relieved only by business lunches, each day finishing with the soon-familiar flourish of a banquet. He lived in a development called Lisson Valley, which was owned by his family. This, together with a more modest development in Hongqiao and a condominium block in Xintiandi, was all that his family owned in the largest city in China, and they had decided that they needed to expand, which was why he had been sent here. They had spent a hundred years in Malaysia and Singapore, and now they needed to branch out in a serious way — like the great Jewish families of Europe in the nineteenth century, his father had explained, as if the decision needed to be justified. On the annual Forbes list of billionaires, his family’s business was listed as Henry Lim and Family — Diversified Holdings. It always made him wince, the term “diversified”: The lack of specificity carried with it an accusation, as if the source of the wealth they had amassed was uncertain and, most probably, unsavory.
“You’re too sensitive,” his father had chided him when he was young. “You need to grow out of it and toughen up. What do you care what other people think?”
It was true: What other people thought was entirely irrelevant. The family insurance firm, established in Singapore in 1930, had not only survived but prospered during the war and was one of the oldest continuous companies in Southeast Asia. The original company had extended its reach over the years, diversifying into property, shipping, and, recently, “environmental services,” a lucrative business in the waste-producing economies of Asia these days. By any reckoning his family now counted as “old money,” one of those overseas Chinese families that had risen, in little over a century, from dockside coolies to established billionaires. Every generation built on the achievements of its predecessor, and now it was his turn: Justin C. K. Lim, eldest son of Henry Lim and heir to the proud, vibrant legacy of L.K.H. Holdings, established by his grandfather.
Property clairvoyant. Groomed from a young age to take over the reins of the real estate divison of LKH. Steady hands. Wisdom beyond his years.
These were some of the things the Business Times said of him just before he arrived here. His father had had the article cut out, mounted, and framed, and had sent it to him gift-wrapped in paper decorated with gold stars. It arrived two days after his birthday, but he was not sure if it was a present. There had never been presents on his birthday.
From the start of his time in Shanghai, he was invited to the best parties — the numerous openings of the flagship stores of Western luxury brands, or discreet private banquets hosted by young local entrepreneurs with excellent connections within the Party. He could always get a table at the famous Western restaurants on the Bund, and because people soon knew and liked him — he was easy, unshowy company — he was rarely on his own and was increasingly in the public eye. At one party to launch a new line of underwear, held in a warehouse in the northern outskirts of the city, he found himself unconsciously trying to shrink away from the bank of flashbulbs that greeted the guests, so that when the photographs appeared, his head was cocked at an angle, as if he had recently hurt his neck in an accident. There were a dozen hydraulic platforms suspended above the party, each one occupied by a model clad only in underwear, gyrating uncomfortably to the thumping music; every time he looked up at them, they threw confetti down on him, which he then had to pick out of his hair. The event organizer later sent him copies of the photos — he was frowning in every one, stray bits of confetti clinging to his suit like bird shit. Shanghai Tatler magazine photographed him at a black-tie charity event a few weeks after he arrived, his hair slickly swept back in a nod to the 1930s, a small white flower in his buttonhole, and a young Western woman in a qipao at his side. The caption read, Justin C. K. Lim and companion; he hadn’t even known the woman. He bid on a guided tour of the city by Zhou X., a local starlet just beginning to make a name for herself in New Wave art-house films. It cost him 200,000 yuan, which was donated to orphans of the Sichuan earthquake. The men at the party nudged him and whispered slyly, “Maybe you’ll get to see the most secret sights of Shanghai, like she showed off in her latest movie.” (He’d heard of the film, which was set in a small village during the Cultural Revolution and already banned in China; The New York Times review of it called Zhou X. the intellectual man’s Orientalist fantasy.)