Picture of Jerryberry Jansen, camera held high,~ caught in the view of another C.B.A. camera.
Barry Jerome Jansen, a roving newstaper. It was he who reported the disturbance (The woman swung her purse. The policeman went down, his arms half-raised as if to hide his head.) and reported it as a riot, to this man. Bailey, at his desk in the C.B.A. building. Jerryberry twitched. Sooner or later he would have to report to Bailey. And explain where his camera had gone.
He'd picked up some good footage, and it was being used. A string of bonuses waiting for him. . unless Bailey docked him for the cost of the camera.
George Lincoln Bailey sent in a crew to cover the disturbance. He also put the report on teevee, practically live, editing it as it came. At this point anyone with a teevee, anywhere in the United States, could see the violence being filmed by a dozen veteran C.B.A. newstapers.
The square dark face returned. And then it all blew up. The population of the mall expanded catastrophically, and they all started breaking things. Why? Wash Evans flashed a white grin with a cigarette in it. Well, it seems that there are people who like riots.
Jerryberry cocked his head. He had never heard it put quite like that.
Now, that seems silly. Who would want to be caught in a riot? Wash Evans had long, expressive fingers with pink nails. He began ticking off items on his fingers. First, more police, to stop what's being reported as a riot. Second, more newstapers. Third, anyone who wants publicity. On the screen behind Wash Evans signs shot out of a sea of moving heads. A girl's face swelled enormously, so close she seemed all mouth, and shrieked, "Legalize wireheading!"
Anyone with a cause. Anyone who wants the ear of the public. There are newsmen here, man! And cameras! And publicity!
Behind Evans the scene jumped. That was Angela Monk coming out of a displacement booth! Angela Monk, the semi-porno movie actress, very beautiful in a dress of loose-mesh net made from white braided yarn, very self-possessed in the split second before she saw what she'd flicked into. She tried to dodge back inside and to hell with the free coverage. A yell went up; hands pulled the door open before she could dial again; other hands pulled her out.
Then there are people who have never seen a riot in person. A lot of them came. What they think about it now is something else again.
Now, all of these might not be a big fat percentage of the public. How many people would be dumb enough to come watch a riot? But that little percentage, they all came at once, from all over the United States and some other places, too. And the more there were, the bigger the crowd got, the louder it got-the better it looked to the looters. Evans folded down his remaining finger. And the looters came from everywhere, too. These days you can get from anywhere to anywhere in three flicks.
Scenes shifted in Evans's background. Store windows being smashed, a subdued wail of sirens. A C.B.A. helicopter thrashing bout in midair. An ape of a man carrying stolen tridees under one ann. Evans looked soberly out at his audience. So there you have it. An unidentified shoplifting suspect, a roving newsman who reported a minor disturbance as a riot- "Good God!" Jerryberry Jansen was jolted completely awake.
"They're blaming me!"
"They're blaming me, too, said George Bailey. He ran his hands through his hair, glossy shoulder-length white hair that grew in a fringe around a dome of suntanned scalp. "You're second in the chain. I'm tired. If only they could find the woman who hit the cop!"
"They haven't?"
"Not a sign of her. Jansen, you look like hell."
"I should have changed suits. This one s been through a riot." Jerryberry's laugh sounded forced, and was. "I'm glad you waited. It must be way past your quitting time."
"Oh, no. We've been in conference all night. We only broke up about twenty minutes ago. Damn Wash Evans anyway! Have you heard-"
"I heard some of it."
"A couple of the directors want to fire him. Not unlike the ancient technique of using gasoline to put out a fire. There were some even wilder suggestions… Have you seen a doctor?"
"I'm not hurt. Just bruised. . and tired, and hungry, come to think of it. I lost my camera."
"You're lucky you got out alive."
"I know."
George Bailey seemed to brace himself. "I hate to be the one to tell you. We're going to have to let you go, Jansen."
"What? You mean fire me?"
"Yah. Public pressure. I won't make it pretty for you. Wash Evans's instant documentary has sort of torn things open. It seems you caused the mall riot. It would be nice if we could say we fired you for it."
"But-but I didn't!"
"Yes, you did. Think about it." Bailey wasn't looking at him. "So did I. C.B.A. may have to fire me too."
"Now-" Jerryberry stopped and started over-"now wait a minute. If you're saying what I think you're saying. . but what about freedom of the press?"
"We talked about that, too."
"I didn't exaggerate what was happening. I reported a-a disturbance. When it turned into a riot, I called it a riot. Did I lie about anything? Anything?"
"Oh, in a way," Bailey said in a tired voice. "You've got your choice about where to point that camera. You pointed it where there was fighting, didn't you? And I picked out the most exciting scenes. When we both finished, it looked like a small riot. Fighting everywhere! Then everyone who wanted to be in the middle of a small riot came flicking in, just like Evans said, and in thirty seconds we had a large riot.
"You know what somebody suggested? A time limit on news. A law against reporting anything until twenty-four hours after it happens. Can you imagine anything sillier? For ten thousand years the human race has been working to send news farther and faster, and now. . Oh, hell, Jansen, I don't know about freedom of the press. But the riot's still going on, and everyone's blaming you. You're fired."
"Thanks." Jerryberry surged out of his chair on what felt like the last of his strength. Bailey moved just as fast, but by the time he got around the desk, Jerryberry was inside a booth, dialing.
He stepped out into a warm black night. He felt sick and miserable and very tired. It was two in the morning. His paper suit was torn and crumpled and clammy.
George Bailey stepped out of the booth behind him.
"Thought so. Now, Jansen, let's talk sense."
"How did you know I'd be here?"
"I had to guess you'd come straight home. Jansen, you won't suffer for this. You may make money on it. C.B. A. wants an exclusive interview on the riot, your viewpoint. Thirty-five hundred bucks."
"Screw that."
"In addition, there's two weeks' severance pay and a stack of bonuses. We used a lot of your tape. And when this blows over, I'm sure we'll want you back."
"Blows over, huh?"
"Oh, it will. News gets stale awfully fast these days. I know. Jansen, why don't you want thirty-five hundred bucks?"
"You'd play me up as the man who started the mall riot. Make me more valuable.. . Wait a minute. Who have you got in mind for the interview?"
"Who else?"
"Wash Evans!"
"He's fair. You'd get your say." Bailey considered him. "Let me know if you change your mind. You'd have a chance to defend yourself, and you'd get paid besides."
"No chance."
"All right." Bailey went.
3
For Eric Jansen and his family, displacement booths came as a disaster.
At first he didn't see it that way. He was twenty-eight (and Barry Jerome Jansen was three) when JumpShift, Inc., demonstrated the augmented tunnel diode effect on a lead brick. He watched it on television. He found the prospects exciting.