In no hurry now, he waited, looking at the greying sky, at the steely glint on the river. It would, he thought wistfully, have been a fine day for a flight to Trieste, and he might never get to handle an aeroplane like the Oriole again. He took a breath of morning air, checked the Browning and moved towards the light switch and the door. This, after all, was the work he knew best.
The gallery itself was dark, but light seeped up from the below. O’Gilroy crawled to the balustrade and peeked cautiously through. Corinna, sprawled but tense, was on a chaise-longue, and when he moved a little further along, he could see Signora Falcone in an armchair next to her. Grouped together, easy to watch. He saw one man immediately, wearing a black suit and pacing slowly, puffing on a cigarette. A pistol dangled from his other hand. But that was all.
O’Gilroy tried to estimate the distance. The gallery itself was a good twenty-five feet high, and the slant made that a range of up to forty feet. Long for a pistol, and the light from table and standing lamps was very blotchy, but he could use the balustrade as a rest when the time came.
Then the man stopped pacing and spoke to someone out of sight beneath that side of the gallery. O’Gilroy waited, then moved round a corner of the gallery to his right, almost in line with the front door and bringing the second man into sight. He was sitting in a hard-backed chair with a shotgun across his knees. If that thing went off . . . But O’Gilroy couldn’t choose his target; he was to cope with whoever didn’t go to the front door.
It was silly how your mouth got dry, waiting for action. Every time.
As at the back, the front of the villa was a terrace under the high portico reached by flights of steps at either end. Only these were well lit from electric lamps on the house walls. Staying against the wall, Ranklin sidled along and stationed himself to the right of the tall double front doors, still against the wall. Dagner came up from the opposite end. They waited.
Ranklin tried to concentrate on what was about to happen yet have no preconception about what the enemy might do. It was best to think of them that way, as the anonymous ‘enemy’ of his soldiering days, just targets without feelings or loved ones. And they might want Falcone to get inside the house, or rush out to kill him before he could escape. Or – most likely of all – do something Ranklin hadn’t thought of.
He cocked the hammer of Corinna’s Colt, wishing he’d thought to unload it and test the trigger-pull earlier. Given a choice, he wouldn’t have picked a gun that caused so much smoke and had only five shots, but O’Gilroy needed the better weapon. Ranklin just hoped that, if they forced a servant to open the door, he was dressed as one and wouldn’t cause the waste of surprise, time and a bullet. And bad luck for himself, of course.
He waited on, feeling his mouth dry up.
Then, with a growl and crunching of gravel, the car swung in through the gates and Matteo tooted the horn as instructed. Then he scuttled out of the far side to leave the car between himself and the house. That was his own idea, and Ranklin didn’t blame him for it. The front doors clicked and began to open, and Dagner, following orders perfectly, stepped forward to show himself in the light, hands visible and empty.
Ranklin couldn’t see who opened the doors, but heard a quavering voice ask: “Che cosa volete, signore?”
But before Dagner could answer, there was a shout from inside the house, a gunshot sounded followed by the boom of the shotgun, and another shot.
O’Gilroy had heard the car as soon as those below did. It prompted a flurry of Italian and arm-waving which suggested an uncertainty about which of the gunmen was in charge. But the one with the pistol – Silvio – seemed to win. He strode towards the front door while the one with the shotgun went to guard the seated women. Signora Falcone made a move to stand, but the shotgun waved her down, and the three of them stabilised into a tableau. O’Gilroy rested the pistol on the balustrade, wrapped his left hand around his right, and aimed at the foreshortened figure below. One squeeze and it – Jankovic had become an ‘it’ – would fold like a puppet, backbone cut through. But not quite yet.
An elderly servant appeared from the service stairs, buttoning a livery jacket. Silvio herded him towards the front door, out of sight, and there was a long-stretched moment of silence. Perhaps Signora Falcone heard something O’Gilroy couldn’t, or perhaps she just snapped: she jumped up, screamed, and ran for the front. Jankovic took a step but didn’t fire, perhaps fearing he would scare Falcone away.
She might have counted on that, but O’Gilroy couldn’t. He fired as Jankovic moved, and missed. Jankovic whirled round and jerked a trigger at the likeliest source of the shot, the french windows. O’Gilroy heard glass crash as he steadied and fired again.
The shots seemed to blow the servant out of the front door like a cork, but it was Silvio charging out from behind to reach Falcone. Instead of jumping aside, Dagner tried to grab him. Silvio slashed at him with the pistol but they hung together, grappling. Ranklin yelled, Silvio half turned to see and Ranklin took a stride forward and fired from no more than a couple of feet. He saw Silvio jerk backwards before the black-powder smoke blotted him out. Ranklin ducked as he recocked, seeing Silvio’s feet and firing somewhere above them, vaguely hoping he wouldn’t hit Dagner. The feet vanished.
Blundering through the smoke, Ranklin rammed one of the columns at the edge of the terrace and realised Silvio had gone over. He lay sprawled on the lamplit gravel below, winded, wounded and empty-handed, but squirming slowly.
“Get down there and . . .” Ranklin ordered, but Dagner was on his knees, looking surprised and fingering his head where Silvio had hit him. “Oh blast it!” – because Silvio’s pistol was down there, too, and he might recover enough to find it and – “Oh damn!”
So he carefully shot the enemy dead as he would a twitching wounded rabbit. Then rushed for the house and Corinna. He still had two shots left.
O’Gilroy’s pistol had jammed after the second shot. He knew he had hit Jankovic, seen him stagger, but he still had the shotgun and one unfired barrel. As O’Gilroy wrenched at the pistol’s slide, Corinna swung to her feet.
“Stay still ye stupid-!” O’Gilroy screamed. She probably didn’t even hear; people don’t hear things at such moments. But Jankovic heard, raised his head and the gun – as Corinna smashed a table lamp on his head.
Then she seemed to freeze in place, just stood there watching Jankovic pitch forward and skid on the polished floor, piling up a fur rug with his head. The slide of the automatic slammed free, Corinna was clear of the line and O’Gilroy had an easy target.
Ranklin had been delayed by colliding with Signora Falcone in the doorway. He never knew that when he appeared, just a running figure in the patchy light, O’Gilroy had switched aim to him and taken the first pressure on the trigger. Then he switched back to Jankovic and shot him dead.
The sound of the shot faded, leaving just the smell of gunfire. Ranklin reached Corinna and grabbed her arm; it was like trying to pivot a statue.
“Are you all right?”
“I guess so . . .” She seemed dazed. Then suddenly she sagged.
“Sit down.”
“Hell, I’ve been sitting all night . . .” But then she slumped onto a sofa. “Is it really all right? Really?”
He sat beside her, clutching her hands. “Yes, yes, all right.”
“I knew you’d come . . . No, I didn’t see how you could, but I believed you would. You and Conall, you’re the only ones in the world who could . . .” She freed a hand to gesture at the room, its broken glass, bullet scars, its corpse. “Are they both . . . ?”
“Both dead, yes.”