I start laughing.
“What’s so funny?” Officer Dave asks.
“I’m not trying to be funny,” I say. “And I don’t want to get shot. I really do have two guns. I want you to take them from me. Please, take them away.”
Twenty
OFFICER DAVE TAKES MY guns.
And then he takes me to the police station. He stands nearby as a detective interviews me. He’s a big black man with big eyeglasses. He calls it an interview. It’s really an interrogation. I don’t mind. I guess I deserve to be interrogated.
“Where did you get the guns?” Detective Eyeglasses asks.
“I got them from a kid named Justice,” I say.
“Was Justice his first or last name?”
“He just called himself Justice. That’s all. He said he gave himself the name.”
“You don’t know his real name?”
“No.”
“Where did you meet him?”
“In jail.”
“When was this?”
“A few months ago, I guess. Don’t really remember. I’ve been in jail a lot.”
“Okay, so you met him in jail. But you don’t remember exactly when. And you say his name is Justice. But that’s not his real name.”
“Yeah.”
“None of that information helps us much, does it? It’s not very specific, is it?”
“No, I guess not.”
I can tell that Detective Eyeglasses doesn’t believe me. He thinks I invented Justice.
“You say this guy named Justice is the one who told you to go to the bank and kill people?” Eyeglasses asks me.
“Yeah,” I say.
The detective stares at me hard, like his eyes were twin suns. I feel burned.
He pulls a TV cart into the room and plays a video for me. It’s a copy of the bank security tape.
Eyeglasses, Officer Dave, and I watch a kid named Zits walk into the bank and stand near a huge potted plant.
I laugh.
“What’s so funny?” Eyeglasses asks.
“I just look stupid next to that big plant. Look at me, I’m trying to hide behind it.”
It’s true. I’m using it for cover. Eyeglasses and Officer Dave have to laugh, too. It is funny. But it’s only funny because I didn’t do what I was supposed to do. It’s only funny because I’m alive to watch it. It’s only funny because everybody in that bank is still alive.
So maybe it’s not really funny at all.
Maybe we’re all laughing because it’s so fucking unfunny.
In the video, I pat my coat once, twice, three times.
“What are you doing?” Eyeglasses asks.
“I’m checking to see if my guns are still there,” I say.
“Are you thinking about using them?”
“Yeah.”
“But you didn’t. Why not?”
On the video, my image disappears for a second. I’m gone. And then I reappear.
“Whoa,” Officer Dave says. “Did you see that?”
The detective rewinds the tape. Presses PLAY. I’m there in the bank. Then I’m gone—poof. And then I reappear.
“That’s weird,” Officer Dave says.
“Aw, it’s just a flaw in the tape,” Eyeglasses says. “They reuse these tapes over and over. The quality goes down. They got weird bumps and cuts in them.”
Eyeglasses is probably right.
On the video, I am staring at the little blond boy and his mother. I smile and wave.
“Who is that?” Eyeglasses asks me.
“It’s just a boy and his mother,” I say.
“Do you know them?”
“No.”
“Then why are you being so friendly to them?”
“They were beautiful,” I say.
Detective Eyeglasses snorts at me. He thinks I’m goofy. But Officer Dave smiles. He must be a father.
“Do you know where we might find this Justice?” Eyeglasses asks me.
“Maybe,” I say. “We lived together in this warehouse down in SoDo.”
“Jesus,” he says. “Why didn’t you tell us this before?”
“You didn’t ask.”
I lead them to the warehouse. I wait outside with two rookie cops while Dave and Eyeglasses and a SWAT team check out the whole building.
Nobody is there.
Pretty soon, Eyeglasses comes out and takes me upstairs to the room where Justice and I lived for a few weeks.
There are empty cans, bottles, and plastic containers. There are two beds made out of newspaper and cardboard. There are newspaper photos and magazine articles taped on the walls. All the people in those photos and articles have crosshairs painted over their faces. They were all targets.
“This is where you and Justice lived?” Eyeglasses asks me.
“Yeah.”
“Well, if he was here, he’s gone now.”
“Yeah.”
I know that I won’t see Justice again.
Eyeglasses stares at me hard. He’s good at staring hard.
“Zits,” he says. “I’m happy you changed your mind about using those guns.”
I’m happy, too, but I can’t say that.
Later, as I sit in a holding cell, waiting for a transfer to yet another halfway house or juvie hall or real prison, Officer Dave visits me.
He leans against the bars of my cell.
“You’re going to die,” he says.
I’m trying to be as tough as I used to be, but it’s not working. I feel like a carton of eggs holding up an elephant.
“You are going to die,” Dave says again. He says each syllable like it was a cussword. Or a prayer.
“So I’m going to die,” I say. “What does it matter? I don’t matter. I’m nothing.”
“Zits,” he says. “You matter. Everybody matters. You matter to me.”
“You’re a cop,” I say. “You don’t care about anything.”
“I care too much, man,” Dave says.
I look at him. Tears are rolling down his big cop face. Who knew that cops could cry?
“What’s wrong with you?” I ask.
Dave wipes his face. He’s embarrassed by his tears. But he has something important to say, so he says it.
“A few weeks ago, we got this nine-one-one call,” he tells me. “A man said there was this crazy screaming in the house next door. Like babies just crying and crying, louder than he ever heard before.”
Dave looks at the ceiling as if his memory was playing like a movie up there. I look up and see it, too.
I can’t jump into Dave’s body but I can feel and see and understand a little bit about his pain, I guess.
In their squad car, Dave and his partner pull up in front of a house. A small, dirty house. Garbage on the lawn. Two broken cars in the driveway.
The cops knock on the front door.
No answer.
They knock.
No answer.
Dave puts his ear to the door.
“Can you hear that?” he asks.
“What is it?” his partner asks.
“It sounds like water running.”
Dave steps down on the lawn and peers through the front window. Through a crack in the curtains, he can see two people lying on the floor.
“Two people down, two people down,” he says.
Dave and his partner draw their guns and burst through the front door.
Two people lying on the living room floor. A man and a woman. Dead.
No, alive: passed out.
Beer bottles, wine bottles, vodka bottles, crack pipes, the stink of meth.
“Jesus, I hate that smell,” the partner says. He kicks the man. “Wake up,” he says.
The man doesn’t move. Just breathes heavy.
He kicks the man again. Harder. “Wake the fuck up,” he says.
The man just lies there.
“I hate these freaks,” the partner says.
But Dave is already moving into another room. He’s following that sound: running water. He steps into a pool of water in the hallway.
Cold water. Where’s it coming from? The bathroom at the end of the hallway.