Thus entered Flint and Neal, followed by Billy Bones in the company of Mrs Polly Porter, owner of the biggest breasts in Savannah, who never laid down for less than gentlemen or those in possession of a Spanish Dollar. Then came Flint's officers, his men, and all the lesser folk, until the house was filled to the very limit of its capacity to receive them.
It was instant bedlam. Selena and her girls were run off their feet, dealing with the wants of the mob and keeping eager hands out from under their skirts. Food and drink poured down throats, cash poured into the strongbox. Songs were called for, and roared out to shake the walls. Those who felt capable got up and danced. Men piddled in corners, fights flared and died, hogs scavenged scraps, and here and there a copulation beneath a table caused the pots to shudder above, while folk peered below the planks and urged the amorous couple to go to it.
Selena herself served Neal and Flint.
"Selena!" said Neal, taking his rum punch.
"Mr Neal!" she said, and "Sir!" to Flint, who was handsome, with a most beautiful smile and gorgeous clothes. He was by far the finest man she'd ever seen.
"My dear," said Flint, looking her over.
Ah ha! thought Charley Neal, spotting advantage. "Be nice to the captain," he mouthed at Selena. But Selena had other work to do, so this duty passed for the moment.
Meanwhile Selena cast an eye over Flint and his crew — and was fascinated by what she saw. She was surprised at how young they were. Aside from some of the officers, they seemed mostly in their early twenties. They were tanned like old leather, and dressed in their best shore-going rig: white ducks, buckled shoes, coloured shirts and stockings, and silk handkerchiefs bound round the skull. They were tattooed and pierced with gold earrings, and each man bore enough arms to start a small war.
But what marked them out from common seamen even more than the pistols and blades was the fact that every man had the authentic look of trouble about him. Savannah was no place for weaklings, but even by Savannah standards, Flint's "Chickens" stood out as hard cases. Fortunately, today they were in the best of spirits.
When, after some hours, they managed to drink themselves unconscious and things became quiet again, Flint and Neal withdrew to Neal's house to discuss business, leaving Selena and her crew to clear up the mess. She was in the storeroom, sorting out full bottles from empties, when a sound made her turn around. Selena jumped when she saw the man. This wasn't one of the drunken swine from the main room, risen on his hind legs to search for more drink; he was stone-cold sober and his clothes were fresh. She'd not seen him before. And yet she already knew him. Or at least she'd heard of him. Flint and his men were the talk of Savannah, and she'd heard plenty about them from Charley Neal, whose business it was to know what went on among his dangerous clients. These men could have one leader one day, and another on the next. Neal had to be ready for such changes and did his best to keep up with the various plots and rivalries.
So Selena already knew quite a lot — by reputation — about the man who'd just come in. He was very tall, with yellow hair, long limbs and large hands. His face was wide and his eyes large and intelligent. He was remarkably neat and clean, and everything in his manner and bearing told her that here was a man quite out of the ordinary. He looked down into her eyes and smiled.
"John Silver at your service, ma'am!" he announced, and bowed like a courtier, sweeping off his hat.
"Long John!" she said. "You're the one they call 'Long John'."
He smiled again, as if pleased with her.
"The very same, ma'am," said he. "An' a smart little thing you are an' all, to spy me out so quick. Smart as paint, you are, I saw it the instant I clapped eyes on you." He cocked his head on one side in surprise. "And gifted with the speech of a lady, too! Now I wonder how that might be?"
Selena shrugged off this potentially dangerous question and threw back one of her own.
"Long John Silver," she said, "the one that Captain Flint is afraid of?"
"What?" said Silver, surprised. "And where should a pretty little thing like yourself hear such wicked lies?"
"From the trash in there," she said, glancing towards the big room with its stupefied inhabitants. "They say you were great friends once, but he's afraid of you now."
"Ah, well, there we have it," he said, nodding wisely as if perceiving some happy explanation of what had seemed like bad news. "'Tis clear that some of the poor lads…" he ticked off names on his fingers: "George Merry, Mad Pew, Black Dog and some others…" He frowned and shook his head like a parson reflecting on favourite pupils who can never quite get the catechism right. "And even Mr Billy Bones himself… 'Tis plain that some o' my shipmates just cannot keep a hitch on their jawing tackle, once the first bottle has gone down."
But then his smile came back and he reached out a long arm and patted Selena's bare shoulder in avuncular fashion.
"So there y'are, my dear. Weren't no cause to believe none o' them. Not at all."
Selena frowned in her turn and shook off his hand. She didn't follow the logic of his argument, nor really what he was talking about.
"But whilst we're on this tack," said he, genuinely curious, "just what were those lubbers a-saying about old Long John? And why in heaven's name should Joe Flint be afeared o' me?"
"Because you want to take the ship from him," she said, repeating what she'd heard from a score of drunken lips.
"Shiver me timbers!" said Long John, staggering back with every convincing show of horror and amazement. "Me heart fair bleeds to hear of such wickedness from so sweet a child as yourself." He grinned and shook his head. As far as Long John Silver was concerned, there was no captain other than Flint, whatever might be the gossip on the lower deck, and whatever Flint's little weaknesses.
But then Silver moved a pace closer and ran his hand lightly down her cheek. She twitched away as she realised that he only wanted what all the others wanted. She tried to slip by him, but he was too quick and kept between her and the door.
"I can prove my loyalty to the dear captain," he said, manoeuvring her into a corner, "for if I had wanted the ship, then… why, I'd have took her!" He seized Selena's wrists and pulled her close. "For I'm a man as takes what he wants, my dear."
"But you can't!" she said, once more quoting from the drunken gossip of Flint's men. "Because you can't set a course, not with charts and quadrants and dividers."
Silver's face worked horribly as Selena's words stuck a red- hot iron right into his most tender, most shameful, and most agonising weakness.
"Can't I?" he snapped.
"No!" said she. "You can't, because it's gentleman's work, which Captain Flint can do because he is a gentleman!"
"Flint?" he choked. "Flint… is… a… gentleman?"
"Yes," she said. But he did not reply. The spasm of laughter was so uncontrollable that he could barely breathe, let alone speak.
Chapter 6
With the entire crew looking at him in judgement, and the ship fast aground in proof of his guilt, Captain Springer reddened and seethed and trembled.
Springer was not a clever man nor a gifted one, nor even one with any particular aptitude for his career. He'd only gone to sea in the first place because his seafaring father had sent him, and he'd learned his seamanship through hard work and hard knocks.
He had managed, through a certain dogged bravery, to win promotion in action. He was well aware that he was lucky to have risen as far as he had, and that his skills were few: he knew how to stand the enemy's fire and how to keep the lower deck to its duties; he knew how to run down his latitude to a destination… and that was it. He hadn't the cleverness of Flint, and nowhere near his skill as a navigator, and now he felt himself the victim of some plot of Flint's. Well, he was having none of it. It weren't his fault, so it had to be someone else's.