"Bruno," said Claude, "how's the opera up in Miami?"
Bruno's mouth moved but nothing came out. He fumbled for a place he could put his giant hands without smashing something.
"Miami," Joey cut in dismissively. "Miami's nothin'. For opera, theater, New York is the place. Paradise. Paradiso." He reached for the bartenders' eyes the way a drowning man reaches for a log. But their attention was riveted on the omelette. Claude handed Peter the bowl of eggs. Peter poured them into the frying pan on top of the scallions and mushrooms. They gave a homey sizzle and started immediately to blister at the edges.
Joey went on, casual as cotton. "Yup, for all that culture stuff, paradise. Course, this is paradise too, but down here paradise is different, right? It's onna beach, by the water. Hey, when you guys go to work, you drive up along Smathers?"
It was a screwball segue, but not screwball enough to tear Peter and Claude away from their bubbling eggs. Bruno brought his eyebrows a quarter inch closer together, and Joey wondered if that quarter inch of displeasure meant that he'd get beat up some more.
"Usually we cut through town," Peter said blandly. He gave the frying pan a gentle shake. "It's shorter."
"Yeah," said Joey, "but if you're talkin' paradise, that ride up A1A, along the water…"
Peter reached for a spatula. Claude stretched toward a high cabinet where there was a big stack of plates. Maybe a dozen, all of them matching, enough for lots of friends. The plates broke Joey's heart.
"Sure you won't have some?" Peter offered one last time.
"Nah," said Bruno. "But lemme try this call again."
Joey shuffled his feet. Peter coaxed the omelette out of the pan. Porgy and Bess kept playing.
"Mr. Ponte," Bruno said. "Yeah, we hooked up O.K… Nah, we're at a neighbor's. His phone, it like stopped workin'… Well, here's the thing, the present you wanted, he says it's innee ocean… Yeah, I know that sounds, like, crazy, but that's what he says. He says he can get it, though. Tomorrow-"
"Mind if we start eating?" Claude whispered.
Joey made a maternal sort of gesture, like motioning food into their mouths. He shot them a pleading look and he knew it went unnoticed.
"And another thing," Bruno said into the phone, "he says it's like worth more than we figured… Nah, I don't know why… Nah, it can't be in Miami, 'cause the present is down heah, ya know, like inna water… Tomorrow, yeah, he promises… Sure he invited us to spend the night… Don't worry, Mr. Ponte, nobody ain't goin' anywhere… Yeah, O.K., see ya tomorrow, bright and early."
— 44 -
"Ya think ya could maybe, like, untie her now?"
It was full dark outside and Tony had switched on the lamps in the Florida room. In their pools of thick yellow light, the scene appeared not merely squalid but lewd. By daylight, Sandra had seemed just one more bargaining chip, the handiest object of value to grab. With the onset of night, it moved to the forefront that she was also a woman. The fact of sex came out like a red star and colored the room in the nastiest way. Brute impulses hung in the air and everybody squirmed as if under a swarm of gnats. Sandra struggled to keep her posture. She wanted to believe that as long as she kept her shoulders back, her tummy in, as long as she stayed within her own crisp outline, she would be inviolable. Joey was less sure. The surrounding darkness made a sort of firefly glow come out of Sandra, and it seemed to Joey that with every nighttime moment she was bound, the greater the chance that Tony and Bruno might get really crazy.
"Come on," he coaxed, "you got no reason to keep her like that."
"Fuck you, jerk-off," Tony said. "We don't need a reason."
He said it mildly, offhandedly, balancing his gun on his thigh. But now, suddenly, it was Bruno who seemed short-fused, exasperated. Maybe it was the strain of having to speak in front of strangers that had gotten him wound up. He stood over Joey and grabbed his hair. Then he yanked as if pulling up a weed.
"Kid," he said through clenched teeth, "I am really sicka hearin' your mouth. Ya talk too fucking much. In theah"-he pointed vaguely across the compound-"in heah, all ya do, ya talk, talk, talk. Like ya got somethin' to say, somethin' to bargain. But ya know what, kid? You ain't got shit to say, and you ain't got shit to bargain. No leverage. Zero. You're fucked. Understand that. Tony, where's that goddamn tape? I'm gonna shut this motherfucker's mouth so's I can have some peace and quiet heah."
Tony gave a little shrug; it was all the same to him. He reached into his jacket pocket and threw Bruno the roll of duct tape. The big thug tore a length of it off the roll; it came away with a sound like a ripping parachute. He slapped it on hard enough to make Joey's teeth hurt, and Joey, though his hands were free, didn't dare to reach up toward his face. The adhesive had a vile taste, it was like eating a fistful of stamps.
Bruno stepped back like a painter admiring his work. The silver slash where Joey's mouth used to be gave him satisfaction. But he wasn't quite ready to calm down yet. "Talk, talk, talk," he muttered. "With this fucking jerk, everything is talk, talk, talk."
Tony smiled at his colleague's little tantrum, and the smile tortured his dented lip. The gun was across his thigh, and he leaned a shade closer to Sandra, who glowed like a firefly in the nasty light.
"Now who could that be?" said Bert the Shirt d'Ambrosia to his dog.
It was twenty minutes before ten, not a time when visitors often called. The old man zapped the volume on the television, slowly got up out of his recliner. His chihuahua struggled out of its velvet bed and rattled along behind. "Who is it?"
"It's Peter and Claude. From Joey's compound."
Bert felt a quick clutch of dread, a feeling he remembered too well from his working years. It grabbed at his windpipe and made his rib cage squeeze down on his heart. He opened the door.
The bartenders stood close together in the bright light of the hallway. It was Leather Night at Cheeks, and they were wearing matched calfskin vests fastened in front with links of chain. "Hi, fellas," said Bert the Shirt. "Come on in."
"Just for a sec," said Claude. "What beautiful pajamas." They were plum-colored satin, piped with sky blue, and the buttons were made of shell.
"My wife bought 'em. Used to pick out all my clothes. Except shirts. Shirts, I had made. So what is this, guys, a social call?"
Peter and Claude stood there in the dim foyer and looked down at their feet. They'd argued a little about whether they should stop by at all. They had a certain tendency, they knew, to blow things out of proportion, to take a scrap of gossip and raise it to the level of tragedy. That happened in Key West, where life could be so placid, so restful, that people imagined upheavals, disasters, just to exercise their nerves.
"Bert," said Claude, "did you know Joey has friends down from Miami?"
Bert bent down and picked up Don Giovanni. "Why would I know that?" he said, and the bartenders had to start over.
"He came to use our phone before," said Peter. "Said his was on the blink. He had this guy with him-"
"Wha'd he look like?" asked the Shirt.
"Big, with 1950s hair," said Claude.
That described most of the people Bert knew. "He have a name, this guy?"
"Bruno," Peter said.
" Marrone," said Bert the Shirt.
"So Bruno used the phone," said Claude, "and Joey, well, from some things Joey was saying, we sort of got the feeling, we could be wrong, it might just be our imagination-"
"Spit it out," said Bert.
"We thought maybe he's in trouble and he wanted us to let you know," said Peter.
Bert absently stroked Don Giovanni and the dog put its cool nose between the buttons of his pajamas. "Well, ya did right comin' to tell me. I appreciate it."