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“Is that the sort of thing you’d tell a daughter of yours?”

“I don’t know,” Lynley said. “I don’t have a daughter. I like to think I’d tell her to know her own heart. But then, I’ve always been a romantic when it comes to relationships.”

“That’s an odd predisposition in your line of work.”

“It is, isn’t it?” A car approached slowly, its indicator signalling for Garret Hostel Lane, and Lynley took the opportunity to glance at Cuff as the light from the headlamps struck his face. He said, “Sex is a dangerous weapon in an environment like this. Dangerous for anyone wielding it. Why didn’t you tell me about Elena Weaver’s charges against Lennart Thorsson?”

“It seemed unnecessary.”

“Unnecessary?”

“The girl’s dead. There didn’t seem to be a point to bringing up something unproved that would only serve to damage the reputation of one of the senior fellows. It’s been diffi cult enough for Thorsson to climb as far as he has at Cambridge.”

“Because he’s a Swede?”

“A University isn’t immune to xenophobia, Inspector. I dare say a British Shakespearean wouldn’t have had to jump the academic hurdles Thorsson’s had to jump in the last ten years to prove himself worthy. And that despite the fact that he did his graduate work here in the fi rst place.”

“Nonetheless, in a murder investigation, Dr. Cuff-”

“Hear me out, please. I don’t much like Thorsson personally. I’ve always had the feeling he’s at heart a womaniser, and I’ve never had time for men of that sort. But he’s a sound-if admittedly quixotic-Shakespearean with a solid future ahead of him. To drag his name through the muck in a situation that can’t be proved at this point seemed-still seems-a fruitless endeavour.”

Cuff shoved both hands back into his overcoat pockets and stopped walking when they came to the gatehouse of St. Stephen’s. Two undergraduates hurried by, calling out a hello to him which he acknowledged with a nod of his head. He continued to speak, his voice low, his face in shadow, his back turned to the gate-house itself.

“It goes beyond that. There’s Dr. Weaver to consider. If I bring this matter out into the open with a full investigation, do you think for a moment that Thorsson isn’t going to drag Elena’s name through the muck in order to defend himself? With his entire career on the line, what kind of tale will he tell about her alleged attempt to seduce him? About the clothes she wore when she came to her supervisions? About the way she sat? About what she said and how she said it? About everything she did to get him into bed? And with Elena not there to argue her case, how will her father feel, Inspector? He’s already lost her. Shall we set about destroying his memory of her as well? What purpose does that serve?”

“It might be wiser to ask what purpose it serves to keep everything quiet. I imagine you’d like the Penford Professor to be a senior fellow here at St. Stephen’s.”

Cuff locked eyes with his. “Your connotation is ugly.”

“So is murder, Dr. Cuff. And you can’t really argue that a scandal involving Elena Weaver wouldn’t cause the search committee for the Penford Chair to think about turning its eyes in another direction. That, after all, is the easiest course of action.”

“They’re not looking for the easiest. They’re looking for the best.”

“Basing their decision upon…?”

“Certainly not basing it upon the behaviour of the applicants’ children, no matter how outrageous that behaviour may be.”

Lynley drew his conclusion from Cuff’s use of the adjective. “So you don’t really believe Thorsson harassed her. You believe she cooked up this tale because he wouldn’t have her when she wanted him.”

“I’m not saying that. I’m merely saying there’s nothing to investigate. It’s his word against hers and she has no word to give us.”

“Had you spoken to Thorsson about the charges prior to her death?”

“Of course I’d spoken to him. He denied every one of her accusations.”

“What were they exactly?”

“That he’d tried to talk her into sex, that he’d made physical overtures-touching her breasts and thighs and buttocks-that he’d engaged her in discussions about his sex life and a woman he’d once been engaged to and the difficulties she’d had with the enormous size of his erection.”

Lynley lifted an eyebrow. “Fairly imaginative material for a young girl to have cooked up, wouldn’t you say?”

“Not in this day and age. But it makes no difference because every bit of it was impossible to prove. Unless more than one girl was willing to come forward with an accusation against Thorsson, there was virtually nothing that I could do save speak to the man and warn him off, which I did.”

“And you didn’t see the harassment accusation as a motive for murder? If there are other girls who might have come forward once the word went out that Elena had turned him in, Thorsson would have been in deeper water then.”

“If there are other girls, Inspector. But Thorsson’s been a part of the English faculty-and a senior fellow at St. Stephen’s-for ten years now without the slightest breath of scandal associated with him. Why this all at once? And why with this one girl who’d already shown herself to be troubled enough to require special regulations just to see that she wasn’t sent down?”

“A girl who ended up murdered, Dr. Cuff.”

“Not by Thorsson.”

“You seem certain enough of that.”

“I am.”

“She was pregnant. Eight weeks. And she knew it. She seems to have found out the day before Thorsson made a visit to her room. How do you account for that?”

Cuff’s shoulders dropped fractionally. He rubbed his temples. “God,” he said. “I didn’t know about the pregnancy, Inspector.”

“Would you have told me about the harassment charges had you known? Or would you have continued to protect him?”

“I’m protecting all three of them. Elena, her father, Thorsson.”

“But would you agree that we’ve just strengthened his motive to kill her?”

“If he’s the father of the child.”

“But you don’t believe he is.”

Cuff dropped his hand. “Perhaps I simply don’t want to believe it. Perhaps I want to see ethics and morals where they no longer exist. I don’t know.”

They walked beneath the gatehouse where the porter’s lodge stood watch over the comings and goings of the members of the college.

They stopped there briefly. The night porter was on duty, and from a room behind the counter that marked his work space, a television was showing scenes from an American cop programme, with lots of fi erce gunfi re and bodies falling in slow motion, accompanied by fast licks played on an electric guitar. Then a long, slow shot of the hero’s face, emerging from the haze, surveying the carnage, mourning its necessity in the life he led as a noble seeker of justice. And a fade-out until next week when more corpses would pile up in the name of justice and entertainment again.

“You’ve a message,” Cuff said from the pigeonholes where he had gone to collect his own. He handed it over, a small piece of paper which Lynley unfolded and read.

“It’s from my sergeant.” He looked up. “Lennart Thorsson’s nearest neighbour saw him outside his house just before seven o’clock yesterday morning.”

“That’s hardly a crime. He was probably setting off to work a bit early.”

“No, Dr. Cuff. He pulled up to the house in his car as the neighbour was opening her bedroom curtains. He was coming home. From somewhere.”

12

Rosalyn Simpson climbed the fi nal fl ight of stairs to her room at Queens’ College and not for the first time cursed the choice she had made when her name had been drawn second in the rooms pool last term. Her cursing had nothing to do with the climb itself although she knew that anyone with good sense would have chosen something on the ground floor or something nearer the loo. Instead, she had chosen the L-shaped chamber up under the eaves, with its sloping walls suitable for the dramatic display of her Indian tapestries, its creaking oak floor periodically marred by gaps in the wood, and its extra little room-hardly more than a large cupboard-in which a wash basin stood and into which she and her father had wrestled her bed. It had the added features of half a dozen nooks and crannies where she had placed everything from plants to books, a large storage garret tucked under the eaves into which she sometimes crawled when she wished to disappear from the world-which was generally once a day-and a trap door in the ceiling leading to a passage that gave her access to Melinda Powell’s room. This last feature had seemed the most blessed originally, a rather Victorian way in which she and Melinda could be close to each other without everyone knowing the exact nature of their relationship, which at the time was something that Rosalyn had wished to keep to herself. So the passage had been the main reason why she’d chosen the room. It placated Melinda while it preserved her own peace of mind. But now she wasn’t so sure about the decision, or about Melinda, or even about their love.