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“Rob you?” she cried indignantly. “Mr. Poterell never robbed anybody! This is a mighty fine inn,” she declared with stanch loyalty. “The one in Heathstone is nothing to it!”

Both men were grinning now. “Well,” said Almsbury, “let the landlord steal our shoes and the lice be thick as March crows in a fallow field, still it’s an English inn and by God a good one!” With that he made her a solemn bow, “Your servant, madame,” and went off to find another bottle of sack, leaving them alone.

Amber felt her bones and muscles turn to water. She stood and looked at him, cursing herself for her tongue-tied stupor. Why was it that she—who usually had a pert remark on her tongue for any man no matter what his age or condition-could think of nothing at all to say now? Now, when she longed with frantic desperation to impress him, to make him feel the same violent excitement and admiration that she did. At last she said the only thing she could think of:

“Tomorrow’s the Heathstone May Fair.”

“It is?”

His eyes went down to her breasts which were full and pointed, upward tilting; she was one of those women who reach complete physical maturity at an early age, and there had long since ceased to be anything of adolescence about her.

Amber felt the blood begin to rise in her neck and face. “It’s the finest fair in all Essex,” she assured him quickly. “The farmers go ten and twenty miles to it.”

His eyes came back to meet hers and he smiled, lifting one eyebrow in apparent wonder at this gigantic local festival, then drank down the rest of his wine. She could smell the faint pungent odour of it as he breathed and she could smell too the heavy masculine sweat on his clothes and the scent of leather from his boots. The combination gave her a sense of dizziness, almost of intoxication, and a powerful longing swept through her. Almsbury’s impertinent remark had been no very great exaggeration.

Now he glanced out the window. “It’s growing dark. You should be getting home,” and he walked to the door, opening it for her.

The evening had settled swiftly and many stars had come out; the high-pitched moon was thin and transparent. A cool little breeze had sprung up. Out there they stood alone, surrounded by the talking and laughter from the inn, the quiet country sounds of crickets and a distant frog, the whir of tiny gnats. She turned and looked up at him, her face white and glistening as a moonflower.

“Can’t you come to the Fair, my lord?” She was afraid that she would never see him again, and the idea was intolerable to her.

“Perhaps,” he said. “If there’s time.”

“Oh, please! It’s on the main road—you’ll pass that way! You will stop, won’t you?” Her voice and eyes pleaded with him, wistful, compelling.

“How fair you are,” he said softly, and now for the first time his expression was wholly serious.

For a moment they stood looking at each other, and then Amber swayed involuntarily toward him, her eyes shut. His hands closed about her waist, drawing her to him, and she felt the powerful muscles in his legs. Her head fell back. Her mouth parted to receive his kiss. It was several moments before he released her, but when he did it seemed too soon—she felt almost cheated. Opening her eyes again she saw him looking at her with faint surprise, though whether at himself or her she did not know. The world seemed to have exploded. She was as stunned as though she had been given a heavy blow, and all the strength had gone out of her.

“You must go now, my dear,” he said finally. “Your family will be troubled to have you out so late.”

Quick impulsive words sprang to her lips. I don’t care if they are! I don’t care if I never go home again! I don’t care about anything but you—Oh, let me stay here and go away with you tomorrow—

But something kept her from saying them. Perhaps the image —somewhere not too far back in her mind—of Aunt Sarah’s troubled, cautioning frown, Uncle Matt’s stern, lean, reproving face. It would never do to be so bold, for he would only hate her then. Aunt Sarah had often said men did not like a pert woman.

“I don’t live far,” she said. “Just down this road and over the fields a quarter-mile or so.” She was hoping that he would offer to walk the distance with her but he did not, and though she waited a few seconds, at last she dropped him a curtsy. “I’ll look for you tomorrow, m’lord.”

“I may come. Good-night.”

He made her a bow, sweeping off his hat again, and then with a smile and a glance that took her in from head to foot he turned and went inside. Amber stood there a moment like a bewildered child; then suddenly she whirled about and started off at a run and though she stopped once to look back he was gone.

She ran on then—up the narrow road and past the church, quickening her pace as she went by the graveyard where her mother lay buried, and soon she turned right down a tree-lined lane leading over the fields toward the Goodegroome farm. Ordinarily she would have been a little scared to be out alone when it was almost dark, but ghosts and witches and goblins held no terror for her now. Her mind was too full of other things.

She had never seen anyone like him before and had not realized that such a man could exist. He was every handsome, gallant gentleman the cobbler had ever described, and he was what her dreams had embroidered upon those descriptions. Bob Starling and Jack Clarke! A pair of dolts!

She wondered if he was thinking of her now, and felt sure that he must be. No man could kiss a woman like that and forget her the next moment! The kiss, if nothing else, she thought, would bring him to the Fair tomorrow—draw him there perhaps in spite of himself. She complimented herself that she understood men and their natures very well.

The night air was cool, as though it had blown over ice, and the meadows were thick with purple clover and white evening campion. Amber approached the farmhouse from the back. She crossed the creek on a bridge which was nothing but a couple of boards with a hand-rail, passed the plot where the cabbages and other vegetables grew, and made her way between the numerous outbuildings—barns and stables and cow-sheds—all of them white-washed, their roofs covered with moss and yellow stone-crop. Then, skirting the edge of the duckpond, she entered the courtyard.

The house was two-storied, the oak frame ornately carved, and the soft red brick walls were spread with vines. Each chimney was muffled in ivy, and an arched lattice overgrown with honeysuckle framed the kitchen-door, above which had been nailed a horseshoe for protection against witches. In the brick-paved courtyard, over against the walls, grew Sarah’s flowers, low clusters of white and purple violets, hollyhocks reaching up to the eaves, a thick clump of fragrant lavender to put between the sheets. Several fruit trees were in bloom, scenting the air with a light sweetness. A low wooden bench had two thatch-roofed beehives on it; attached to the wall beside the door was a tiny bird-house, lost in the pink roses; and a saucy green-eyed kitten sat on the door-sill cleaning its paws.

The house had beauty and peace and the suggestion of an active useful life. It was more than a hundred years old and five generations had lived in it, leaving behind them a comfortable aura of prosperity—not of wealth but of solid ease and plenty, of good food and warmth and comfort. It was a house to love.

As Amber went in she stooped and took the kitten up into her arms, caressing its smooth soft fur with her fingers, hearing it purr with a low, contented little rumble. Supper was over and only Sarah and fifteen-year-old Agnes remained in the kitchen—Sarah just drawing hot loaves of bread from the oven sunk into the wall beside the fireplace, Agnes mending a rushlight.