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“You have confirmed something that we have long suspected,” she said. “Estelle Candiano is the person behind this monstrous plot. Say her name. Now.”

“Estelle Candiano,” said his voice. His words were mush-mouthed and indistinct.

“Estelle Candiano is going to try something foolish tonight,” said his mother. “Something that could endanger us all. We’ve tried to keep our efforts secret, tried to never act in the open — but she’s forced our hand. We must respond, and respond directly — though we must maintain whatever deniability we can. She has something in her possession that she does not understand. Are you hearing me?”

“Yes,” he said helplessly. “I am hearing you.”

His mother grew close. “It is a box. With a lock.”

“A box,” he repeated. “With a lock.”

“We have been looking for this box for some time, Gregor,” she said. “We have suspected that the Candianos possessed it — but we have been unable to discern exactly where they had it. But now we know. Because of your efforts, we believe Estelle Candiano is keeping it in the Mountain. Say that.”

“In the Mountain,” he said slowly.

“Listen to me, Gregor,” she whispered. “Listen carefully—there is a devil in this box. Say that.”

Gregor blinked slowly, and whispered, “There is a devil in this box.”

“Yes. Yes, there is,” she said. “We cannot let Estelle open it. And if she does what she wishes to do tonight — if she elevates herself, and becomes a Maker, and if she possesses the key — she will have that capability. But we cannot, cannot, cannot let her release what sleeps within that box.” Ofelia swallowed, and if Gregor had the mind for it, he would have seen she was clearly terrified. “Once it waged a war…A war to end all wars. We cannot risk such a thing again. We must keep the devil inside the box. Say that.”

“We must keep the devil inside the box,” whispered Gregor.

She leaned close, touching her forehead to his temple. “I’m so proud of you for this, my love,” she whispered. “I do not know if it was your intent, or the hand of fate guiding you…But Gregor, I…I just want you to know, that despite everything — I…I love you.”

Gregor blinked slowly, and mindlessly repeated, “I love you…”

Ofelia stood up, her face twisted in shame and disgust, as if pained by his toneless words. “Enough. When you have fully recovered, you must fight your way to the Mountain, Gregor. Once there, you must find Estelle Candiano. Kill her. And then you must take the key and the box. Eliminate anyone who tries to stop you. We have wrought such powerful, beautiful tools to assist you in this task. You must use them to do what you do best, Gregor, to do what we have made you to do — you must fight.”

She pointed over his shoulder. Gregor turned to look.

But as he looked, he realized two things.

The first was that he suddenly understood why the walls of the room seemed to be rippling, why there was that fluttering and whispering in his ears…

The room was full of moths.

Moths swirled and danced and flittered all along the walls, along the ceiling, a sea of white moths flowing around and under and over all of them, their wings like flickering bone.

The second thing he realized was that there was someone standing behind him, and he saw them out of the corner of his eye as he turned, just a glimpse.

It was a man. Maybe. A human figure, tall and thin, wrapped in strips of black cloth like a mummified corpse, and wearing a short, black cloak.

And it was watching him.

Gregor turned to look, but in a flash, the figure was gone. In its place was a column of moths, a storm of them, a swirling vortex of soft, white wings.

He stared at the moths. He realized there was something within the column — they were swirling around something, dancing around it, something white.

The column of moths slowly lifted like a curtain, and he saw.

A wooden stand, and hanging upon it a scrived suit of black armor. Built into one arm was a black, glittering polearm, half massive ax, half giant spear. Built into the other was a huge, round shield, and installed behind it a scrived bolt caster. And set in the center of the cuirass — a curious black plate.

His mother’s voice in his ear: “Are you ready, my love? Are you ready to save us all?”

Gregor stared at the lorica. He had seen such things before, and he knew what they were meant for: war, and murder.

He whispered, “I am ready.”

36

On the other side of the city, at the top of the Mountain, Estelle Candiano stared into the mirror and breathed.

Slow, deep breaths, in and out, in and out, filling every part of her lungs. She was doing such delicate work, and the breathing helped steady her hands — if she made one mistake, just one tiny stroke out of place, the whole thing would be ruined.

She dipped the stylus in the ink — heavy with particulates of gold, tin, and copper — looked in the mirror, and continued painting symbols onto her bare chest.

It was tricky work, doing it backwards. But Estelle had practiced. She’d had all the time in the world to practice, alone and ignored in the back rooms of the Mountain for nearly a decade.

The common sigils are the language of creation, she thought as she worked. But Occidental sigils are the language with which God spoke to creation. She dipped the stylus back in the ink, and began a new line. And with these commands, with these authorities, one may alter reality if one wishes — provided you are careful.

One stroke more, then another, finishing the sigils…Her left hand was already covered in them, as well as her forearm, upper arm, and shoulder, a twisting, curling lattice of shimmering black symbols, crawling up her arm to swirl about her heart.

There was a cough, and a gurgle. She looked over her shoulder in the mirror at the figure lying in the bed behind her. A small, wet, beady-eyed man, gasping for breath.

“Please stay still, Father,” she said softly. “And hold on.”

Then she glanced at the clock on the wall. Ten twenty now.

Her eyes darted to the window. The sprawling nightscape of Tevanne stretched out below the Mountain. Yet all seemed quiet, and still.

“Captain Riggo!” she called.

Footsteps, and then the office door opened. Captain Riggo walked in and saluted. He did not glance at Tribuno Candiano, wheezing and lying there in his soiled sheets. He did not pause at the sight of a bare-breasted Estelle, painting symbols upon her skin. Captain Riggo possessed the virtue that Tevanne valued most of alclass="underline" the ability to ignore what was right in front of his eyes for a huge sum of money.

“Yes, ma’am,” he said.

Estelle sat perfectly still, stylus hovering above her skin. “Is anything happening out there?”

“No, ma’am.”

“Not on the campo?”

“No, ma’am.”

“Not in the Commons?”

“Not as far as we can tell, ma’am.”

“And our forces?”

“They sit ready, and can be deployed with but a word, ma’am.”

Her eyes narrowed. “My word.”

“Yes, ma’am.”

She considered this. “You are dismissed,” she said. “Notify me the moment you hear anything. Anything.”

“Yes, ma’am.” He smartly turned, strode out, and shut the door.

Estelle resumed painting the symbols on her body. Her father gasped, smacked his lips, and fell silent.

She made one stroke, then another…