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lie’s body underwent an alarming series of thrashes and wriggles at

once urgent and random, Prosper pursuing him across the bed to keep

at it. Charlie’s noises were getting louder too, though it was clear he

was trying to suppress them. His hand flew up, maybe trying to pitch

in and help, and caught Prosper a smack in the ear so that Prosper too

cried out. May from upstairs could be heard demanding quiet from the

158 / J O H N C R O W L E Y

boys just as Prosper felt Charlie swell farther, and great lashings of

stuff flew from him and across the bedsheets, Charlie nearly thrown

off the bed onto the floor by his heavings.

“Okay?” Prosper whispered, after Charlie’d grown comparatively

still.

“Oh gay,” Charlie said. “Anks a bunch.”

“You’re welcome.”

“Ooh nigh.”

“Good night, Charlie.”

Prosper telling the tale of those days to Vi in Henryville left out about

Charlie Coutts. He didn’t recount that early time with Elaine, either,

for he didn’t think these stories and what happened would count with

her. He didn’t really know why he was himself tempted to think that

indeed they did count: couldn’t have said what in them was part of that

secret tissue that had no name, only instances. Can you say you’ve

learned something if you don’t know what it is you’ve learned?

Twice or three times more Charlie came to visit ( Prosper you can’t

let Charlie drink Coca-Cola in bed. He spills, and it leaves stains on

the sheets. Brown stains. You hear? ) though somehow May and Bea

hadn’t the heart to organize a journey to Charlie’s house, a failing

they’d remember later with a little shame; and then once when Mr.

Coutts came to pick up his son, a raw November day despite which the

boys sat on the porch together (they were trying to memorize every

make and model of car there was, outguessing each other and then

arguing over which that one was, a Lincoln or a Packard), he announced

that Charlie probably wouldn’t be able to come back. Not anytime

soon anyway.

May and Bea had come out to see him—they’d taken to the quiet

man—and asked what had happened, they enjoyed Charlie’s company,

what was the matter? Well it was nothing about that; only Mr. Coutts

had at length decided it was best if Charlie went to be taken care of in

an institution, a school Mr. Coutts had learned about, in another city.

A school or home for young people like himself. It was a charity, and

there’d be no charge.

He sat down on the step beside his son.

F O U R F R E E D O M S / 159

“Plymouth Roadking,” said Prosper.

“O,” said Charlie. “Chrysle a-felow.”

“No, nope son. Wasn’t a Chrysler Airflow. It was the Plymouth.”

Charlie roused, indignant, but said nothing more. No one said any-

thing for a moment. Prosper knew about it already: Charlie’d told him.

Far: that’s all he knew. He’d get training there, but he didn’t know

what kind, or for what. Prosper tried to imagine him without his gentle

father near him, and couldn’t.

“Jobs the way they are, and his mother with other kids at home,”

Mr. Coutts said, and no more.

“Well we’ll miss you, Charlie,” said May. “We’ve got used to you.”

Charlie smiled. “I’ll sen you a poscar.”

His father helped him stand, and they said good-byes all around.

Prosper wanted to do something but couldn’t think what it should be.

He had given Charlie the only thing from his father’s cases that Charlie

could manage the use of: it was a thin paper book, Drawing the Nude.

I’ll be pobular, Charlie’d said, and tucked it in his shirt.

They got into the car and Mr. Coutts fixed Charlie’s cap on his

head. Charlie flung up a hand by way of a parting wave; to them on the

porch it looked at once triumphant and desperate, but they knew it was

just his muscles.

“He’s just not made for this world,” Bea said.

“Hmp,” May said. “What’s for sure is, this world’s not made for

him.”

“Well, it’s for the best, I’m sure,” said Bea. “I’m sure it’s the best

thing.”

“Oh hush, Bea,” May said, and turned away, an awful catch in her

throat that Prosper had never heard before. “For God’s sake just

hush.”

6

Fenix Vigaron hadn’t actually predicted it, but May later could look

back over their conversations and see it figured there: just when

things seemed like they were going to get a little better—and

things had by then already got a lot better for some of us—May’s

office-supply business went quack. The owner, who’d kept it going

through the worst years of the Depression by various impostures and

financial shenanigans that caught up with him at last, shot himself in

the private washroom behind his office. May was out of a job, with no

prospect at her age of another. Turn around, turn back, said Fenix,

and one hopeless night when Bea was washing May’s hair, they both

seemed to hit on the idea at the same moment.

What they always called the side room—maybe it had once been a

sunporch or a summer kitchen but for as long as the two of them had

owned the place it had gone unused except for boxes and things wait-

ing to be fixed or thrown away—was about big enough and with work

could be made into a cozy place. It had its own door to the alley, though

nailed shut now. They’d have to invest most of their savings in plumb-

ing and carpentry and supplies; they’d start with a single chair, or two.

Bea already had a sort of following from the store, women who trusted

her advice and might take a chance on her. May’d have a lot to learn,

but she knew business and the keeping of books.

F O U R F R E E D O M S / 161

So the uncles were called again—May on the phone and Bea hover-

ing nearby making urgent but ambiguous hand gestures that May

waved off like pestering flies—and in turn Mert and Fred summoned

from the dark pool of their connections a carpenter, a plumber, and a

painter, each appearing without warning at dawn or dusk, needing

instruction, slow mammals or needy and fearful, what debt were they

working off? One a former chemist, another with a college degree, but

it wasn’t hard in those years to find such persons displaced from their

rightful spots into whatever employment they could get. The women

followed the for-sale ads in the paper and went to bankruptcy and

going-out-of-business sales, conscious of the irony, and bought a big

hair dryer and the sinks and mirrors and other things they needed,

deciding after long thought not to acquire a used permanent-wave

machine, a gorgon arrangement of electric rods and springs and wires

such as you’d use to make the bride of Frankenstein, and anyway too

prone to disastrous mishandling, as in a dozen comic movies. They’d

offer waving and cutting, bleaching and dyeing, “consultations,” and

manicures, for the fashion now was for long long nails painted in the

deepest reds, fire engine, blood, though toenails were still done in pale

pinks or clear. Meanwhile May enrolled in a beauty school night class

to get some basics, and in the rather squalid and hopeless studio, amid

girls half her age she practiced pin waving and finger waving, the

Straight Back (and variations), the Bias Wave, the Swirl, the Saucer

Wave, the Sculpture Wave, the Windblown, and for the big night out,