They did not slaughter the Owner. The House filled with doctors, and Lady Tazeu spent day and night by her husband's bed. It was a cruel death. It went on and on. Lord Shomeke in his suffering made
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terrible sounds, screams, howls. One would not believe a man could cry out hour after hour as he did. His flesh ulcerated and fell away, he went mad, but he did not die.
As Lady Tazeu became like a shadow, worn and silent, Erod filled with strength and excitement. Sometimes when we heard his father howling his eyes would shine. He would whisper, "Lady Tual have mercy on him," but he fed on those cries. I knew from Geu and Ahas, who had been brought up with him, how the father had tormented and despised him, and how Erod had vowed to be everything his father was not and to undo all he did.
But it was Lady Tazeu who ended it. One night she sent away the other attendants, as she often did, and sat alone with the dying man. When he began his moaning howl, she took her little sewing knife and cut his throat. Then she cut the veins in her arms across and across, and lay down by him, and so died. My mother was in the next room all night. She said she wondered a little at the silence, but was so weary that she fell asleep; and in the morning she went in and found them lying in their cold blood.
All I wanted to do was weep for my lady, but everything was in confusion. Everything in the sickroom must be burned, the doctors said, and the bodies must be burned without delay. The House was under quarantine, so only the priests of the House could hold the funeral. No one was to leave the estate for twenty days. But several of the doctors themselves left when Erod, who was now Lord
Shomeke, told them what he intended to do. I heard some confused word of it from Ahas, but in my grief I paid little heed.
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FOUR WAYS TO FORGIVENESS
That evening, all the House assets stood outside the Lady's Chapel during the funeral service to hear the songs and prayers within. The Bosses and cut-frees had brought the people from the compound, and they stood behind us. We saw the procession come out, the white biers carried by, the pyres lighted, and the black smoke go up. Long before the smoke ceased rising, the new Lord Shomeke came to us all where we stood.
Erod stood up on the little rise of ground behind the chapel and spoke in a strong voice such as I had never heard from him. Always in the House it had been whispering in the dark. Now it was broad day and a strong voice. He stood there black and straight in his white mourning clothes. He was not yet twenty years old. He said, "Listen, you people: you have been slaves, you will be free. You have been my property, you will own your own lives now. This morning I sent to the Government the Order of Manumission for every asset on the estate, four hundred and eleven men, women, and children. If you will come to my office in the Counting House in the morning, I wilt give you your papers. Each of you is named in those papers as a free person. You can never be enslaved again. You are free to do as you please from tomorrow on. There will be money for each one of you to begin your new life with. Not what you deserve, not what you have earned in all your work for us, but what I have to give you. I am leaving Shomeke. I will go to the capital, where I will work for the freedom of every slave on Werel. The Freedom Day that came to Yeowe is coming to us, and soon. Any of you who wish to come with me, come! There's work for us all to do!"
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A Woman's Liberation
I remember all he said. Those are his words as he spoke them. When one does not read and has not had one's mind filled up by the images on the nets,
words spoken strike down deep in the mind.
There was such a silence when he stopped speaking as I had never heard.
One of the doctors began talking, protesting to Erod that he must not break the quarantine.
"The evil has been burned away," Erod said, with a great gesture to the black smoke rising. "This has been an evil place, but no more harm will go forth from Shomeke!"
At that a slow sound began among the compound people standing behind us, and it swelled into a great noise of jubilation mixed with wailing, crying, shouting, singing. "Lord Kamye! Lord Kamye!" the men shouted. An old woman came forward: my grandmother. She strode through us House assets as if we were a field of grain. She stopped a good way from Erod. People fell silent to listen to the grandmother. She said, "Lord Master, are you turning us out of our homes?"
"No," he said. "They are yours. The land is yours
to use. The profit of the fields is yours. This is your home, and you are free!"
At that the shouts rose up again so loud I cowered down and covered my ears, but I was crying and shouting too, praising Lord Erod and Lord Kamye in one voice with the rest of them.
We danced and sang there in sight of the burning pyres until the sun went down. At last the grandmothers and the cutfrees got the people to go back to the compound, saying they did not have their papers yet. We domestics went straggling back
FOUR WAYS TO FORGIVENESS
to the House, talking about tomorrow, when we would get our freedom and our money and our land.
All that next day Erod sat in the Counting House and made out the papers for each slave and counted out the same amount of money for each: a hundred kue in cash, and a draft for five hundred kue on the district bank, which could not be drawn for forty days. This was, he explained to each one, to save them from exploitation by the unscrupulous before they knew how best to use their money. He advised them to form a cooperative, to pool their funds, to run the estate democratically. "Money in the bank, Lord!" an old crippled man came out crying, jigging on his twisted legs. "Money in the bank. Lord!"
If they wanted, Erod said over and over, they could save their money and contact the Hame, who would help them buy passage to Yeowe with it.
"0, 0, Ye-o-we," somebody began singing, and they changed the words:
"Everybody's going to go.
0, 0, Ye-o-we,
Everybody's going to go!"
They sang it all day long. Nothing could change the sadness of it. I want to weep now, remembering that song, that day.
The next morning Erod left. He could not wait to get away from the place of his misery and begin his life in the capital working for freedom. He did not say good-bye to me. He took Geu and Ahas with him- The doctors and their aides and assets had all left the day before. We watched his flyer go up into the air.
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A Woman's Liberation
We went back to the House. It was like something dead. There were no owners in it, no masters, no one to tell us what to do.
My mother and I went in to pack up our clothing. We had said little to each other, but felt we could not stay there. We heard other women running through the beza, rummaging in Lady Tazeu's rooms, going through her closets, laughing and screaming with excitement, finding jewelry and valuables. We heard men's voices in the halclass="underline" Bosses' voices. Without a word my mother and I took what we had in our hands and went out by a back door, slipped through the hedges of the garden, and ran all the way to the compound.
The great gate of the compound stood wide open.
How can I tell you what that was to us, to see that, to see that gate stand open? How can I tell you?
2. Zeskra
Erod knew nothing about how the estate was run, because the Bosses ran it. He was a prisoner too. He had lived in his screens, his dreams, his visions.
The grandmothers and others in the compound had spent all that night trying to make plans, to draw our people together so they could defend themselves. That morning when my mother and I came, there were bondsmen guarding the compound with weapons made of farm tools. The grandmothers and cutfrees had made an election of a headman, a strong, well-liked field hand. In