Claude Debussy.Photos.com/Jupiterimages
Training for the musical profession remains traditional. Local conservatoires throughout the country provide basic grounding; some provincial schools—at Lyon and Strasbourg, for example—offer more advanced work, but young people with talent aim for the National Conservatory of Music in Paris, where Nadia Boulanger taught. Since World War II, Paris has hosted internationally famous conductors, such as Herbert von Karajan and Daniel Barenboim, who have made contributions in revitalizing an interest in classical music. Major visiting orchestras perform at the Châtelet Theatre or the Pleyel Concert Hall, and concerts are given by smaller groups in many of the churches. There is a network of provincial orchestras.
Although interest in classical music has grown at the amateur level, it is practiced by a relatively small number. The young tend to be preoccupied with popular music, especially that imported from the United States and the United Kingdom. The tradition of the French chanson, the romantic French ballad, has continued, however, following such legendary stylists as Juliette Gréco, Edith Piaf, Belgian-born Jacques Brel, Charles Aznavour, and Georges Brassens. Moreover, France has produced rock performers such as Johnny Hallyday and the group Téléphone, as well as chanteuses of the 1960s such as Franƈoise Hardy, known for pop music called yé-yé (“yeah-yeah”). Other well-known artists of the late 20th century included Julien Clerc, Jean-Jacques Goldman, and Renaud. However, all were considerably more popular nationally than internationally. Singer-songwriter Serge Gainsbourg achieved global popularity for his sensual music as well as his romantic links to actresses Brigitte Bardot and Jane Birkin. Later, Gainsbourg’s daughter Charlotte emerged as a force in her own right, garnering acclaim for her acting skills as well as her finely crafted pop songs. Perhaps France’s biggest international music act of the 21st century was the electronic duo Daft Punk, who brought dance-club beats to stadium-sized crowds around the world.
The Paris Opéra, established in 1669, prospered under the efforts of Lully, Rameau, Christoph Gluck, Berlioz, Georges Bizet, and Francis Poulenc. France was known for the traditions of opéra comique and grand opera, among others. (For further discussion, see Western music.) Dance
France is famous for developing ballet. In 1581 the Ballet comique de la reine was performed at the French court of Catherine de Médicis. Because it fused the elements of music, dance, plot, and design into a dramatic whole, it is considered the first ballet. The ballet comique influenced the development of the 17th-century ballet de cour (court ballet), an extravagant form of court entertainment.
In 1661 Louis XIV established the Académie Royale de Danse (now the Paris Opéra Ballet); the company dominated European theatrical dance of the 18th and early 19th centuries. Pierre Beauchamp, the company’s first director, codified the five basic ballet positions. Extending the range of dance steps were virtuosos such as Gaétan Vestris and his son Auguste Vestris and also Marie Camargo, whose rival Marie Sallé was known for her expressive style.
In his revolutionary treatise, Lettres sur la danse et sur les ballets (1760), Jean-Georges Noverre brought about major reforms in ballet production, stressing the importance of dramatic motivation, which he called ballet d’action, and decrying overemphasis on technical virtuosity. In 1832 the Paris Opéra Ballet initiated the era of Romantic ballet by presenting Italian Filippo Taglioni’s La Sylphide. Jean Coralli was the Opéra’s ballet master at the time, and the company’s dancers of this period included Jules Perrot and Arthur Saint-Léon.
In the 20th century ballet was rejuvenated under the leadership of Russian impresario Sergey Diaghilev, who founded the avant-garde Ballets Russes in Paris in 1909. For the next two decades it was the leading ballet company in the West. The original company was choreographed by Michel Fokine. Elsewhere in Paris, Serge Lifar, the Russian-born ballet master of the Paris Opéra, reestablished its reputation as a premier ballet troupe.
Dance entertainments of a lighter kind also were developed in France. In 19th-century Paris the all-female cancan became the rage. After 1844 it became a feature of music halls, revues, and operetta. (For further discussion, see ballet.) Architecture
With a rich and varied architectural heritage (which helped to spawn, among other styles, Gothic, Beaux Arts, and Art Deco) and an organized and competitive program of study, France has shown itself to be open to a variety of styles and innovations. For example, Le Corbusier, much of whose work can be found in France, was Swiss. The development of architecture has also been sustained by the central government’s penchant for grands projets, or great projects. The country, however, has not produced as many designers of international repute in recent years as have other Western nations. Major achievements such as the Pompidou Centre, the pyramid entrance to the Louvre, and the Grand Arch have resulted from plans submitted in open competition by foreign architects. Recent architects of acclaim, of French origin or working in France, have included Jean Nouvel, Dominique Perrault, Adrien Fainsilber, Paul Andreu, Swiss-born Bernard Tschumi, and Catalonian Ricardo Boffil of Spain. Among important contemporary designers are Andrée Putman and Philippe Starck. (For further discussion, see Western architecture.) Photography
Jacques Daguerre, one of the recognized founders of modern photography in the early 19th century, began the evolution of an art form that has flourished in France. In the 20th century the work of such photographers as Eugène Atget, Henri Cartier-Bresson, and Robert Doisneau ensured that the art had a dimension beyond journalistic and commercial purposes, which was apparent in the installation art of later figures such as Christian Boltanski. In 1969 an annual festival was established at Arles, and in 1976 a national museum was created. The French popularization of photography through posters and postcards was one of the most remarkable cultural events of the late 20th century. (For further discussion, see history of photography.)
Shop Window: Tailor Dummies, photograph by Eugène Atget, c. 1910; in the George Eastman House Collection, Rochester, New York.George Eastman House Collection
The cinema
French cinema has occupied an important place in national culture for more than a hundred years. August and Louis Lumière invented a motion-picture technology in the late 19th century, and Alice Guy-Blaché and others were industry pioneers. In the 1920s French film became famous for its poetic realist mode, exemplified by the grand historical epics of Abel Gance and the work in the 1930s and ’40s of Marcel Pagnol and others. A generation later the nouvelle vague, or New Wave, produced directors such as Jean-Luc Godard and François Truffaut, who “wrote” with the camera as if, in critic André Bazin’s words, it were a caméra-stylo (“camera-pen”). This shift was accompanied by an “intellectualization” of the cinema reflected in the influential review Cahiers du cinéma, in the establishment of several schools in Paris and the provinces where film could be studied, and in the founding of film museums such as the Cinémathèque (“Film Library”) in Paris.