Anna Karina and Eddie Constantine in Alphaville (1965), directed by Jean-Luc Godard.Pathé Contemporary Films; photograph from a private collection
Other directors of international stature include Jean Renoir, Jacques Tati, Jean-Pierre Melville, Alain Resnais, Eric Rohmer, Robert Bresson, and Louis Malle. They exemplified the auteur theory that a director could so control a film that his or her direction approximated authorship. Filmmakers such as Agnès Varda, Claude Chabrol, Jacques Demy, Bertrand Tavernier, and Claude Bérri, as well as Polish-born Krzystof Kieslowski, extended these traditions to the end of the century, while directors such as Luc Besson, Patrice Leconte, Laurent Cantet, and Claire Denis carried on with them in the 21st century.
The leading film stars of the 20th century ranged from Fernandel, Maurice Chevalier, and Arletty to Brigitte Bardot, Gérard Depardieu, and Catherine Deneuve. Among those French actors winning accolades in the 21st century were Audrey Tautou, Juliette Binoche, Marion Cotillard, and Vincent Cassel. One of the world’s premier film festivals is held annually at Cannes, where the Palme d’Or is awarded to the best motion picture—most, in recent years, have come from outside France, a source of consternation to French film devotees. As in television, the French film industry faces competition from the United States and the United Kingdom. This led the government in the early 1990s to elicit the support of the European Commission to protect its native film industry. (For further discussion, see history of the motion picture.) Cultural institutions Administrative bodies
Despite increasing support from the private sector, various ministries, such as those of National Education and of Culture and Communications, are ultimately responsible for the promotion of cultural activities. Local authorities, particularly those representing the major towns and cities, as well as a variety of associations also fund cultural activities. The importance attached to culture is reflected in the substantial increase in expenditure and personnel working in this field and the growth of related industries (music, publishing, broadcasting technologies). About one-third of the populace belong to some form of cultural association. Abroad, French culture is promoted through the work of counselors and attachés at embassies, visiting speakers, the Alliance Française, and the French lycées in major cities. French institutes provide lectures, language courses, and access to books and newspapers. There are also associations ensuring international links, such as the United Nations Educational, Scientific and Cultural Organization and the International Association of French Teachers, both headquartered in Paris. Museums and monuments
Support and encouragement for cultural activities of all kinds are provided by a large number of museums, centres, and galleries, many of which are ultimately the responsibility of government ministries. In the provinces many museums traditionally reflecting their region’s activities have been expanded and renovated and, like those at Saint-Étienne and Strasbourg, have achieved national importance. It is in Paris, however, that the nation’s principal museums are to be found. The Louvre Museum, containing one of the world’s great art collections, was extensively remodeled at the end of the 20th century, with a notable addition of a dramatic steel-and-glass pyramid entrance. The Musée d’Orsay, created out of a former railway station, houses a fine, large collection of 19th- and early 20th-century art and artifacts, while the Georges Pompidou National Centre of Art and Culture, with its industrially inspired architecture, concentrates on the 20th century. The centre has an important library and media collection, and the square in front of it provides an open-air stage for jugglers, musicians, fire-eaters, and other street performers. Smaller museums, often containing substantial private collections, are numerous; three of particular interest are the Marmottan, Cognacq-Jay, and Orangerie. In addition to the larger museums, the Grand Palais and the Petit Palais regularly provide the setting for important exhibitions, and many of the national institutes offer French people the opportunity to appreciate works from different cultures. Particularly important in this respect are the Museum of the Arab World and the Museum of African and Oceanic Arts.
Louvre Museum, Paris, with pyramid designed by I.M. Pei.© irisphoto1/Shutterstock.com
Since the 1950s there has been a national program for the conservation and renovation of important historic areas. The medieval vieux quartiers of Lyon have been tastefully restored, as has the 18th-century Place du Parlement in Bordeaux, for example. Many significant buildings have been saved by private funding, and government financial assistance is also available, usually on the condition that the property is opened to the public. In Paris the houses in the Marais district and on the Île Saint-Louis have had their original splendour restored, while around Montparnasse, for example, poor areas of 19th-century building have been bulldozed to make room for fashionable modern apartment blocks. Four structures in particular mark the later years of the 20th century: the entrance to the Louvre; the Bastille Opera; the Grand Arch in La Défense, a futuristic business district west of Paris; and the national library, Bibliothèque François Mitterrand, all of which received the strong support of Mitterrand as monuments to his presidency. Sports and recreation
Although the French have recently developed a taste for a new range of sporting activities, such as mountain biking, cross-country skiing, and rock climbing, the most common forms of recreation in France seem to be nonphysical or relatively sedentary—talking, reading, eating, going to the cinema, and so on. This no doubt has something to do with the relative absence of programmed physical education at school. Certainly organized sport has a place in French society, however, with cycling, swimming, football (soccer), skiing, tennis, boules (pétanque), and, increasingly, golf, basketball, and martial arts being the most popular activities. Walking and jogging, too, are important, and a national network of paths (grandes randonnées) is well maintained. Popular seaside vacation resorts include Saint-Tropez, Cannes, and Cap d’Agde on the Mediterranean, the Île de Ré and La Baule-Escoublac on the Atlantic coast, and Le Touquet on the English Channel. Inland the French Alps, the Massif Central, and the national and regional parks, such as the Morvan regional nature park in Burgundy, attract campers and hikers. Newer, artificially created attractions include a growing number of theme parks, ranging from Disneyland at Paris to more specialized sites such as the Nausicaä sea-world museum at Boulogne-sur-Mer.
The nation’s showcase sporting event is the Tour de France, an international cycling road race that attracts hundreds of thousands of spectators each year. Established more than a century ago, the annual summer race covers some 3,600 km (2,235 miles) over the course of three weeks, finishing in Paris. Football, especially in the larger towns, is extremely popular. The 1998 World Cup was hosted by France and won by a French team led by Zinedine Zidane. More than five million French people ski, and many children have the opportunity to go on school skiing trips in February; the principal resorts are in the northern Alps, notably in Savoy (Savoie). French bowls, or boules, is played by thousands and is highly organized at both national and local levels. Handball has an avid following, and rugby is mostly played in the southwest. Educator Pierre, baron de Coubertin, revived the Olympic Games in modern form in 1896 and founded the International Olympic Committee. Games in Paris soon followed in 1900 and 1924. Chamonix was the site of the inaugural Winter Olympic Games in 1924, followed by Grenoble in 1960 and Albertville in 1992. Olympic highlights include the successes of skier Jean-Claude Killy in 1968, the national football team in 1984, and runner Marie-José Pérec in the 1990s. Media and publishing Television and radio