Выбрать главу

When she had turned to follow her father into the train, Milt had caught her shoulders and kissed her.

For half an hour that kiss had remained, a perceptible warm pressure on her lips. And for half an hour she had felt the relief of gliding through the mountains without the strain of piloting, the comfort of having the unseen, mysterious engineer up ahead automatically drive for her. She had caroled to her father about nearing the Pacific. Her nervousness had expressed itself in jerky gaiety.

But when he had sneaked away for a nap, and Claire could no longer hide from herself by a veil of chatter the big decision she had made on the station platform, then she was lonely and frightened-and very anxious to undecide the decision. She could not think clearly. She could see Milt Daggett only as a solemn young man in an inferior sweater, standing by the track in a melancholy autumnal light, waving to her as the train pulled out, disappearing in a dun obscurity, less significant than the station, the receding ties, or the porter who was, in places known only to his secretive self, concealing her baggage.

She could only mutter in growing panic, "I'm crazy. In-sane! Pledging myself to this boy before I know how he will turn out. Will he learn anything besides engineering? I know it-I do want to stroke his cheek and-his kiss frightened me, but--Will I hate him when I see him with nice people? Can I introduce him to the Gilsons? Oh, I was mad; so wrought up by that idiotic chase with Dlorus, and so sure I was a romantic heroine and--And I'm simply an indecisive girl in a realistic muddle!"

Threatened by darkness and the sinister evening chill of the mountains, with the train no longer cheerfully climbing the rocky ridge but rumbling and snorting in the defiles, and startling her with agitating forward leaps as though the brakes had let go, she could not endure the bleak platform, and even less could she endure sitting in the chair car, eyed by the smug tourists-people as empty of her romance as they were incapable of her sharp tragedy. She balanced forward to the vestibule. She stood in that cold, swaying, darkling place that was filled with the smell of rubber and metal and grease and the thunderous clash of steel on steel; she tried to look out into the fleeing darkness; she tried to imagine that the train was carrying her away from the pursuing enemy-from her own weak self.

Her father came puffing and lip-pursing and jolly, to take her to dinner. Mr. Boltwood had no tearing meditations; he had a healthy interest in soup. But he glanced at her, across the bright, sleek dining-table; he seemed to study her; and suddenly Claire saw that he was a very wise man. His look hinted, "You're worried, my dear," but his voice ventured nothing beyond comfortable drawling stories to which she had only, from the depth of her gloomy brooding, to nod mechanically.

She got a great deal of satisfaction and horror out of watching two traveling-men after dinner. Milt had praised the race, and one of the two traveling-men, a slender, clear-faced youngster, was rather like Milt, despite plastered hair, a watch-chain slung diagonally across his waistcoat, maroon silk socks, and shoes of pearl buttons, gray tops, and patent-leather bottoms. The other man was a butter-ball. Both of them had harshly pompous voices-the proudly unlettered voices of the smoking compartment. The slender man was roaring:

"Yes, sir, he's got a great proposition there-believe me, he's got a great proposition-he's got one great little factory there, take it from me. He can turn out toothpicks to compete with Michigan. He's simply piling up the shekels-why say, he's got a house with eighteen rooms-every room done different."

Claire wondered whether Milt, when the sting and faith of romance were blunted, would engage in Great Propositions, and fight for the recognition of his-toothpicks. Would his creations be favorites in the best lunch rooms? Would he pile up shekels?

Then her fretting was lost in the excitement of approaching Seattle and their host-Claire's cousin, Eugene Gilson, an outrageously prosperous owner of shingle-mills. He came from an old Brooklyn Heights family. He had married Eva Gontz of Englewood. He liked music and wrote jokey little letters and knew the addresses of all the best New York shops. He was of Her Own People, and she was near now to the security of his friendship, the long journey done.

Lights thicker and thicker-a factory illuminated by arc-lamps,-the baggage-the porter-the eager trail of people in the aisle-climbing down to the platform-red caps-passing the puffing engine which had brought them in-the procession to the gate-faces behind a grill-Eugene Gilson and Eva waving-kisses, cries of "How was the trip?" and "Oh! Had won-derful drive!"-the huge station, and curious waiting passengers, Jap coolies in a gang, lumbermen in corks-the Gilsons' quiet car, and baggage stowed away by the chauffeur instead of by their own tired hands-streets strangely silent after the tumult of the train-Seattle and the sunset coast at last attained.

Claire had forgotten how many charming, most desirable things there were in the world. The Gilsons drove up Queen Anne Hill to a bay-fronting house on a breezy knob-a Georgian house of holly hedge, French windows, a terrace that suggested tea, and a great hall of mahogany and white enamel with the hint of roses somewhere, and a fire kindled in the paneled drawing-room to be seen beyond the hall. Warmth and softness and the Gilsons' confident affection wrapped her around; and in contented weariness she mounted to a bedroom of Bakst sketches, a four-poster, and a bedside table with a black and orange electric lamp and a collection of Arthur Symons' essays.

She sank by the bed, pitifully rubbed her cheek against the silk comforter that was primly awaiting her commands at the foot of the bed, and cried, "Oh, four-posters are necessary! I can't give them up! I won't! They--No one has a right to ask me." She mentally stamped her foot. "I simply won't live in a shack and take in washing. It isn't worth it."

A bath, faintly scented, in a built-in tub in her own marble bathroom. A preposterously and delightfully enormous Turkish towel. One of Eva Gilson's foamy negligées. Slow exquisite dressing-not the scratchy hopping over ingrown dirt, among ingrown smells, of a filthy small-hotel bedroom, but luxurious wandering over rugs velvety to her bare feet. A languid inspection of the frivolous colors and curves in the drawings by Bakst and George Plank and Helen Dryden. A glance at the richness of the toilet-table, at the velvet curtains that shut out the common world.

Expanding to the comfort as an orchid to cloying tropic airs, she drew on her sheerest chemise, her most frivolous silk stockings. In a dreaming enervated joy she saw how smooth were her arms and legs; she sleepily resented the redness of her wrists and the callouses of the texture of corduroy that scored her palms from holding the steering wheel.

Yes, she was glad that she had made the experiment-but gladder that she was safely in from the long dust-whitened way, back in her own world of beauty; and she couldn't imagine ever trying it again. To think of clumping out into that world of deliberate and brawling crudeness--

Of one Milt Daggett she didn't think at all.

Gorgeously sleepy-and gorgeously certain that by and by she would go, not to a stingy hotel bed, with hound-dog ribs to cut into her tired back, but to a feathery softness of slumber-she wavered down to the drawing-room, and on the davenport, by the fire, with Victoria chocolates by her elbow, and pillows behind her shoulders, she gossiped of her adventure, and asked for news of friends and kin back East.

Eugene and Eva Gilson asked with pyrotechnic merriness about the "funny people she must have met along the road." With a subdued, hidden unhappiness, Claire found that she could not mention Milt-that she was afraid her father would mention Milt-to these people who took it for granted that all persons who did not live in large houses and play good games of bridge were either "queer" or "common"; who believed that their West was desirable in proportion as it became like the East; and that they, though Westerners, were as superior to workmen with hard hands as was Brooklyn Heights itself.