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“I can only tell you what I told them. Vinny was a quiet kid. Very private. Didn’t talk much at all. Except for Brigitte picking on him, I didn’t see much in the way of hostility directed toward the boy by anyone, Henry included. And as far as Henry and friendship—” Janelle shook her head. “He’s pretty much all business around here. The other line cooks go out sometimes to hang after work. It’s fun, and I usually go, too. But Henry never joins us.”

Finally, we arrived at an island away from the chaotic activity everywhere else. “Well, here we are. My domain,” Janelle declared proudly.

In the center of the space stood a large prep table, now wiped clean. A gas stove and array of ovens hugged the wall; beside them stood a bakery rack on wheels, holding freshly baked rolls and baguettes. Janelle offered me a high metal stool. She pulled up another to sit beside me.

“I have to tell you, Ms. Cosi, I’m very excited about your coffees. My mind’s already spinning with ideas.”

“Café au lait and beignets, by any chance?”

Janelle laughed. “Joy must have mentioned I come from the Big Easy.”

“Yes.” I smiled. “She really likes and admires you.”

“Well, that’s very sweet. And Joy’s a very sweet girl, very accomplished, too, and at such a young age. You should be proud.”

“I am.”

“It’s funny you should mention the beignets,” Janelle said. “My mother made them all the time, so I practically grew up on them. You can tell, can’t you?” She laughed, patting one ample hip. “And while I do believe it would be fun to offer something as simple as a classic French doughnut, Chef Keitel would kill me if I proposed it. He won’t allow retro to come out of his kitchen. He’s all about fusion, loves new spices, combinations of flavors, aromas, and textures. Explore! Experiment! That’s Chef Keitel’s credo.”

“Is it?” And here I thought it was ‘Sleep with your young intern on the side.’

“It’s no joke, Clare. It’s your entire professional reputation on the line. You start putting traditional chocolate mousse and crème brûlée in your dessert selections, and the gourmands will declare you zombified and send a body bag back to the kitchen.”

“I suppose the same dish, prepared the same way for years and years can be numbing—for the diner and the chef,” I conceded. “Then again, there’s something to be said for paying tribute to the classics. I love what you did with the tarte Tatin, for example, deconstructing it on the plate, adding the cardamom and ginger to the apples. And what you did with the profiteroles, using blackberry sorbet instead of the same old vanilla ice cream. Drizzling casis coulis instead of chocolate sauce.”

“Yes, if you really love something, then it’s worth looking at it with new eyes.”

“Now there’s a credo I can agree with: loyalty. I had this coq au vin recipe that I loved. It was hard to admit that it was getting pretty tired after fifteen years. But instead of throwing it out, I woke it up—literally—by infusing coffee into the braising process.”

Janelle paused a moment, tapped her chin in thought. “You know what, Clare? I could do that with my desserts. I’ve wanted to do chocolate pots de crème—except it’s so retro that Chef Keitel would be unhappy with a one-dimensional approach. But if I were to infuse the heavy cream in the recipe with some of that wonderful Colombian coffee you brought today, I could create a mocha pot that would resonate with the coffee itself. I could serve the dessert in an espresso cup with praline crème Chantilly standing in for the macchiato froth, and place two vanilla-pecan sablés on the side of the saucer.”

I nodded. “My mouth’s already watering.”

“Or…” Janelle searched the ceiling, “what do you think of a tartelette of framboise and chocolate ganache with a pistachio crust? Wouldn’t that be delicious served with fresh raspberries and a French-pressed pot of your Kenyan?”

“It would, but I’d want to give the Kenyan to you in a French roast for that pairing. The darker roast carries a bolder flavor that will stand up better to the chocolate ganache. A darker roast also changes the flavor profile of the Kenyan beans so the fruity notes you tasted in my medium roast will become caramelized. Then you’ll have a cup with flavors closer to a chocolate-covered cherry.”

“Excellent! I can’t wait to try it. And how about this pairing with the Purple Princess? I could do those little ol’ beignets after all, but keep them small, about the size of a profiterole, inject each one with a filling of lavender-ginger-plum crème pâtissière and on the plate drizzle a bit of plum coulis—”

“Janelle,” a voice interrupted.

The pastry chef and I looked up to find Tommy Keitel looming just a few feet away, legs braced, arms crossed. It was clear he’d been standing there, quietly listening to us.

Janelle tensed a bit. “Yes, Chef? Did you have any problems with what we were discussing?”

“No.” He stared at us for a silent moment. “Have you taken Ms. Cosi downstairs yet?”

“No, Chef.”

“I’ll do it.” Keitel said, then abruptly turned and began moving toward the back of the kitchen. “Come with me, Ms. Cosi!”

Janelle shot me a glance, but I couldn’t read it.

“Where am I going?” I whispered to her.

She arched a dark eyebrow. “Oh, you’ll see…”

“Clare!” the man called, his legs continuing to stride toward the stairwell doorway. “Come see what’s in my cellar!”

Twelve

Chef Keitel led me down a set of creaking wooden steps and into the restaurant’s dim, cluttered basement. With my high heels and skirt, I had to step carefully. Extra tables and chairs were stored here along with boxes of dry goods and cleaning supplies. There were four doors along one walclass="underline" three wooden and one metal. He waved me over to the metal door, pulled a ring of keys off his belt, and unlocked it.

“Come in…” he said, moving into the shadowy room.

I took one tentative step, a little wary about sharing the small space with such a monumental ego. On the other hand, I knew this could be the best chance I’d ever have to speak with Keitel in private, talk to him about Vinny’s death and his relationship with my daughter.

“Come all the way in and close that door,” Keitel said. “The temperature and humidity are kept at a constant level in here, and I’d like to keep it that way.”

I shut the door. The second the steel handle clicked, he hit the light switch. A single bare bulb provided a golden illumination to the interior. Standing wooden shelves lined the walls, each one stacked with large and small wheels of white and yellow.

“Welcome to my cheese cave.”

I couldn’t believe it. Keitel had actually led me into the very room where he’d started his flirtation with Joy. That thought alone made it difficult for me to concentrate on the patter of words flowing out of the man’s mouth.

Take it easy, I told myself. This isn’t Bluebeard’s secret room. It’s just a stupid closet full of cheese.

He’d already started talking about the imported dairy products in the refrigerated space—from France, Spain, Switzerland, and Italy. Clearly, the man was proud of the collection, and he selected a few to sample, bringing them onto a small butcher block table set up against one shelf.

“So, what do you think? Are you game?”

I cleared my throat. It was very humid in here; warmer than a fridge but still downright chilly at fifty-seven degrees, if I could trust the thermometer hanging by the chef’s head.

Keitel was in a nice, thick chef ’s jacket. I was in sheer stockings and a skirt. I’d left my matching green jacket upstairs, and my silk, lace-edged blouse only had half sleeves. I wasn’t freezing yet, but I wasn’t exactly comfortable, either. And I suddenly recalled what I’d said about Janelle’s ball of sweet pastry dough. It’s so much easier to work when it’s cold.