The babble on the staircase might have been the noise of the sea so far as these men were concerned. It ebbed and flowed in regular beats, and spread out far into the courtyard below. Now and again the click–click–click of a scabbard tip being dragged against the wall, cut the dead sound of tramping naked feet, and a soldier would stumble up the narrow way into the sunlight. He was received, and sent back or forward by a knot of keen–eyed loungers, who seemed to act as a buffer between the peace of the Secretariat and the pandemonium of the Administrative. Saises and grass–cutters, mahouts of elephants, brokers, mahajuns, villagers from the district, and here and there a shock–headed aborigine, swelled the mob on and at the foot of the stairs. As they came up, they met the buffer–men who spoke in low voices and appeared to filter them according to their merits. Some were sent to the far end of the verandah, where everything melted away in a fresh crowd of dark faces. Others were sent back, and joined the detachment shuffling for their shoes in the chowk. One servant of the Palace withdrew himself to the open, underneath the verandah, and there sat yapping from time to time like a hungry dog: "The grass! The grass! The grass!" But the men with the account–books never stirred. And they bowed their heads gravely and made entry or erasure, turning back the rustling leaves. Not often does a reach of the River of Life so present itself that it can without alteration be transferred to canvas. But the Treasury of Boondi, the view up the long verandah, stood complete and ready for any artist who cared to make it his own. And by that lighter and less malicious irony of Fate, who is always giving nuts to those who have no teeth, the picture was clinched and brought together by a winking, brass hookah–bowl of quaint design, pitched carelessly upon a roll of dull red cloth in the foreground. The faces of the accountants were of pale gold, for they were an untanned breed, and the face of the old man, their controller, was frosted silver.
It was a strange Treasury, but no other could have suited the Palace. The Englishman watched, open–mouthed, blaming himself because he could not catch the meaning of the orders given to the flying chaprassies, nor make anything of the hum in the verandah and the tumult on the stairs. The old man took the commonplace currency note and announced his willingness to give change in silver. "We have no small notes here," he said. "They are not wanted. In a little while, when you next bring the Honour of your Presence this way, you shall find the silver."
The Englishman was taken down the steps and fell into the arms of a bristly giant who had left his horse in the courtyard, and the giant spoke at length waving his arms in the air, but the Englishman could not understand him and dropped into the hubbub at the Palace foot. Except the main lines of the building there is nothing straight or angular about it. The rush of people seems to have rounded and softened every corner, as a river grinds down boulders. From the lowest tier, two zigzags, all of rounded stones sunk in mortar, took the Englishman to a gate where two carved elephants were thrusting at each other over the arch; and, because neither he nor any one round him could give the gate a name, he called it the "Gate of the Elephants." Here the noise from the Treasury was softened, and entry through the gate brought him into a well–known world, the drowsy peace of a King's Palace. There was a courtyard surrounded by stables, in which were kept chosen horses, and two or three grooms were sleeping in the sun. There was no other life except the whir and coo of the pigeons. In time—though there really is no such a thing as time off the line of railway—an official appeared begirt with the skewer–like keys that open the native bayonet–locks, each from six inches to a foot long. Where was the Raj Mahal in which, sixty–six years ago, Tod formally installed Ram Singh, "who is now in his eleventh year, fair and with a lively, intelligent cast of face"? The warden made no answer, but led to a room, overlooking the courtyard, in which two armed men stood before an empty throne of white marble. They motioned silently that none must pass immediately before the seat of the King, but go round, keeping to the far side of the double row of pillars. Near the walls were stone slabs pierced to take the butts of long, venomous, black bamboo lances; rude coffers were disposed about the room, and ruder sketches of Ganesh adorned the walls. "The men," said the warden, "watch here day and night because this place is the Rutton Daulat." That, you will concede, is lucid enough. He who does not understand it, may go to for a thick–headed barbarian.
From the Rutton Daulat the warden unlocked doors that led into a hall of audience—the Chutter Mahal—built by Raja Chutter Lal, who was killed more than two hundred years ago in the latter days of Shah Jehan for whom he fought. Two rooms, each supported on double rows of pillars, flank the open space, in the centre of which is a marble reservoir. Here the Englishman looked anxiously for some of the atrocities of the West, and was pleased to find that, with the exception of a vase of artificial flowers and a clock, there was nothing that jarred with the exquisite pillars, and the raw blaze of colour in the roofs of the rooms. In the middle of these impertinent observations, something sighed—sighed like a distressed ghost. Unaccountable voices are at all times unpleasant, especially when the hearer is some hundred feet or so above ground in an unknown Palace in an unknown land. A gust of wind had found its way through one of the latticed balconies, and had breathed upon a thin plate of metal, some astrological instrument, slung gongwise on a tripod. The tone was as soft as that of an Æolian harp, and, because of the surroundings, infinitely more plaintive.
There was an inlaid ivory door, set in lintel and posts crusted with looking–glass—all apparently old work. This opened into a darkened room where there were gilt and silver charpoys, and portraits, in the native fashion, of the illustrious dead of Boondi. Beyond the darkness was a balcony clinging to the sheer side of the Palace, and it was then that the Englishman realised to what a height he had climbed without knowing it. He looked down upon the bustle of the Treasury and the stream of life flowing into and out of the Gate of the Fishes where the big drums lie. Lifting his eyes, he saw how Boondi City had built itself, spreading from west to east as the confined valley became too narrow and the years more peaceable. The Boondi hills are the barrier that separates the stony, uneven ground near Deoli from the flats of Kotah, twenty miles away. From the Palace balcony the road to the eye is clear to the banks of the Chumbul River, which was the Debatable Ford in times gone by and was leaped, as all rivers with any pretensions to a pedigree have been, by more than one magic horse. Northward and easterly the hills run out to Indurgarh, and southward and westerly to territory marked "disputed" on the map in the present year of grace. From this balcony the Raja can see to the limit of his territory eastward, his empire all under his hand. He is, or the Politicals err, that same Ram Singh who was installed by Tod in 1821, and for whose success in killing his first deer, Tod was, by the Queen–Mother of Boondi, bidden to rejoice. To–day the people of Boondi say: "This Durbar is very old; so old that few men remember its beginning, for that was in our father's time." It is related also of Boondi that, on the occasion of the Queen's Jubilee, they said proudly that their ruler had reigned for sixty years, and he was a man. They saw nothing astonishing in the fact of a woman having reigned for fifty. History does not say whether they jubilated; for there are no Englishmen in Boondi to write accounts of demonstrations and foundation–stone laying to the daily newspaper, and Boondi is very, very small. In the early morning you may see a man pantingly chased out of the city by another man with a naked sword. This is the mail and the mail–guard; and the effect is as though runner and swordsman lay under a doom—the one to fly with the fear of death always before him, as men fly in dreams, and the other to perpetually fail of his revenge.