At Columbus Circle we turned north, and up ahead at Sixty-second Street saw a steady straggle of people coming out of Central Park to cross the street, others coming from the north and south, some actually running, all heading for a big vacant lot on the corner. The lot, we saw driving toward it, stood enclosed by a ten foot-high fence of new pine but already plastered with a big poster in giant type for something called Moxie. Inside the fencing—long, tan, and rising higher than the fence by a dozen feet—stood a tent. And as Frank Coffyn parked across the street from the lot, we saw cops all over the place, but a boy was managing to climb the fence by jumping up on a friend’s back, then climbing quickly to his shoulders, and finally leaping to catch the fence top, hauling himself up fast before a cop could come running over. Another boy set his foot in the stirrup of a friend’s clasped hands who shot him to the fence top, where he swung around on his belly to drop, grinning, out of sight.
We walked across the street toward a wide opening on the Sixty-second Street side of the fence, but cops stood barring the entrance there. Beyond them, inside on the trampled-down weeds, stood the long, high tent, and at its entrance a young man of around thirty speaking to the crowd of boys, men, and two or three women. He wore boots laced to the knees, and a tan leather jacket. “Roy Knabenshue,” Frank Coffyn said, and lifting his arm, he began waving it slowly back and forth. “And from thence, wind permitting,” Knabenshue was saying, “in a southerly direction.” Some of the men—reporters—were making notes.
Knabenshue saw Coffyn’s arm, and called, “Frank! Come on in!” To the cops who’d turned to look back at him, he called, “Let him in, please! He’s an assistant!”
The cops nodded to Frank, who took us both by the arm saying, “We’re all assistants,” and walked us in. I don’t know if Roy Knabenshue really had been waiting for Coffyn or not, but he beckoned to us now, turning to push aside the tent flap, then stood holding it for us, and we walked into the brown light filtering in through the canvas: I had no idea what we were going to see.
It was a balloon, almost filling the tent, a long dirigible-shaped balloon, enormous, its rounded bottom well over our heads, the sides almost touching the tent walls; it was like standing in a closet with an elephant. The thing rose clear up to the far-off tent roof; sixteen feet high at its thickest part, I learned the next day from the Times, and sixty-two feet long. The tent seemed full of men—no other women—and the Jotta Girl left to go stand outside.
I could see better now, adjusting to the light. The balloon hung just above us covered by a snug-fitting net from which ropes led down to a flimsy-looking framework. The bottom of the framework was a pair of narrow skids; long sandbags lay across them to hold the thing to the ground. Someone, maybe Knabenshue, yelled, “Okay!” and the men in the tent began positioning themselves along the sides of the framework. Frank stepped up with them, so I did too. Someone on the other side yelled something, and everyone on my side grabbed a rope and began shoving or kicking the sandbags off the runners. I did the same, feeling the sudden strong upward pull of the balloon.
We walked it out of the tent, the cops waving people aside. Outside at the fence entrance, people were crowding up against the cops as we came out, trying to look past them at us, kids jumping up to look over shoulders. Men came trotting out of the tent with the sandbags and tossed them down across the skids, anchoring the thing to the ground again.
Frank and I were able to step back then, and look up at the balloon, the Jotta Girl strolling over to stand with us. It surprised me that the balloon was yellow, a sharp bright yellow there just above us against the blue sky. “Shaped like a whale,” the Jotta Girl murmured, and Frank nodded, adding, “Without a tail.” It was: the great thing hung up there snub-nosed at the front, widening back to the shoulders, then tapering back to a tail-less end. The framework underneath was aluminum, I could see now. Mounted in the framework stood a little gasoline engine connected by a belt to a four-bladed propeller, and I could see that the blades were cloth—aluminum-painted cloth—or maybe leather, stretched tight over wooden paddle-shaped frames. At the rear, a great big rudder with a pair of horizontal stabilizers. And in between these, mounted on the runners, a seat about the size and shape of a bicycle seat, but with the edges cupped upward like a tractor seat.
And that was it; no belts, no parachute, just that seat, and now damned if Roy Knabenshue didn’t step up and, grinning with the sheer fun of all this, sit down on that little seat and plant his feet on those inch-wide runners. The reporters, notebooks open, pencils ready, pressed around him, sort of pushing us aside. One of them called out to ask if flying in this wasn’t dangerous. Knabenshue, sitting there as though he were on a bike, looked happily amazed at the thought.
“No,” he said, “once you get over the first exciting sensation, the consciousness of danger leaves your mind entirely.” The way he said this made me think he’d given this answer before and often. “It becomes a habit,” he said, the reporters taking this down, “to float one thousand feet above the ground, just as it does to the ordinary man to walk around on it, and the task of building an airship—well, I really prefer to call it a dirigible balloon—is as simple as the task of navigating it, once you have become aware”—he was really talking like this—“of the existence of certain natural laws that we have to conform to.”
That all seemed okay to everyone, heads nodding, but I half whispered to Frank, “Is that true? Isn’t this dangerous?”
“Of course it is,” he said quietly, “though he half believes that himself now; he’s not the least fearful. But that little insufficiently powered creation could be turned upside down in an instant by an unexpected gust. A stray wind could tear it apart. It’s a foolish little thing. And its day is over. The future is in strongly powered aeroplanes. I like the man; I met him last night. But he’s a boy at heart, playing at this. And one day it will kill him.”
The reporters finished, Knabenshue yelled, “Ready!” and we all stepped up again to hold our ropes, kicking the sandbags aside. We held the thing, then, maybe five feet above the ground. The nose pointed down a bit, and Knabenshue reached into one of a dozen sandbags hanging from the rigging around him, brought out a handful of sand, no more, and scattered it, watching the nose. It actually lifted a bit, and he scattered another handful, leveling the thing. He was sitting above us, and I couldn’t see how but he started the engine, a slow putt-putt sound; then it sped up into a rapid putter-putter-putter. I wouldn’t have trusted it on a golf cart, but Knabenshue yelled, “Ready!” again and we all let go of our ropes, stepping back, and up she went, nose dipping but immediately leveling.
Straight on up into the sky she went, not fast, not slow, the kids yelling and capering, the adults making that sort of awestruck groan you hear at a fireworks exhibition. Up a hundred feet, two hundred, I didn’t know, but high enough to begin looking smaller. Straight on up, and looking great, a yellow whale in the blue sky, Knabenshue looking like a skier, feet wide apart on those flimsy little aluminum yardsticks, waving one arm at us, the other hanging on to something. Up a little more, then a breeze from the west pushed him out across Eighth Avenue toward the Park. Knabenshue moved his rudder, and—still rising—putt-putted off to the south.
The crowd broke to run out or walk fast, depending on age and condition, Coffyn saying, “Come on!” Across the street, into his car, and Coffyn U-turned slowly, squeezing his horn bulb again and again, the street full of kids running south. Then we got clear of them, and following the balloon above and a little ahead of us, I understood why it was yellow, moving along so plainly against this clear blue sky. Silhouetted against that long yellow oval, Knabenshue half stood, half sat, getting smaller and smaller as he slowly moved higher and higher, chugging along behind those ridiculous low-powered cloth propellers. On he sailed, passing almost directly over the Circle Theater just north and west of Columbus Circle. Frank steered us around Columbus Circle and onto Broadway, where Knabenshue seemed to be heading.