The Horus Heresy
Graham McNeill
FULGRIM:
Visions of Treachery
For my friends, who kept me sane through the long, dark watches of writing the madness.
The Horus Heresy
It is a time of legend.
Mighty heroes battle for the right to rule the galaxy.
The vast armies of the Emperor of Earth have conquered the galaxy in a Great Crusade - the myriad alien races have been smashed by the Emperor's elite warriors and wiped from the face of history.
The dawn of a new age of supremacy for humanity beckons.
Gleaming citadels of marble and gold celebrate the many victories of the Emperor. Triumphs are raised on a million worlds to record the epic deeds of his most powerful and deadly warriors.
First and foremost amongst these are the primarchs, superheroic beings who have led the Emperor's armies of Space Marines in victory after victory. They are unstoppable and magnificent, the pinnacle of the Emperor's genetic experimentation. The Space Marines are the mightiest human warriors the galaxy has ever known, each capable of besting a hundred normal men or more in combat.
Organised into vast armies of tens of thousands called Legions, the Space Marines and their primarch leaders conquer the galaxy in the name of the Emperor.
Chief amongst the primarchs is Horus, called the Glorious, the Brightest Star, favourite of the Emperor, and like a son unto him. He is the Warmaster, the commander-in-chief of the Emperor's military might, subjugator of a thousand worlds and conqueror of the galaxy. He is a warrior without peer, a diplomat supreme.
As the flames of war spread through the Imperium, mankind's champions will all be put to the ultimate test.
~ DRAMATIS PERSONAE ~
The Emperor's Children
Fulgrim Primarch
Eidolon Lord Commander
Vespasian Lord Commander
Julius Kaesoron Captain, 1st Company
Solomon Demeter Captain, 2nd Company
Marius Vairosean Captain, 3rd Company
Saul Tarvitz Captain, 10th Company
Lucius Captain, 13th Company
Charmosian Chaplain, 18th Company
Gaius Caphen Second in command to Solomon Demeter
Lycaon Equerry to Julius Kaesoron
Fabius Apothecary
The Iron Hands
Ferrus Manus Primarch
Gabriel Santor Captain, First Company
Captai Balhaan Captain of the Ferrum
The Primarchs
Horus Primarch of the Sons of Horus, the Warmaster
Vulkan Primarch of the Salamanders
Corax Primarch of the Raven Guard
Angron Primarch of the World Eaters
Mortarion Primarch of the Death Guard
Other Space Marines
Erebus First Chaplain of the Word Bearers
Imperial Army
Lord Commander Thaddeus Fayle
Non-Astartes
Serena d'Angelus Artist and imagist
Bequa Kynska Composer and harmonist
Ostian Delafour Sculptor
Coraline Aseneca Theatrical performer
Leopold Cadmus Poet
Ormond Braxton Emissary of the Administration of Terra
Evander Tobias Archivist of The Pride of the Emperor
Xenos
Eldrad Ulthran Farseer of Ulthwe
Khiraen Goldhelm Wraithlord of Ulthwe
PART ONE
THE PERFECT WARRIOR
'That which causes us trials shall yield us triumph, and that which makes our hearts ache shall fill us with gladness. For the only true happiness is to learn, to advance and to improve. None of this could happen without rejecting error, ignorance and imperfection. We must pass out of the darkness to reach the light!'
- The Primarch Fulgrim, Attainment of Perfection
'Perfection is achieved, not when there is nothing more to add, but when there is nothing left to take away!'
- Ostian Delafour, Man of Stone
'The only true paradises are those that are lost to us…'
- Pandoras Zheng, Philosopher Designate to the Autarch of the 9th Yndonesic Bloc
ONE
Recital
See it Through
Laeran
'The danger for most of us.' Ostian Delafour would say on those rare occasions when he was coaxed to speak of his gift, 'is not that our aim is too high and we miss it, but that it is too low and we hit it.' He would then smile modestly and attempt to recede into the background of whatever conversation was underway feeling exposed under the spotlight of adulation, and uncomfortable with the attention.
Only here in his chaotic studio, surrounded by scattered piles of chisels, hammers and rasps, chipping away at the marble with deft strokes to create wonders, did he feel comfortable. He stepped away from the block of stone that stood in the centre of his studio and ran a hand across his high forehead and through his short, tightly curled, black hair as he took in the measure of this latest session.
The marble column was a gleaming white rectangle, some four metres tall, its surfaces as yet unblemished by chisel or rasp. Ostian circled the marble, running his silver hands across its smooth surface, feeling the structure within and picturing where he would make the first cut into the stone. Servitors had brought the block up from the Pride of the Emperor's loading bays a week ago, but he had yet to complete his visualisation of how he would bring forth his masterpiece from the block.
The marble had come to the Emperor's Children's flagship from the quarries at Proconnesus on the Anatolian peninsula, where much of the stonework that comprised the Emperor's palace had been sourced. The block had been hand quarried from Mount Ararat, a rugged and inaccessible peak, but one known to contain rich deposits of pure white marble. Its value was incalculable and only the influence of the Primarch of the Emperor's Children had secured its shipping out to the 28th Expedition.
He knew others called him a genius, but Ostian knew that his hands were but the means of freeing what already lived within the marble. His skill (modesty forbade him from calling his talent genius) lay in seeing what the finished product would be before he laid so much as the first subbia upon the stone. The marble not yet carved could hold the form of every thought the artist could conceive.
Ostian Delafour was a slight man with a thin, earnest face and narrow, long fingered hands sheathed in silver metal that gleamed like mercury and which constantly fidgeted with whatever came to hand, as though the digits had a life beyond that dictated to them by their master. He wore a long white smock over a finely cut suit of black silk and cream shirt, the formal nature of his clothes at odds with the untidy workshop in which he spent most of his time.
'Now I'm ready,' he whispered.
'I should hope so,' said a woman's voice behind him. 'Bequa will have a conniption if we're late for her recital, you know how she gets.'
Ostian smiled and said, 'No, Serena, I meant I'm ready to begin sculpting.'
He turned and undid the ties holding his smock, lifting it over his head as Serena d'Angelus swept into his studio like one of the terrible matriarchs played so well by Coraline Aseneca. She tutted in distaste at the scattered tools, ladders and scaffolds. Ostian knew that her own studio was as neat and immaculate as his was disordered: the paints stacked neatly by colour and tone to one side, and her brushes and palette knives, as spotless and sharp as the day she had first acquired them, on the other.