“How long did you stay outside the house?” he asks.
“Till Mandy came back out, pretty close to three A.M.”
“I take it Paulie was not with her?”
“That’s right. She came out in this skimpy bathrobe, even shorter than that skirt she’d been wearing at the club. Told us we were wasting our time: Paulie was gone. ‘I have a back door, numbnuts,’ were her exact words.” He holds up the camera. “You want me to find the clip?”
“No, thank you,” says Ceepak. “We’ll talk to her ourselves. I’m curious as to why Paulie left.”
“Oh, I’m sure he wanted to stay. But the Fun House kids have this curfew. They can, you know, hound-dog around town all they want, but they have to be back in the sack at the shack on Halibut Street by 3 A.M.-gives Marty more R-rated action to shoot with all those locked-off night-vision cameras bolted to the ceilings.”
Except last night, when the generator died.
“Thank you for your time, Mr. Green,” says Ceepak.
“No problem. Hey, did Marty give you guys a bit for the funeral show?”
“No,” says Ceepak.
“Hey, dig this: you two could go on camera and ask for America’s help tracking down Paulie’s killer.”
“No, thank you. We’ll leave any on-camera performing to the trained professionals.”
That’s Ceepak cracking wise.
Guess I’ve been a bad influence on the poor guy.
16
“You're two might want to head back to the boardwalk, seeing how Officer McAlister says Mandy needs a few minutes to, you know, ‘freshen up.’”
Yes, our dispatcher, Mrs. Dorian Rence, puts her motherly touch on all her official radio broadcasts.
Ceepak is working the radio in the front seat of our Crown Vic. I’m behind the wheel.
“10-4,” he says to the mic gripped in his hand.
“Besides,” Mrs. Rence continues, “Detective Botzong, who’s still in the Knock ’Em Down booth, he says his people found something very interesting.”
“Did he give you any indication as to what it is he discovered?”
“A video. From a security camera. You think it shows the killer?”
“It’s a possibility, Mrs. Rence.”
“Golly bum, I sure hope so. The phone here is ringing off the hook. I already talked to Billy Bush and Mark Steines!”
Ceepak glances over to me.
I fill in the blanks for him. “Access Hollywood and Entertainment Tonight.”
He still looks confused.
“They’re TV tabloid shows. Cover entertainment and celebrities.”
Ceepak nods slowly like, oh, yeah, he’s heard that such things exist. I figure that at 7 P.M. on weeknights he’s usually watching Cold Case Files on A amp;E. He’s just not as interested in Jennifer Aniston, the Jonas Brothers, or Brangelina as the rest of America.
“We had to dispatch six more auxiliary officers to the Fun House,” Mrs. Rence continues on the radio. “All the big shows are setting up camp to cover the story. I like that Billy Bush. He asks the questions I’d ask if, you know, I ever met Brad Pitt or that other one, Julia Roberts.”
Ceepak likes Mrs. Rence. Heck, we all do. But judging from the grimace on his face, he has heard enough.
“Dorian,” he says, “please advise Officer McAlister that we are detouring back to the boardwalk and will join him and the witness-”
“Mandy Keenan.”
“Come again?”
“That’s her name, John. The girl who, you know, did whatever with Paulie Braciole last night.”
“Thank you, Mrs. Rence. Tell Officer McAlister we’ll join him as soon as we take a look at Detective Botzong’s video.”
“Roger that,” says Mrs. Rence. “10-4. Over and out.”
Mrs. Rence has only been on the job a few months. She’s a fast learner, but, well, she kind of jumbles everything up into one big gumbo of police mumbo-jumbo.
“We caught a break,” says Bill Botzong as he leads us up into the back of the State Police Major Crimes Unit’s brand-new Mobile Crime Scene Investigation Unit. It’s basically a one-hundred-thousand-dollar step-van with a ladder going up to the roof, where there’s this little deck, a couple antennae, and more ladders.
I guess, in New Jersey, a lot of our forensic evidence is found in trees and other hard-to-reach places.
Inside the back of the new van, Botzong and his techies have all sorts of gear, including-my favorite-a Cyanoacrylate Fuming Kit for finding fingerprints with superglue fuming.
There is also digital video player.
And a box of Dunkin’ Donuts.
“You guys hungry?” asks Botzong, gesturing at the open-lid tray. I see a toasted coconut with my name on it.
“No, thank you,” says Ceepak.
“Danny?”
“I’m good.”
Okay. It’s a lie, but Ceepak doesn’t notice. He’s too eager to see what kind of lucky break Botzong has caught.
“What’d you find, Bill?” he asks.
“A quick clip of our killer bringing the body to the boardwalk. Seems there are security cameras in the parking lots of the three motels across Beach Lane from the boardwalk access point closest to the Knock ’Em Down booth,” Botzong explains as he thumbs the remote for the video player to advance the digits to the point he wants us to see. “P.S.-there’s a ramp at that entrance.”
“For wheelchairs,” I say.
“Or motorcycles,” adds Ceepak.
“Exactly,” says Botzong. “Anyway, one of those cameras, in the parking lot of the Flamingo Motel, is aimed in such a way that it picks up a little bit of street traffic, too.”
“Beach Lane?” says Ceepak.
“Right.”
“How fortuitous.”
Yeah, I think. And lucky, too.
“At 3:17 A.M.,” Botzong continues, “our killer putters through the frame.”
“Motorcycle?”
“Yep. Which, of course, explains that tire track you found out back, behind the booth. Carolyn Miller pegs the ride as a 2010 Harley-Davidson Sportster 1200 Low.”
Carolyn Miller, who helped us on the Rolling Thunder case, is probably the State MCU’s top tire-tread analyst. I don’t know how you become one of those. Probably hang out with the Pep Boys; ask Manny, Moe, and Jack a bunch of questions.
“Carolyn tells me she had to isolate the front tire pattern from the rear, even though they’re almost on top of each other, as they are slightly different. A Dunlop 100/90 R19 57H up front, Dunlop 150/80 R16 71H in the back.”
Ceepak nods like, somehow, it all makes perfect sense to him. Me? I’m still checking out the tread pattern on that toasted-coconut donut.
“If memory serves,” says Ceepak, “the Harley-Davidson Low models have what I would call a long, cushioned seat plus footpegs over staggered shorty exhaust pipes to accommodate a second passenger.”
“Exactly,” says Botzong. “That’s where the biker chicks usually ride. It also explains the duct tape you guys found on the victim’s wrists and shoes, not to mention that ring of dried blood around his neck. Check it out.”
He pushes the play button.
The image is grainy, but, in the background, we can make out a Harley hog with a helmeted driver and a helmeted passenger with his arms wrapped around the driver’s waist.
The passenger is not a biker chick. It’s Paulie Braciole. He’s wearing an aerodynamic helmet with a tinted visor, just like the driver, but I recognize his white muscle-man T-shirt.
“Clever,” says Ceepak. “To transport the dead body, the killer propped the helmeted Mr. Braciole in the passenger seat.…”
“And duct-taped his shoes to those rear footpegs,” adds Botzong.
“Then the killer took their position in front of the dead body.…”