My parents are worn out, but also they’ve grown proficient at being worn out. They toughen as needed, like people throughout history. My father has always kept odd hours, but now my mom makes excuses to stay up at night too. She’ll say she just put a pie in, or that she’s going to finish a book. She’ll stay up and knit scarves far too warm for this part of the world, and in the morning I’ll find her kitchen chair over near the big floor-to-ceiling window in the living room. They’d gotten out of the crosshairs, as my father used to say, had made their escape from teeming vulgar commerce and my mother’s insufferable family and cold weather to boot. They’d found this sanctuary and made it home and had a child here. But now something else has found this place too.
The guy at the motel is in his customary lounge chair. His T-shirt says NEVER SAY ALWAYS. I’m Huck Finning — interacting, which is a lot easier than reflecting. I’m a couple chairs down from the guy. He’s seen me plenty of times walking by, has eyed me through the chain link.
“What’s it like in New Mexico?” I ask.
He takes his time, tries to rub something off his lounge chair with his thumb.
“I live in North Hollywood,” he says. “In a penthouse.”
Now I think of vast, hazy views and bartenders in bow ties. Trees growing indoors.
“The building calls the whole top floor the penthouse, but it’s the exact same apartments as the rest of the building. In the elevator the buttons say 1, 2, 3, and P and I get to push P.” The guy’s smirk brightens. “I have a more commanding view of the industrial park than the folks on the third floor.”
“Why do you say you’re from New Mexico?”
The guy produces a glass and pours me some tea. He explains that he’s a scout for a company that makes documentaries. They did one on the ivory trade, he says. They did one on these hundred-year-old Nazi officers that turn up now and then.
“What does a scout do?” I ask.
“Absorb and process the available narrative. Also make sure no one else is poking around. Make sure there’s no one to buy out or partner with.” After a moment he says, “We’re a relatively small company.”
I sip the tea and it’s so sweet it makes me squint.
“This isn’t far from where Errol Morris made that movie,” the guy says. “The one with the turkey hunter.”
“That movie celebrates rednecks,” I tell him. “Not all turkey hunters are like that. My father’s best friend is a turkey hunter.”
The guy smirks again. The way his face is, he’s always either smirking or failing to smirk. “There are religions way off in the Far East where shooting a turkey would be a sin,” he says.
“I’ve heard of that.”
“Sin isn’t the correct term, but ending another life is an act you’d be judged for. You’re not allowed to harm another creature.”
“They’re innocent,” I put in. “Animals are innocent.”
“Do you think that’s possible, to live your life without causing suffering in any other creature?”
I know this is one of those questions that aren’t meant to be answered, so I don’t try to. I watch the guy extricate a pack of cigarettes from a pocket in his shorts. He wrangles a lighter out of there too. He pulls a cigarette out and rests it on the ground, and lays the lighter right next to it. I guess he’s going to wait until I’m gone to smoke.
“My problem is getting caught up in earthly judgments,” he says. “It’s hard not to when you live in LA, and when you work in the entertainment industry.”
“My mom says LA is no worse than anywhere else. I heard her say that one time.”
“Well, that’s mighty generous of her.” He looks down at his cigarette and lighter. They seem to have a peaceful effect on him. “No matter what you do out there, they’ve got a prize for it. And if you don’t get nominated for these prizes, it’s the end of the world. The absolute end of the world. And if you get nominated and don’t win, that’s worth getting upset about too. That’s called getting snubbed. Awards, awards, prizes, prizes.” He looks upward a moment. There’s just clouds up there, but he seems surprised to see them. “As you can probably surmise, we haven’t won any.”
“Prizes are demeaning,” I tell him.
He stays with his thoughts a moment, still gazing upward, then he looks at me. “Who told you that? Is that your mom again?”
“No, my father. He says children are motivated by prizes. ‘If you do real good, I’ll give you a candy.’ He says that’s kids’ stuff. He says I already should’ve outgrown it.”
“Have you?”
“I think so,” I say. “He says if you’re an adult doing adult work, having someone pat you on the head in approval is patronizing.”
The guy nods. He presses his thumb against his front teeth. “It’s patronizing,” he says, “but it’s also how you secure patronage.” Then he leans forward and kills an ant in an expert fashion, cutting it in half with his fingernail. He watches the two halves of the ant continue to move, limping around in antic little circles, until they finally stop.
“That ant was scouting your jug of tea,” I say.
There are two women in our area who have both opened restaurants serving Northern Italian cuisine, and these are the only restaurants of note. The women are sisters who moved here after they got tired of Dallas. The competition between their restaurants is fierce. Most people don’t take sides. Most people dine in both. Each time my parents and I eat at one, the prices are lower and the ingredients more exotic. The sisters are wealthy, the daughters of a pioneer in the cable TV industry. My father says he brings me down to the restaurants for one because the food is world-class, and for two to show me what kind of silliness can come of having siblings. He says a sibling is one more thing you’re tied to against your will, more toxic clutter in your life, more stale drama.
Our churches are plain white buildings with piney, unpaved parking lots. Our men wear ties to church and our women wear whatever they want. Our preachers go on and on for hours, but never about right and wrong. They don’t want to hear about our shortcomings.
A long-standing, moneyed Protestant church sent a guy down here to check things out. He’s been around the block. He’s not unfamiliar with the impossible. They sent him from Canada. He doesn’t stay at the motel. He stays down on the coast and drives up every day. He eats at the Italian restaurants, sits in the back row during church services, listens to the joyful noises raised by the young during the songs at the beginning and the end.
My father designed memorials. His first one, when he was starting out, won him distinction. It’s on the campus of FSU, dedicated to a scientist who spent his life improving tomatoes. It’s a fountain inside a huge beaker. There are these transparent wires with copper tomatoes hanging from them, and the falling water is always nudging the tomatoes so they sway. A day of imagination and then a year of math. That’s what my father says about his job. He always has a pair of glasses in his shirt pocket and when he hugs you he does it with one arm so he can protect the glasses.
There were others after that, in Florida and elsewhere. One was for a man who modernized the flower industry in Mexico. One was for a genius Mississippi bluesman. He hasn’t done a memorial in years, but he still goes out to his studio for hours at a time and returns looking exhausted.
My father’s only friend now is the turkey hunter, a mason who spends all his time in the woods. He and my father were partners, years ago. My father doesn’t get on well with others these days, even at church. My mom is the one with all the friends, all the confidants. She told me once that she’d married my father because he didn’t have a phony bone in his body. It was the greatest thing about him, she said, and his biggest problem.