Carella and Willis got very lucky on that night of March fifteenth at exactly ten minutes to eight.
They were watching the front of the shop because Dominick Di Fillippi (who had never ratted on anybody in his life) had told them the plan was to go into the shop at ten minutes to eight, just before John the Tailor drew the blinds on the plate glass window fronting the street. La Bresca was to perform that task instead, Di Fillippi had further said, and then he was to lock the front door while Calucci forced John the Tailor at gun point into the back room. In Di Fillippi’s ardent recital, there had been a lot of emphasis real or imagined, on the front of the shop. So everyone had merely assumed (as who wouldn’t?) that La Bresca and Calucci would come in through the front door, open the door, ting-a-ling would go the bell, shove their guns into John the Tailor’s face, and then go about their dirty business. It is doubtful that the police even knew there was a back door to the shop.
La Bresca and Calucci knew there was a back door.
They kicked that door in at precisely seven-fifty, right on schedule, kicked it in noisily and effectively, not caring whether or not they scared John the Tailor out of ten years’ growth, knowing he would rush to the back of the shop to see what the hell was happening, knowing he would run directly into two very large pistols.
The first thing they saw was two guys playing checkers.
The first thing La Bresca said was, “Fuzz!”
He knew the short guy was fuzz because he had been questioned by him often enough. He didn’t know who the other guy was, but he reasoned that if you saw one mouse you probably had fifty, and if you saw one cop you probably had a thousand, so the place was probably crawling with cops, they had stepped into a very sweet little trap here–and that was when the curtain shot back and the front door of the shop burst open.
It was also when all the overlapping confusion started, the past, present, and future jazz getting all mixed up so that it seemed for a tense ten seconds as if seven movies were being projected simultaneously on the same tiny screen. Even later, much later, Carella couldn’t quite put all the pieces together; everything happened too fast and too luckily, and he and Willis had very little to do with any of it.
The first obvious fact that crackled up Carella’s spine and into his head was that he and Willis had been caught cold. Even as he rose from his chair, knocking it over backwards, even as he shouted, “Hal, behind you!” and reached for his revolver, he knew they’d been caught cold, they were staring into the open muzzles of two high caliber guns and they would be shot dead on the spot. He heard one of the men shout, “Fuzz!” and then he saw both guns come up level at the same time, and too many last thoughts crowded into his head in the tick of a second. Willis whirled, knocking checkerboard and checkers to the floor, drawing his gun, and suddenly John the Tailor threw back the curtain separating the rear of the shop from the front, and the front door of the shop burst open in the same instant.
John the Tailor later said he had run back to see what the noise was, throwing the curtain between the two rooms, and then whirling to see what Carella only later saw, three men standing in the front doorway of his shop, all of them holding pistols.
This was what La Bresca and Calucci must have seen as well, looking through the now open curtain directly to the front door. And whereas they must have instantly known they had caught the back-room cops cold, they now recognized the threat of the three other cops standing in the front door, all of them with pistols in their fists and kill looks on their faces. The three men weren’t cops, but La Bresca and Calucci didn’t know that. The sergeant standing in the doorway shouted, “Fuzz!” meaning he thought La Bresca and Calucci were fuzz, but La Bresca and Calucci merely thought he was announcing his own arrival. So they began shooting. The three men in the door, facing what they too thought was a police trap, opened fire at the same time. John the Tailor threw himself to the floor. Carella and Willis, recognizing a good healthy crossfire when they saw one, tried to flatten themselves against the wall. In the flattening process, Willis slipped on one of the fallen checkers and went tumbling to the floor, bullets spraying over his head.
Carella’s gun was in his hand now. He leveled it at the front door because he had taken a good look at one of the men standing there firing into the back room, and whereas the man was not wearing his hearing aid, he was tall and blond and Carella recognized him at once. He aimed carefully and deliberately. The gun bucked in his hand when he pulled off the shot. He saw the deaf man clutch for his shoulder and then half-stumble, half-turn toward the open doorway. Someone screamed behind Carella, and he turned to see La Bresca falling over the pressing machine, spilling blood onto the white padding, and then four more shots exploded in the tiny shop and someone grunted, and there were more shots, Willis was up and firing, and then there was only smoke, heavy smoke that hung on the air in layers, the terrible nostrill-burning stink of cordite, and the sound of John the Tailor on the floor, praying softly in Italian.
“Outside!” Carella shouted, and leaped the counter dividing the shop, slipping in a pool of blood near the sewing machine, but regaining his footing and running coatless into the snow.
There was no one in sight.
The cold was numbing.
It hit his naked gun hand immediately, seemed to wed flesh to steel.
A trail of blood ran from the shop door across the white snow stretching endlessly into the city.
Carella began following it.
The deaf man ran as fast as he could, but the pain in his shoulder was intolerable.
He could not understand what had happened.
Was it possible they had figured it out? But no, they couldn’t have. And yet, they’d been there, waiting. How could they have known? How could they possibly have known when he himself hadn’t known until fifteen minutes ago?
There had been at least twenty-five pages of “V” listings in the Isola directory, with about 500 names to a page, for a combined total of some 12,500 names. He had not counted the number of first names beginning with the letter “J,” but there seemed to be at least twenty or thirty on every page, and he had actually gone through eleven names with the initials “JMV,” the same initials as His Honor the Mayor James Martin Vale, before coming to the one on Culver Avenue.
How could they have known? How could they have pinpointed the tailor shop of John Mario Vicenzo, the final twist of the knife, a JMV located within the very confines of the 87th? It’s impossible, he thought. I left nothing to chance, it should have worked, I should have got them both, there were no wild cards in the deck, it should have worked.
There were still some wild cards in the deck.
“Look,” Jimmy said.
The taller boy, the one carrying the gasoline can, lifted his head, squinted against the wind, and then ducked it immediately as a fiercer gust attacked his face. He had seen a tall blond man staggering off the pavement and into the center of the snowbound street.