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All the while, Technical Sergeant Flo Moretti was grinning at me. At least his skull was. It sat in the dust as if it had been waiting a long time and now it was happy that someone had finally stumbled into this tiny brick ossuary. By the light of Ernie’s flashlight, I studied the bones. I even reached in and touched one of them, turning it this way and that in the harsh beam of the flashlight, making sure that I wasn’t imagining what had jumped out at me when I first saw the skeleton.

The bones had been sliced with what appeared to be a sharp-edged knife. Not everywhere. Only on the fingers and the toes, as if someone had purposely tormented Moretti while he was still alive. One of the fingers, the large middle finger, was not only sliced but it had been forced backward so far that it had finally snapped between the big middle knuckle and the joint where the finger joined the hand. Even now, gazing at the wound some twenty years after the fact, I winced.

And then I studied the tip of another finger. It appeared discolored. I lifted the bone into the beam of the flashlight. No doubt. The tip of the bone was darker than the rest of the skeleton, as if it had been singed by fire. The fingertips are the most sensitive parts of the human body. Moretti’s fingertip, at least one of them, had been burnt off.

When the Seven Dragons spirited him away from the scene of the original attack on the night of the Itaewon Massacre, they’d hidden him from the American MPs and later nursed him back to-if not health-consciousness. Then they’d begun questioning Moretti as to the whereabouts of the gold and silver and ancient family heirlooms that the residents of Itaewon had left in his safekeeping. Maybe Moretti thought the MPs would rescue him any minute. Maybe he thought that the Seven Dragons were a bunch of punks and he could bluff them. Whatever he thought, he resisted. And when the answers weren’t forthcoming, the Seven Dragons had tortured him. How long had it lasted? How long had it taken for Mori Di to break? I would estimate quite a while. Maybe even a few days. But as bad as the torture was, there was something else that bothered me even more.

Handcuffs, laying in the dirt near Moretti’s hands. G.I. issue. I recognized them because exactly the same type of metal cuffs were still in use today. And near his neck, dried wads of cotton and a narrow cloth sash. A gag.

Why would anyone gag a dead man?

The answer: they wouldn’t.

My conclusion seemed inescapable. So far, I hadn’t discussed it, even with Ernie, but all the evidence pointed toward one thing. Once the Seven Dragons tortured Moretti and he’d either told him where he’d hidden the valuables-or the Seven Dragons had discovered the hiding place on their own-they had no further use for Technical Sergeant Flo Moretti. He was a liability. They couldn’t let him go free. And it wouldn’t have been easy to transport him anywhere, not in a city swarming with military patrols. So they decided to hide him in the basement of the Grand Ole Opry Club. In this narrow opening not much larger than a coffin. And once they had him inside, handcuffed and gagged, they bricked the opening closed.

Technical Sergeant Flo Moretti, a man who’d tried to help the impoverished people of Itaewon, had watched the Seven Dragons do their work. He’d watched a gang of punk gangsters wall him up, brick by brick, until the final glimmer of light was covered by mortar.

He could scream inside his little brick tomb but no one could’ve heard those screams, except himself.

When I marched alone into the main ballroom of the Grand Ole Opry Club, I still wore my winter jacket with the tools stuck into the inner pockets, making me feel twenty pounds heavier than I actually was. I received some funny looks from the old retirees. It was the Korean employees I was most worried about. But none of them, neither bartenders nor waitresses, stopped their work to pay any attention to me.

I headed straight for the door and pushed through out into the fresh air of the cold Korean night.

A few minutes later, Ernie popped out after me. We hurried down the street.

We’d replaced all the bricks and repositioned the stacked cases of beer in the basement as best we could, to camouflage our activities. I hoped this would give us a couple of days before someone discovered what we’d done. Once someone took the time to look, it would be obvious as to what had happened. Would one of the Korean employees investigate? I was hoping that, what with the place being frantically busy, they wouldn’t notice the two guys who’d walked in, disappeared for an hour and a half or so, and then walked back out. That they’d just write off our behavior as the weirdness that they were used to in American G.I. s.

Still, we didn’t have much time until someone discovered that we’d broken through the brick wall in the storeroom. Before then, somehow, I had to convince 8th Army to wrangle us a search warrant so we could take full advantage of the evidence we’d discovered. We needed it to make our activities retrospectively legal.

I was filthy. So was Ernie. Brick dust salted my hair. It was still early, only half past eight, so we headed toward the far side of the nightclub district and entered an alley near the open-air Itaewon Market. The stalls were dark and shuttered at this hour, canvas flapping in the cold evening breeze. Hidden in a dark alley, lit only by a half-dozen green bulbs, lurked the last Korean bathhouse still open. At the entranceway, I plopped down a five thousand won note-about ten bucks-and the proprietress smiled a toothy grin, happy for the unexpected business.

The middle-aged woman assigned to scrub my hair clawed with the ferociousness of a lioness. Then she slipped her hand into a coarse red mitten and started in on my back. It felt as if she were systematically peeling my flesh. Oily pellets of black dirt emerged from every pore of my skin, like tiny insects searching for light. By the time she was done, I felt completely clean but my skin flamed red. She rinsed me off, dried me, and then oiled me with some sort of lotion. After slipping my clothes back on, I sat in the waiting room chatting with the bathhouse women, sipping on a can of cold guava juice. Ernie took a lot longer than I did. More than an hour longer. When he finally emerged he looked, for once in his life, subdued. And as limp as a freshly washed rag.

There was less than an hour left until the midnight curfew. We made our way back to the Grand Ole Opry Club and waited out front, watching as the band loaded their equipment onto a flatbed truck.

Kimchee Kitty, the lead singer for the Kimchee Kowboys emerged. Her lush hair was piled high atop her head and she was wrapped in a long cloth coat with a fur collar that she held tightly beneath the soft flesh of her face. Our eyes met and she smiled at me. I almost asked for her autograph but decided at the last minute not to. Too shy.

Ernie mingled with the half-looped retirees in the street who’d stayed until the end of the show. I sauntered around inside and casually listened to the conversations of the bartender and the waitresses. There was no indication that anyone had noticed the hole Ernie and I had knocked in the brick wall of the basement. This was good. It meant we’d have time to obtain our search warrant and retrieve the bones of Mori Di and any still existing evidence of who had murdered him.

The truck carrying the Kimchee Kowboys had departed and most of the customers had left when I emerged from the club. A couple of business girls were tugging on Ernie’s sleeve. They weren’t propositioning him, not this time. Instead there was terror in their eyes.