“Oh, Mr. Arai,” Ghigo called out, “about that flower-”
Mas stopped midstep and waited.
“Just got that lab result. The hair wasn’t human. Animal hair, most likely a deer’s. Don’t figure a deer shot a bullet through Mr. Ouchi’s head, do you?”
chapter five
Mas never understood why people wanted to make a fool out of him. In Japanese, there were two types of fools: bakatare and aho. You called someone a bakatare if he forgot to turn off the stove so that the teakettle became bone-dry and its bottom burnt black. The same went for using an edger much too close to the sidewalk and dulling the blade.
But aho was different. You were an aho when a gas blower salesman told you a fancy upgrade was quiet as a mouse, and you believed him, only to find out the expensive upgrade was not only loud but a piece of junk, too. Sometimes you couldn’t help being bakatare, but there was no excuse for being an aho.
Detective Ghigo’s announcement about the deer hair was supposed to make Mas feel like an aho. In that sense, the detective had succeeded. Mas didn’t know why he had told the detective to take a second look. It had probably wasted some valuable time in finding clues to Kazzy’s real killer.
“That Detective Ghigo probably thinkin’ I makin’ him run around for no reason,” Mas said to Haruo on the phone that night.
“No worry, Mas. You always gotsu good hunches.”
“I tellin’ you, Haruo, that gardenia a giant one. Neva saw nutin’ so big.”
For once, Haruo didn’t interrupt, and let his friend go on until he ran out of gas.
While Mas slept in the underground apartment that night, he dreamt of deer grazing in a lush green valley and then the valley on fire, the deer ablaze.
Both Mari and Lloyd were staying at the hospital, so Mas found himself on his own again the following morning. He planned to check on the cherry blossom trees after eating a bowlful of dry shredded wheat. There was no real milk in the refrigerator except for a carton of the soy kind. Mas liked tofu in his miso soup, but stopped short of putting milked soybeans in his breakfast cereal.
The phone rang, and Mas picked it up, expecting to hear either Haruo’s or Mari’s voice. But instead it was a hakujin man with a nasal accent. “Hello, is this the Jensen residence? I’d like to talk with Lloyd Jensen.”
“Heezu not here.”
“How about Mari Jensen?”
“Sheezu not here.” Mas waited for the caller to identify himself and leave a message.
“This is Jerome Kroner with the New York Post. I really need to speak with one of them for a follow-up story I’m writing on the death of Kazzy Ouchi.”
“They not here, orai? They can’t talk to nobody,” said Mas, slamming the phone. Mas never thought much of reporters. He was used to scaring them away from his TV star customer’s property in Pasadena. These journalists were the type to lie, beg, and cheat to snap a photograph of an actor getting into his hot tub or picking up his mail. One time a reporter even offered Mas some cash to tell him who was staying overnight at his customer’s house. “Is it a woman? Or a man?”
About ten minutes later, the phone began ringing again. Mas had the good sense not to answer, but listened as the machine recorded the message. This time it was a woman with the New York Times. Why was every baka na reporter calling now? What had that Jerome Kroner said, some kind of follow-up? That meant there was something to follow up from.
No. It couldn’t be. But maybe. Mas got dressed and hurried across the street to the newsstand next to the greengrocer. Post, Post. Mas looked among the newspapers, but only saw the New York Times, Wall Street Journal. “You gotta Post?” he asked a heavyset black man in an apron.
“Right here.” The newsstand man pressed his dirty fingernail against a tabloid right in front of Mas’s face on the counter.
This a newspaper? Mas wondered. But he laid down a few coins anyway. Resting against a wall, Mas pulled at the pages as if he were shucking corn in the fields. Nothing, nothing. And then on page eight, a grainy photo of the empty pond, and then a story taking up a quarter of a page.
SILK TYCOON KILLED IN GARDEN, the headline read with a smaller headline underneath, JAPANESE COMMUNITY FEARS HATE CRIME.
Hate crime? Mas thought. Of course, the killer must have hated Kazzy, but it might not have anything to do with him being half-Japanese.
The article reported the facts: Kazuhiko “Kazzy” Ouchi dead at age eighty. Believed to have suffered a gunshot wound. There was no mention of the gun found in the trash can; the police must still be figuring if it was linked to the shooting.
Then some background on Kazzy: he was born in the Waxley House, the only son of a Japanese gardener and an Irish maid. It went on to say that he was a self-made millionaire, having learned the rag trade in the Garment District as a young teenager. Founder and president of Ouchi Silk, Inc. Survived by a son, Phillip Hirokazu Ouchi, senior vice president of Ouchi Silk, and a daughter, Rebecca Emiko Ouchi, secretary of the Ouchi Foundation.
Mas read slowly, tracing each sentence with the tip of his index finger. Then came the paragraph:
The Waxley House’s director of landscaping, Lloyd Jensen, was unavailable for comment and, according to a source, was being questioned by police.
Sonafugun, thought Mas. The news was out. No wonder all these reporters were calling the underground apartment.
The article didn’t end there. It mentioned that a homeowners’ group had organized against the planned Waxley House Garden and Museum, led by a man named Howard Foster. Must be the neighbor, Mas figured.
Members of New York City ’s Japanese community expressed concern that the killing could be linked to a recent spate of vandalism to the garden. “There’s been animosity toward the Japanese for decades,” stated Eddie “Elk” Mamiya, at the New York Japanese American Social Service Center. “It wouldn’t surprise me if Mr. Ouchi’s death was indeed a hate crime.”
Mas tore out the story and smashed the rest of the paper in a trash can. He needed, more than ever, to get back to trees and plants. As he approached the Waxley House, Mas noticed that the sycamore tree out front seemed diseased, its distinctive patchwork bark funny-looking in some places. Mas was partial to sycamores, since many of the tall, giraffelike trees graced his neighbor’s yard in Altadena. Every winter, the sycamores would shed their huge leaves shaped like giant outstretched hands. Mari had loved those leaves and collected them in scrapbooks and even played in piles of them, L.A. ’s version of snowdrifts. Even though they were a hassle to rake, Mas couldn’t bear to curse them.
Mas walked over to a branch, touching an area that seemed to sink in. Piece by piece, like shedding different shades of old green and brown paint, he peeled away the layers of bark. Sure enough, the wood beneath was bluish black, a bruise that signaled serious sickness. The limb would have to come off for the tree to survive.
So now it wasn’t only the cherry blossom trees, but also the sycamore. The whole garden was in trouble.
Mas went straight to the front door and knocked. He didn’t want to let himself in if he didn’t have to; he, Mari, and Lloyd were in enough hot water as it was.
The door opened, revealing the full figure of Becca Ouchi. She was dressed in a tight brown turtleneck sweater and a pair of pants that ended just below her knees. Mas could see that she had a good set of daikon ashi, Japanese white radish legs that bulged out unapologetically. That must have come from the part of her that was Japanese. “Mr. Arai,” she said, “oh, hello.”