And after the Israelis went into Beirut, after each new thing that happened, you’d spit as though you were wiping out the past, and you’d say, “Back to the beginning!”
So, you want the beginning.
In the beginning, they didn’t say “Once upon a time,” they said something else. In the beginning they said, “Once upon a time, there was — or there wasn’t.” Do you know why they said that? When I first read this expression in a book about ancient Arabic literature, it took me by surprise. Because, in the beginning, they didn’t lie. They didn’t know anything, but they didn’t lie. They left things vague, preferring to use that or which makes things that were as though they weren’t, and things that weren’t as though they were. That way the story is put on the same footing as life, because a story is a life that didn’t happen, and a life is a story that didn’t get told.
Do you like this story?
It isn’t real, you’ll say, but I don’t know any real stories, because my mother left me and went away before she could finish it. And the stories I know myself, you know, too.
Your eyes are alight with memories, and they’re asking for the story’s beginning.
The beginning of the story says that you were like a dead man, and there was no hope of reviving you. Dr. Amjad told me, “There’s no hope” — but I wasn’t convinced, and decided to try to treat you by talking to you.
Once upon a time, a long time ago, there was — or there wasn’t — a young man called Yunes.
No. I have to start from the place you don’t know, meaning from here, from the end, because the story can only start from its ending. I don’t want it to be for you the way it was for me: I never knew the ends of stories because I would fall asleep before my mother got to them. You, however, are going to know the story starting with the ending.
The ending says that it was nine in the evening. I was sitting on the balcony of my house in the heat and humidity of August drinking a glass of arak. There’s nothing like arak in the summer because it makes you burn hotter than the night. Each evening, I would nurse my sorrow and fear with arak. I was drinking on the balcony and eating a salted tomato and pistachios when I heard a violent banging on the door. Opening it, I found Amna, her face emerging from the shadows. All I could understand of what she said was that you were in the hospital. I thought you’d died, God forbid. Amna told me how you’d fainted and fallen to the ground like a piece of wood. I listened, waiting for her to say you’d died. I wasn’t sad. I felt a space emptying in my heart, but I wasn’t upset. I asked where you were. I tried to get through the door to go to you, but Amna wouldn’t let me by. She stood rooted to the spot and talked. I tried to get out, but she blocked the door with her hand.
She said it had started the previous night, when you’d lost the ability to speak. She’d gone to visit you, and found you wandering around the place, muttering. She’d asked you what was wrong and you’d answered, but your tongue couldn’t form the words.
“That’s when I realized,” Amna said. She ran to the hospital and told them, but nobody came. The nurse said she would send someone to look for Dr. Amjad, but Dr. Amjad didn’t come.
“I stayed with him the whole night. Do you know what that means? He was wandering around his house and wouldn’t settle down. He would raise his left hand and speak at the top of his lungs but you couldn’t understand a word. I tried to calm him down. I sat him down and gave him a glass of aniseed tea. I led him to his bedroom, but when he saw the bed he went into a frenzy, and I ran in circles after him. He opened the front door and tried to leave. Look at my shoulder, my body’s covered in bruises. No, he didn’t hit me, but he was as strong as a bull, and I was running around after him in tears.”
“Okay, okay, Amna,” I said, and I tried to get past her so I could go to the hospital, but she blocked the way with her hand.
She said she’d been alone with you and that you’d scared her. She’d knelt down in front of you and beat her chest with her fist. She said you calmed down when you saw her kneeling. You looked at her as though you didn’t understand, then fell to the ground.
At that point, I slipped between her hand and the door and went out.
Amna followed me, panting and talking, but I didn’t listen. And at the hospital door, she said that doctors were bastards and that I was a doctor too and had no pity in my heart and that she’d waited for them to come, alone with you, until evening.
I went into the hospital and ran to the nurses’ room so I could put on my white gown and go to you. Amna ran after me and said God would never forgive us. Then she disappeared.
You’re upset with Amna because she doesn’t come to visit you. Don’t be angry with her. She doesn’t know that you can hear and feel and are sad. She was convinced you’d died, so why should she come?
Who is Amna Abd al-Rahman really?
Is she a cousin of yours, as you told me? Were you in love with her? Why didn’t you talk about her?
The fact is, my friend, you should tell me something about your women. You’re a man surrounded by women, and there’s something strange in your round pale face that inspires love; it’s the face of a man who is loved. You always described yourself as a lover, but I think you hid your lovers. You only spoke about one woman, and even that one you only would talk about a little. Piecing the glimpses together, I turned it into a story. But you mentioned love only in passing. You jumped over the essential story as though it were a pool in which you might drown. Once I plucked up my courage and asked you where you made love with Nahilah. I didn’t say her name, I just said “her,” and you smiled. You were in a good mood that day. Your eyes shone, you raised your right hand in a vague gesture and said, “There. Among the rocks,” and fell silent. It fell to me to collect your asides and mutterings and work them into a story to tell you.
Now you can’t shut me up. I can say whatever I want and tell you that it’s your story. My goal isn’t to make one up. I’m only half a doctor awaiting death at the vengeful hands of Shams’ family.
I promised I’d start with the ending, and the end will come when you’ve left this coffin of a bed. You’ll get up, tall and broad shouldered, walking stick in hand, and you’ll return to your country. You will go first to the cave of Bab al-Shams. You won’t go to Nahilah’s grave, as everyone expects. You’ll go to Bab al-Shams, enter your village of caves, and disappear.
This is the only dignified ending to your story, which you’ll never betray.
I know what you’ll say and how you’ll roll the word betray around in your mouth, before announcing that you had no choice. Your life was a series of betrayals. You’ll say that in order for us not to betray, we have to change — that is, to betray.
You’ll tell me how the adolescent you were during the sacred jihad alongside Abd al-Qadir,* God rest his soul, was related to the young man you became in the Arab Commando Brigades, and then in the Arab Nationalist Movement.
You’ll say that the man you became in the Lebanon Regional Command of the Fatah Movement was a continuation of that same young man, but different from him in every way. You’ll speak to me of the older man you became, the one dreaming of a new betrayal, because one has to begin somewhere.
Where were we?
Did you know that all this sitting in your room has made me incapable of concentrating? I jump from story to story, I lose the thread and forget where I began.
I was telling you about Amna. No, but Amna wasn’t the point. I was telling you how they brought you to the hospital half-dead. We carried you into your room and put you on the bed. Your eyes were closed, and you were shivering with fever. They slipped an IV into your right hand, tying it first to the edge of the bed so the needle wouldn’t rip the artery, you were shaking and twitching so much.