Nothing altered in the level voice as he lifted the old infamy into view only to cast it in the next breath into oblivion, but the hand that had held hers tightened for a moment and relaxed. She found herself watching the hand as it moved now among the sheaf of papers.
“The second communication, picked up accidentally by Miss Vane in the quad, was destroyed like the other; but from the description I gather that it was a drawing similar to this.” He slipped out a paper from under the clip and passed it to the Warden. “It represents a punishment inflicted by a naked female figure upon another, which is clothed in academical dress and epicene. This appears to be the symbolic key to the situation. In the Michaelmas Term, other drawings of a similar kind appear, together with the motif of the hanging of some academical character-a motif which is repeated in the incident of the dummy found later on suspended in the Chapel. There were also communications of a vaguely obscene and threatening sort which need not be particularly considered. The most interesting and important one, perhaps, is the message addressed to (I think) Miss Hillyard. ‘No man is safe from women like you’; and the other, sent to Miss Flaxman, demanding that she should leave another student’s fiancé alone. These suggested that the basis of X’s grievance was sexual jealousy of the ordinary kind-a suggestion which, again, I believe to be entirely erroneous and to have obscured the issue in a quite fantastic manner.
“We next come (passing over the episode of the bonfire of gowns in the quad) to the more serious matter of Miss Lydgate’s manuscript. I do not think it is a coincidence that the portions most heavily disfigured and obliterated were those in which Miss Lydgate attacked the conclusions of other scholars, and those scholars, men. If I am right, we see that X is a person capable of reading, and to some extent understanding, a work of scholarship. Together with this outrage we may take the mutilation of the novel called The Search at the exact point where the author upholds, or appears for the moment to uphold, the doctrine that loyalty to the abstract truth must over-ride all personal considerations; and also the burning of Miss Barton’s book in which she attacks the Nazi doctrine that woman’s place in the State should be confined to the ‘womanly’ occupations of Kinder, Kirche, Kuche.
“In addition to these personal attacks upon individuals, we get the affair of the bonfire and the sporadic outbursts of obscenity upon the walls. When we come to the disfigurement of the Library, we get the generalized attack in a more spectacular form. The object of the campaign begins to show itself more clearly. The grievance felt by X, starting from a single person, has extended itself to the entire College, and the intention is to provoke a public scandal, which may bring the whole body into disrepute.”
Here for the first time the speaker lifted his gaze from the bowl of marigolds, let it travel slowly round the table, and brought it to rest upon the Warden’s intent face.
“Will you let me say, here and now, that the one thing which frustrated the whole attack from first to last was the remarkable solidarity and public spirit displayed by your college as a body. I think that was the last obstacle that X expected to encounter in a community of women. Nothing but the very great loyalty of the Senior Common Room to the College and the respect of the students for the Senior Common Room stood between you and a most unpleasant publicity. It is the merest presumption in me to tell you what you already know far better than I do; but I say it, not only for my own satisfaction, but because this particular kind of loyalty forms at once the psychological excuse for the attack and the only possible defence against it.”
“Thank you,” said the Warden. “I feel sure that everybody here will know how to appreciate that.”
“We come next,” resumed Wimsey, his eyes once more on the marigolds, “to the incident of the dummy in the Chapel. This merely repeats the theme of the early drawings, but with a greater eye to dramatic effect. Its evidential importance lies in the ‘Harpy’ quotation pinned to the dummy; the mysterious appearance of a black figured frock which nobody could identify; the subsequent conviction of the ex-porter Jukes for theft; and the finding of the mutilated newspaper in Miss de Vine’s room, which closed that sequence of events. I will take up those points later.
“It was about this time that Miss Vane made the acquaintance of my nephew Saint-George, and he mentioned to her that, under circumstances into which we need not, perhaps, inquire, he had met a mysterious woman one night in your Fellows’ Garden, and that she had told him two things. One: that Shrewsbury College was a place where they murdered beautiful boys like him and ate their hearts out; secondly: that ‘the other had fair hair, too.’”
This piece of information was new to most of the Senior Common Room, and caused a mild sensation.
“Here we have the ‘murder-motif’ emphasized, with a little detail about the victim. He is a man, fair, handsome and comparatively young. My nephew then said he would not undertake to recognize the woman again; but on a subsequent occasion he saw and did recognize her.”
Once again the tremor passed round the table.
“The next important disturbance was the affair of the missing fuses.”
Here the Dean could contain herself no longer and burst out:
“What a lovely title for a thriller!”
The veiled eyes lifted instantly, and the laughter-lines gathered at the corners.
“Perfect. And that was all it was. X retired, having accomplished nothing but a thriller with good publicity value.”
“And it was after that,” said Miss de Vine, “that the newspaper was found in my room.”
“Yes,” said Wimsey; “mine was a rational, not a chronological, grouping… That brings us to the end of the Hilary Term. The Vacation passed without incident. In the Summer Term, we are faced with the cumulative effect of long and insidious persecution upon a scholar of sensitive temperament. That was the most dangerous phase of X’s activities. We know that other students besides Miss Newland had received letters wishing them bad luck in their Schools; happily, Miss Layton and the rest were of tougher fibre. But I should like particularly to draw your attention to the fact that, with a few unimportant exceptions, the animus was all directed against dons and scholars.”
Here the Bursar, who had been manifesting irritation for some time, broke in:
“I cannot imagine why they are making all that noise underneath this building. Do you mind, Warden, if I send out and stop it?”
“I am sorry,” said Wimsey. “I am afraid I am responsible for that. I suggested to Padgett that a search in the coal-cellar might be profitable.”
“Then,” pronounced the Warden, “I fear we must put up with it, Bursar.” She inclined her head towards Wimsey, who went on:
“That is a brief summary of the events as presented to me by Miss Vane, when, with your consent, Warden, she laid the case before me. I rather gathered”-here the right hand became restless and began to beat out a silent tattoo upon the tabletop-“that she and some others among you were inclined to look upon the outrages as the outcome of repressions sometimes accompanying the celibate life and issuing in an obscene and unreasoning malice directed partly against the conditions of that life and partly against persons who enjoyed or had enjoyed or might be supposed to enjoy a wider experience. There is no doubt that malice of that kind exists. But the history of the case seemed to me to offer a psychological picture of an entirely different kind. One member of this Common Room has been married, and another is engaged to be married; and neither of these, who ought to have been the first victims, were (so far as I know) persecuted at all. The dominance of the naked female figure in the early drawing is also highly significant. So is the destruction of Miss Barton’s book. Also, the bias displayed by X seemed to be strongly anti-scholastic, and to have a more or less rational motive, based on some injury amounting in X’s mind to murder, inflicted upon a male person by a female scholar. The grievance seemed, to my mind, to be felt principally against Miss de Vine, and to be extended, from her, to the whole College and possibly to educated women in general. I therefore felt we should look for a woman either married or with sexual experience, of limited education but some acquaintance with scholars and scholarship, whose past was in some way linked with that of Miss de Vine, and (though this was an assumption) who had probably come into residence later than last December.”