He strode over to the nearest doors and tried to force them open; but they wouldn’t budge, no matter how much strength he threw against them. He strained until his fingers cried out with the pain, and his back muscles ached fiercely. None of it did any good. He ran down the whole length of the train, trying door after door, and couldn’t move any of them. The train wasn’t going to give up its prey that easily. JC lurched back up the platform, breathing hard, his face slightly crazed, beating at the car-windows with his fists and shouting hoarsely, trying to reach the people within. To get them to acknowledge his presence, to stop them mutilating each other, if only for a moment. But none of them so much as noticed him, intent on the awful things they were doing and their own torment. JC wasn’t even sure they knew the train had stopped.
He tried the front doors, nearest the engine, struggling to force his aching fingers into the gap between the doors.
“You really think that’s a good idea?” said Melody, raising her voice over the bedlam. “You really want to let those animals loose, out here with us? Listen to them!”
“They’re the victims here!” JC said savagely. “It’s not their fault! They’ve been driven to this. Maybe if we can get them out . . . they’ll be themselves again. We have to try! We have to try to save some of them . . .”
But he couldn’t open the doors. He fell back from the train, breathing harshly, desperate to do . . . something. He spotted Happy still curled up on the platform and lurched over to him. He bent over the telepath, pulled the man’s hands away from his ears, and shook him viciously until Happy’s eyes opened and focused on JC.
“Leave me alone,” Happy said pitifully. “I can’t stand it. I can’t.”
“What are you picking up from the train?” demanded JC.
“Are you mad?” said Happy. “I’m doing all I can to shut it out! But it’s too strong, too powerful . . . my shields are nothing to it! Fear and horror and suffering, that’s what I’m getting! I’m not picking up a single coherent human thought from anyone on the whole bloody train!”
“Can you make them hear you?” said JC.
“They’re beyond that,” Happy said miserably. “They’re trapped in the eternal moment. Damned to a single time and place, forever. Only aware of themselves and each other; and the awful things they’re doing. They don’t even know we’re here.”
JC turned to Melody. “Talk to me! What are your instruments showing? Anything we can use?”
“Massive energy readings,” said Melody, concentrating on her instrument panels so she wouldn’t have to look at the train. Her eyes were wild, and she looked like she might be sick at any moment, but she kept her voice steady. “Definite traces of other-dimensional energies, but not from the train, or the poor bastards inside it. There’s something here in the station with us, deep in the system. In the tunnels, or maybe even underneath them. It’s powering the train, making it possible. It’s responsible for everything that’s happening.”
JC looked back at the long line of cars, packed with blood and horror and endless carnage. Bodies slamming together, teeth and fingers sinking into flesh; men and women driven out of their minds by base and brutal urges and appetites. They clung to life with a terrible tenacity; in the face of murder and rape and cannibalism, they would not lie down and die. Broken and bloodied, with gaping holes in them where flesh and organs had been torn away and eaten, still they fought on. A woman’s screaming face was slammed against the car-window right in front of JC. Slammed again and again and again, till her features disappeared into a pulped and bloody mess. And still she screamed, and struggled . . .
He turned back to Melody, his voice shaking with shock and frustrated rage. “Do something! There must be something you can do! What good are your precious instruments if they can’t do anything! Stop this! At least . . . open a door so I can get to them!”
“I can’t!” Melody yelled back at him. “It’s too big, too powerful! Just by being here, this train is overwhelming all my sensors. Something like this shouldn’t even exist in our dimension. The material plane isn’t strong enough to contain it. I think . . . the train itself is alive, and aware, and gorging itself on the suffering.”
And then the engine revved up, the sound painfully loud, and the cars jerked forward as the hell train pulled out of the station, gathering speed impossibly quickly. Then it disappeared into the far tunnel-mouth and was gone, taking its cargo of the damned with it. That dreadful, downbound train.
Suddenly, the station was still and silent and sane again. Melody slumped over her instruments, sweat running down her face. Happy leaned against the wall, pressing his face against the cool tiles, his eyes wide open because he couldn’t stand to see what he saw when he closed them. JC stood helplessly in the middle of the platform, trying to find something to say, and failing.
Happy tried to pull a bottle of pills out of his pocket, but his hands were shaking too much. He finally jerked the bottle out, only to watch it fall from his hands as he tried and failed to open the child-proofed lid. The plastic bottle hit the platform hard but bounced without breaking and rolled back and forth at his feet. Happy started to cry.
JC moved over and stood close beside him. He knew better than to touch the telepath but did his best to comfort Happy with his presence. JC had finally got his breathing under control, but he still looked like he’d been in a fight, and lost.
“We’re all shaking,” JC said finally. “How about that. We’ve faced worse than this, in our time. I have to say, I thought we were stronger than this.”
“Normally, we are,” said Melody. “But this was different. We deal with hauntings, echoes, memories of the past. We’re not used to dealing with real blood and violence and death, right there in front of us. Most of the things we experience . . . actually happened long ago. Done and finished, years before. There was nothing we could do about them, nothing we could do to save the people involved. We came in afterwards, to clean up the mess they’d left behind.”
“This is different,” said JC slowly. “We have to stop this happening, before it gets any worse. Before it has a chance to spread . . .”
“Don’t,” said Happy. “Just . . . don’t, okay?”
“Buck up, man,” said JC, in something very like his normal voice. He made himself stand up straight and moved over to stand beside Melody, so he could pretend to study the monitor displays. “We need more information. Hard information that we can rely on. Particularly, we need to locate the source for all this. Can you give me anything, Melody?”
She shook her head. “Whatever it is, it’s unnaturally powerful and really well hidden. Defended by energies of a kind I’ve never encountered before. We’re way beyond this world’s science, JC. We’re in other-dimensional territory now. It’s confusing the hell out of my computers; they can’t tell me what it is, only what it isn’t. But if you’re ready for some more bad news . . . From the way its defensive shields reacted to my sensor probes, I’m pretty sure it knows we’re here and looking for it.”
“Wonderful,” Happy said bitterly. “Can things get any worse?”
“Hold it,” said Melody. “I’ve got energy spikes all across my boards! Something’s coming!”
“Not another train,” said Happy. “Please say it’s not another train. I couldn’t stand it.”
“No,” said Melody. “Nothing like the hell train. Nothing so brutal. This is more . . . subtle.”
All three of them looked around, but there was nothing to see. The dark tunnel-mouth was empty, and the rail tracks were still. There was a subtle tension in the air, a feeling of imminence, of something about to happen. The light seemed even fiercer, the shadows deeper. And then webbing began to form, appearing out of nowhere all down the length of the platform. Thick grey spider-webs, forming like mist out of the brittle air. They crawled across the high ceiling, spreading in patterns like frost, shooting this way and that in sudden spurts. More of the stuff dropped from the ceiling, floating down in sheets of silver-grey gauze. Thick clumps of webbing formed in the angles and intersections between platform and wall, and shot up over the metal seats and the vending machines, cocooning them in moments. Long strands drifted on the air, undulating slowly on unfelt gusts of wind.