Happy and Melody stuck close together, braced and ready for an attack that never came.
“Must bring back memories, eh?” Old Tom said cheerfully to Benjamin and Elizabeth. “All the plays you appeared in, all the characters you played; must feel like coming home. I suppose.”
Benjamin and Elizabeth walked to the very front of the stage, as though drawn there. They stood arm in arm, looking out into the Past, smiling reflectively.
“This was our kingdom, once upon a time,” said Benjamin. “Where we were Kings and Queens, angry young men and femmes fatales…We played Shakespeare and Marlowe, Becket and Brecht, Oscar Wilde and George Bernard Shaw, bless his declamatory speeches…Hell, we did it all, didn’t we girl, one time or another. For everything from standing ovations to sullen silences. Because you can’t please all the people all of the time, the ungrateful bastards…”
“I sometimes think we had more fun backstage,” said Elizabeth. “Applause is what it’s all about, of course; but there’s more to theatre than the smell of the crowds and the roar of the grease-paint. For happy times and camaraderie, give me a theatre bar any day. Do you remember the one time we did the Scottish play.”
“Ah, the Caledonian Tragedy,” said Benjamin.
“Do you by any chance mean Macbeth?” JC said innocently.
Everyone except the Ghost Finders winced.
“Please,” said Benjamin, with all the dignity he could muster. “Don’t do that. It’s unlucky.”
“And I really don’t think we’re in any position to push our luck at the moment,” said Elizabeth.
“Anyway,” said Benjamin, “you remember young Dicky Moran, dear; playing Seyton, MacB’s second in command? He was lumbered with one of the most familiar lines from Shakespeare: The Queen, my lord, is dead. Well, what can you do with that that hasn’t been done a hundred times before? Particularly if you’re young and ambitious and keen to be noticed, like Dicky? We got all the way to the technical rehearsal, before Dicky came up with his Big Idea and presented it proudly to the director. He wanted to walk on stage with the Queen lying limp in his arms, present her to the King, then say the line! Would have been very effective. You were up for it, weren’t you, darling?”
“It would certainly have made a big impression,” said Elizabeth, which JC couldn’t help noticing wasn’t exactly the same as agreeing, “But the director wouldn’t wear it. Complete sense-of-humour failure…Which is probably why Dicky did what he did the next evening, at the dress rehearsal…You remember, darling; it was right at the end, with half the cast on stage celebrating MacB’s death, and the rest of us watching from the stalls. Hoping it would all end soon, so we could get a drink in. Someone has to bring on a fake severed head and say it’s MacB’s, then the big names go into soliloquy mode. Well, Dicky noticed that the actor holding the head was surreptitiously turning it back and forth so that it seemed to be looking at whoever was speaking. Well, once Dicky saw that, he couldn’t help himself. He started going Gottle of Gear from the front row, and other ventriloquist classics, like Get back in the box! I don’t want to get back in the box! And, of course, the moment he pointed it out, everyone else could see it, too! We rocked with laughter, all of us! We fell about, we leaned on each other, we laughed till we cried. Completely ruined the atmosphere…”
“The director blew his top,” said Benjamin, nodding happily. “Wanted to fire young Dicky, right there on the spot. But I put my foot down.”
“Indeed you did, darling,” said Elizabeth, “and quite right, too. Though the first night we had to go on without a severed head because no-one could look at it with a straight face any more. And might I point out, darling, you could be just as bad yourself. I’ve never been able to forget what happened with Cider with Rosie…”
“Oh God, yes,” said Benjamin, grinning broadly and not looking in any way ashamed of himself. “It was the technical again, when evenings grow long, and nerves grow short. We’d been running the play for hours, and we were all exhausted. We wanted to go home, or to bed, or both. Anyway, we’d finally made it to the last scene, where young Laurie Lee is in the hay-cart with young Rosie, and she’s about to give him a glass of cider and show him what life is all about…Except, neither of the two youngsters could get their lines right! They kept stopping, or jumping, or getting it wrong, over and over and over…The rest of the cast were all out there in the auditorium, watching from the shadows, getting more and more impatient. Until finally a voice was heard, rising out of the dark, saying For God’s sake, Rosie, will you please wank him off, then we can all go home!”
There was general laughter, while Elizabeth shook her head in mock condemnation. Benjamin smiled innocently.
“Might have been me. Might not. Who can say?”
Lissa wasn’t laughing. She had her arms folded tightly across her chest and was trying very hard to look as though such unprofessional behaviour was entirely beneath her. Elizabeth smiled at her frostily.
“You haven’t done much stage-work, have you, dear? You mustn’t worry—it’s the little moments of madness that keep us all sane. And after our play, you’ll be able to command every stage you walk onto. You really must try some Shakespeare; nothing like the Bard to stretch the acting muscles.”
“I have always fancied putting myself up for Lady MacB,” said Lissa. “But if I do, I’ll stick to the words. I really don’t have any time for sparking up the material with special bits of business, like certain actresses who’ve played her nude, or peed on stage during the sleep-walking scene.”
“Yes,” said Benjamin. “I remember that. I do recall being a bit nervous about which way the stage was sloping…”
“It’s all about the performance,” Lissa said firmly. “Shakespeare doesn’t need improving.”
“It’s all about getting noticed,” Benjamin said wisely. “But, then, you’ve probably never had any problems with that, have you?”
They all stopped and looked around sharply. Suddenly, without any warning, there was the sound of loud footsteps approaching from off stage. No build-up, no quiet sounds growing louder; only very heavy footsteps in the far wings, heading towards the stage. Everyone turned to look. The footsteps grew even louder, and heavier, as they drew nearer, slamming down with more-than-human weight and an inhuman sense of purpose. The stage itself seemed to shake and shudder with every step as though in anticipation. As though it was frightened. The footsteps reached the edge of the stage, left the wings, and continued on; but there was no-one there. Nothing to see, nothing at all. Only the sound—one loud crashing step after another, heavy enough to break the world, loud enough to raise the dead, crossing the stage with horrid determination, heading straight for the living.
Benjamin and Elizabeth clung to each other tightly, stupefied by what was happening, unable to move. Lissa fell back to stand behind Old Tom, who didn’t seem to know what to do. He stood there, staring blankly at the approaching footsteps. As though it were all happening to someone else. JC moved forward to face the sounds and place himself between the advancing footsteps and the civilians. Melody started after him, realised Happy wasn’t moving, grabbed him by the arm, and hauled him along with her. The three of them stood shoulder to shoulder, facing the approaching sounds.