The sixth and final portrait was a close-up of a stuffed fox’s head, mounted on a wall plaque, set high on some anonymous wall. The fox’s head was huge, filling the portrait, depicted in amazing detail. Melody could make out every individual strand of hair in the russet grey fur. The eyes weren’t the usual glass marbles you’d expect to find in a stuffed animal; instead, they looked dark and alive and full of a terrible fury. The lips were drawn back on the muzzle in an endless snarl, revealing sharp, vicious teeth.
Melody moved away and found herself back where she’d started, facing the first poster. She slowly turned around on the spot, still widdershins, letting the posters fly past her eyes in a circle. She didn’t even glance at her precious equipment. She only had time for the posters. What were they? What were they for? Advertisements, perhaps, for long-forgotten products? But if that was the case, why were there no words anywhere, no information, no details on the products the posters were promoting? Could they be…perhaps pieces of art, produced by patrons of the theatre, donated to cheer the place up? No. Whatever these images might be, they weren’t cheerful. Melody didn’t like them. Didn’t like any of them.
She was about to return to the safety and security of her instruments when she stopped abruptly and looked again at the first poster. Something was wrong. Something was different about the image before her. She slowly moved forward, drawn almost against her will, staring intently at the poster. The young bride in her wedding gown was now standing at the very bottom of the long, curving stairway. Not in the middle, where she had been. As though she’d walked all the way down while Melody had walked around the lobby, making her circuit of the posters. And the expression on the bride’s face had changed. She was still smiling out of the poster at the viewer, but now it was a hard and nasty, openly malicious, grin. Her teeth were broken, all sharp and jagged points. Her eyes were narrowed and fixed on Melody.
Melody made herself move on, drifting almost listlessly left, to the next poster. To see if that had changed, too. And, of course, it had. The clipper ship was sinking. As though it had hit something, unseen and unsuspected in the time it had taken Melody to come around to it again. The sunny skies were gone, replaced by a raging squall. The masts were all broken, the sails split and torn, the rigging in tatters. The ship was already half-under, and uniformed sailors were throwing themselves into the dark and choppy waters.
In the next poster, the four young men toasted Melody with glasses half-full of fresh and foaming blood. There were dark crimson stains on the rims of the glasses and around the mouths of the fine young men. Their skin was the colourless pallor of the grave, and their eyes were dark and knowing. Thin, dead lips had pulled back in a rictus, revealing razor-sharp shark’s teeth. Patches of grave mould showed clearly on the formal clothes they’d been buried in. The fingers wrapped around the fine glasses were broken and split, from where they’d had to claw through their coffin lids to get out.
In the fourth portrait, the woman in the butter yellow dress was still standing in her doorway, but now the door had been thrown wide open, and the dress was soaked in blood because the woman didn’t have a head any more. Someone had ripped it right off. Blood had coursed down from the ragged stump, down the whole length of her dress, plastering it to her body with ghastly red stains. More blood had splashed across the open door, coating it from top to bottom. The woman stood where she was, in the exact same pose, as though she hadn’t yet understood the terrible thing that had happened to her.
The fifth poster was the same wintry scene as before; but now the dark figure was running down the narrow lane towards her. Already it had covered half the distance, and something about it suggested the dark figure was approaching at fantastic speed. Legs pounding, arms flailing wildly, it was running right at Melody; and she knew it meant to do awful things to her when it finally reached her.
By the time she got to the sixth and final portrait, again, all she could feel was shocked and numb. The way everything kept changing had knocked her off-balance. Kicked her feet out from under her. She couldn’t seem to find her mental bearings. Every time she thought she knew where she was, it had changed. There was nothing she could count on, nothing she could depend on. The whole world had become fluid, unreliable, untrustworthy. Because if an image could change, so could anything. The floor might become the ceiling, her precious controls might grow teeth and snap at her fingers. Left could become right, and real become unreal. Sanity and madness could flip-flop, and you wouldn’t even know which was which. She looked at the image of the stuffed fox head; and it laughed soundlessly at her.
Just like a dream, thought Melody, as she moved slowly to the left, to stand before the first poster again. Like a nightmare where everything keeps changing, and changing for the worst. Where sane and ordinary everyday things can become horrible and threatening, and there’s no safety anywhere.
Her head was swimming, and it was all she could do to stand upright. It felt like the floor of the lobby was rising and falling, like a clipper ship at sea. She put out her hands for something to lean on, to steady herself; but there was nothing. She felt hot and sweaty, like a fever she’d had as a child, when it felt like the whole world might melt and run away. Melody growled suddenly, a harsh warning sound from deep in her throat. She was under attack.
That realisation was like a splash of cold water in the face. She couldn’t trust her eyes any more. The world might not feel real any more, but that didn’t mean she was mad. It meant she was under psychic attack. There was danger close at hand; she could feel that very clearly. She felt that there was something she ought to be doing, but she couldn’t seem to clear her mind enough to think what. So she stared at the poster before her, studying the image with all her concentration as though she could make it behave through sheer strength of will.
The young woman in the wedding gown had left the bottom of the long stairway and come forward to press her face up against the other side of the poster as though it were the other side of a mirror. She glared out at Melody, her face twisted with rage and an inhuman malice. Bloody tears ran down her distorted face from her madly staring eyes and dripped steadily off her chin. Her wide-stretched mouth now had lips the colour of dried blood, and it was packed full of needle teeth. She’d raised her hands and slammed them flat against the other side of the poster, the other side of the glass, as though she were banging against it, trying to break through.
Melody wrenched her gaze away and stumbled off, to the left, to stand before the second poster again. The clipper ship was almost gone, only its pointed prow and the tops of the masts still showing above the raging sea. The sky was full of dark clouds and heavy, sleeting rain. The sea was full of sharks, and there were bits of men and long streaks of blood everywhere in the waters. As Melody watched, crimson-tinged waters dribbled down the lobby wall from the bottom of the poster, as though the sea was breaking through. Melody stepped carefully backwards, away from the bloody sea-water pooling on the floor at the foot of the wall.
She found herself standing before the next poster. The four young dead men had emptied their glasses of blood and crushed the glasses to bloody splinters in their unfeeling hands. One of them had turned and sunk his teeth deep into the neck of the young man beside him, who smiled foolishly out at Melody. The other two had come forward, advancing on the poster, as though they could see Melody watching them. Their split-fingered hands reached out to claw their way through the poster and into her world.