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“Mr. Griffin calling about those arrangements,” I said, “could you please hold?”

She laughed. “Certainly. This is a bit earlier than I’d expected to hear from him. Will you tell Mr. Griffin that?”

“I will indeed. Anything else I should tell him?”

“Well … There’s a good chance I’d be ready by seven, if he happened by. And a fair chance, too, that reservations might be waiting for us at Commander’s.”

“Seven. Commander’s. Got it. And who is this again?”

The connection went. She would have set the phone gently in its cradle. Smiling.

Chapter Twenty-Six

Morning’s his best time, Catherine Molino said of Guidry. And my worst.

That particular morning, after returning to the house, drinking a pot of coffee and reading deeply into Rimbaud, I pulled my detective out of the box in which he’d rested peacefully for years, propped him up and set him to work, writing in his guise, there at the kitchen table as I looked past sink and sill and recalled a stream of cheap apartments:

My room looks out on a garden. There are enormous trees beneath my narrow window. At three in the morning, the candlelight grows dim and all the birds start singing at once in the trees. No more work. I gaze at trees and sky, transfixed by that inexpressible first hour of morning. I can see the school dormitories, completely silent. And already I hear the delicious, resonant, clattering sound of carts on the boulevards.

I have another drink and spit on the roof-tiles-because my room is a garret. Soon I’ll go down to buy bread. It’s that time of day. Workers are up and about all over the place. I’ll have a drink or two at the corner bar, come back to eat my bread and leftovers, be in bed by seven, when the sun brings woodlice out from under the roof-tiles.

Early mornings in summer and December evenings-these are what I remember, what I love most about this place I find myself.

I paused, changed the period to a comma, and added:

this place where I’ve fallen to earth anew.

Just what had prompted me to carry this away from my reading of Rimbaud? Why, of all things, candles? And, given that my books were set in New Orleans, surely the woodlice should be roaches-of the hearty species that, as one local friend notes with more than a touch of pride, rock you back on your heel when you step on them? But something had caught, and this wouldn’t be like other times I’d sat at the table scribbling. These pages wouldn’t go onto the heap of bills, junk mail and newspapers on the shelf by the table, by the Mason jar stuffed full of corks from wine bottles and the mug with its stub of a handle like a broken tooth and its cargo of buttons, paper clips, corroded copper pennies, dimes worn smooth. These pages would be, as they grew, my last book, a return to where it all started.

When the phone rang, levering me back into this world, I looked up in surprise. The clock on the stove read 1:13. Had I always known it was there? Small engines go on ticking everywhere about us.

Four calls all told, that afternoon.

The first was from Jeanette asking Deborah and me to dinner with her, Don and Derick that night. Kind of a celebration, she said. Though of what, they hadn’t decided yet. Maybe we could all do that together, decide.

“Thanks, Jeanette, but incredibly enough you’ve caught me on one of those rare evenings-these occur maybe two or three times a year-when I actually have plans.”

“Well, we’re sorry, of course. But we can do this later.”

“That would be great. As long as it’s not too much trouble.”

“We have dinner most nights, Lewis.”

“True enough. But you don’t celebrate every night.”

She paused before saying, “In our own way, I think we do.”

“There’s something else, Jeanette.”

I told her about Deborah’s departure.

“I’m so sorry, Lew. Are you okay?”

“I will be, sure.”

“If there’s anything we can do …”

“Thanks.”

“We’ll talk soon.”

“You bet.”

I’d barely made it back to kitchen, chair and legal pad before the phone rang again. I sat looking through the open doorway at the phone on its table, newel post, wooden floor, the pattern of it. A composition, like Van Gogh’s painting of his room at Arles, something brought to stillness and no longer quite of this world.

“I’ll be there in ten minutes,” Don said when I picked up.

“No need, my friend.”

“Fifteen at the outside.”

“Do us all a great favor, Don. Stay home with your family.

It’s cold out. And I’m fine.”

“Sure you are.”

“Really. I am.”

“You sure?”

“It’s not exactly like I was blindsided, is it? This’s been working its way to the surface for a long time.”

“And nothing you could do about it, I suppose.”

Little moved on street and sidewalk, lawns, porches. Every minute or two, as though chugging across a TV screen, exhaust a white plume, a car traversed the window. Two kids on collapsible scooters with bright green wheels rowed by. Had the neighborhood ever been this quiet, this still, by day? The cold was a part of it. But I had again the eerie, familiar feeling that there’d been some catastrophe, some dislocation, which only I and a handful of others had survived.

“How many times have we been through this, Lew, your side or mine?”

“Too many.”

“Both of us lost count some years back, I guess.”

“Probably just as well.”

“Yeah.” Behind him I heard the sounds of life going on: voices, rattle of cutlery and dishes, drawers, cabinets, a radio or TV. “Angels die. Because the air’s too thick for them down here. Skull Meat.”

“Or The Old Man. One of them, anyway.”

“You always disparage your books, Lew, pretend they aren’t important to you. I never have understood that.”

“They’re important-if that’s the right word-while I’m writing them. Afterwards …” Afterwards, what? “They’re pretty much a blur to me. One runs into another.” Like our lives here on the island. Scatter of bright segments, the rest of it mush.

Another of those comfortable silences that existed between Don and myself from the first, and that increasingly with the years seemed to occupy our time together, fell.

“Okay, so I’ll stay home,” Don said finally. “But only if you promise to call if you need me, man. A drink, a meal, just to talk.”

“Absolutely.”

The third call came within the hour. I was building a sandwich from the stump of a pork roast, cold bread, horseradish, mustard and mayonnaise, slivers of pickle. Children sauntered, biked and skateboarded by outside on their way home from school, children dressed in plaid skirts or charcoal-gray slacks, children in baggy cargo pants and bell-bottoms salvaged from thrift shops, children with processed hair, buzz cuts, bouffants, dreadlocks, multiple piercings. In the front room, off hall and telephone berth, NPR’s Talk of the Nation beamed in from the greater world. As did this call.

“David?”

“I don’t have much time. I just wanted to let you know that I’m all right, didn’t want you worrying.”

“Where are you?”

“Out in the world somewhere. That’s what Buster Robinson and your other characters would say, right?” Someone spoke behind him. He covered the mouthpiece to respond, after a moment took his hand away. “Look, I’ll be in touch soon, okay?”

“David-”

The connection went.

Most of an hour later, sandwich a scatter of crumbs on a chipped plate, half a bottle of California chardonnay sent after it, the fourth call came.